A periodic nod to object typologies both obscure and ubiquitous, featuring five of our favorite recent examples. Today, our subject is the yoga mat, a typically utilitarian slab of inoffensively colored foam that, thanks to the magic of digital printing, is getting a new dose of personality.
We gave you a sneak peek of Fredrik Paulsen’s solo exhibition at Paris’s Galerie Torri earlier this summer, but when we saw the Stockholm-based designer had properly photographed the whole collection, we wanted to share the results. Called Mikado — a name we assume originates from the European form of pick-up sticks — the chairs are made from simple pieces of pine that Paulsen stains a brilliant teal blue.
Justine Ashbee is one of those talents we've been circling around for years — first coveting a fine, copper-threaded special-edition light she did with Iacoli & McAllister, then ogling her beautiful wall hangings in stories like our own home tour with Totokaelo's Jill Wenger and outlets like Maryam Nassir Zadeh. But we've never had a proper introduction to the onetime Seattle-based artist — now living in Brighton, England — until today.
When we decided a few weeks ago to host a good old-fashioned pumpkin-carving contest with our friends at Snarkitecture — and to invite more than a dozen of our favorite architects and designers to compete — we figured there would be lots of intricate, hand-drawn patterns (there were, courtesy of Daniel Horowitz’s pumpkin in the form of a brain). We knew at least one group would employ meticulous typography (ditto, thanks to Benjamin Critton Art Dept.) What we didn’t guess — perhaps naively, in hindsight — was that the designers would come armed with such an array of power tools, Japanese machetes, kitchen electrics, Arduino-coded LEDs, drywall screws, and the like. As a result, what unfolded last night at Snarkitecture’s Greenpoint studios was nothing short of amazing. Here’s what went down.
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A gorgeous crystal-growing video made us ponder the meaning of life, brushtrokes and Matisse-style cutouts on tote bags and kimonos were our favorite visual trends, and a French graphic design duo (pictured above) caught our eye with their technicolor zebra patterns.
For the past few years, Kathleen Whitaker's name has been practically synonymous with the ubiquitous gold dot and line earrings that are a staple in boutiques everywhere. But her work has been evolving recently, making it the perfect time to check in and see what's motivating her now.
A new book documents the jaw-dropping collaboration between Japanese plant whisperer Kohei Oda and longtime Sight Unseen favorite Adam Silverman, who over the past year have made a series of potted cacti that are amazing in their complete and total eccentricity.
New York creative firm RoAndCo have used a Memphis- and trompe l'oeil–inspired motif as a jumping off point for a brand new series of art prints for sale exclusively on Bezar. The pastel-colored prints, which come in the 11 different designs pictured below and range from $29 to $129, depending on size, are only available for purchase for the next five days.
At a material level, Gyrecraft is a collection of high-end objects made with plastic debris reclaimed from the ocean. But the significance of the project lies in the complex historic and cultural references woven into its narrative and assembled into a compelling critique of the modern concept of luxury.
Chicago-based photographer Robert Chase Heishman got his start at the ripe age of 18 at the world-renowned Merce Cunningham Dance Company in New York. There, Heishman was entrusted to create a set design for the work Split-Sides. Cunningham — known for his frequent collaborations with musicians John Cage and David Tudor and artists like Robert Rauschenberg and Bruce Nauman — worked closely with Heishman, and thus the photographer’s appreciation for chance-operations, collaborations, and process-based art was born.