After our recent post on jewelry created by famous ’80s-era Memphis-group architects, readers came to us asking where they could find the pieces (good luck), while even copies of the out-of-print book we pulled the images from immediately became exponentially harder to procure (for under $350, at least). And so despite the excitement the post generated, it was destined to remain a mere digital artifact for most. That’s why we were so happy to discover, shortly thereafter, Acme’s Legacy collection, through which the 30-year-old accessories brand — which these days focuses on designer pens — has been quietly pulling Memphis jewelry pieces out of its archives and making them available for sale at shockingly reasonable price points. From 1985 to 1992, Acme founders Adrian Olabuenaga and Leslie Bailey produced more than 100 different earrings, brooches, and necklaces by design titans like Ettore Sottsass, Joanna Grawunder, Alessandro Mendini, and George Sowden, a big chunk of which are now up for grabs on its Legacy page. We asked Olabuenaga a few questions about the history and future of the project.
We’ve been huge fans of Cranbrook grad Jesse Moretti’s work ever since her solo show at Patrick Parrish gallery (then Mondo Cane), way back in 2013. There’s something about the palette Moretti uses, the saturated gradients she employs, and the way she zigzags back and forth between spare, geometric marks and full-bleed patterns that is absolutely perfect to us. The only problem with the pieces she made for Parrish was their ever-so-slightly out-of-reach price tag. So it was with great excitement that we stumbled upon Moretti’s latest edition — a series of seven small works on paper (either 8.5 x 11″ or 17 x 22″) for the San Francisco–based shop and publishing house Little Paper Planes, ranging in price from $35 to $130. (Yes, we already put in our order!) We’re posting images from that collection here today and also excerpting a brief interview Moretti did with LPP. Read all about here, then hop on over to the shop to make these beauties yours!
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Three different projects that push the boundaries of glass, one photograph that suspends your belief in reality, and two books that subvert your expectations of what a book can do or be.
We love an artist who can successfully blur the line between sculpture and painting, and Brooklyn-based Ivin Ballen is certainly no exception. Upon first viewing his work, you perceive a few colored shapes (some rectilinear, others more organic) haphazardly arranged on a vast backdrop. Upon closer inspection, you begin to notice those colored shapes are an assemblage of found materials, and that, in fact, those found materials are simply just painted casts of the originals.
Someday, when someone writes the definitive book looking back on how the internet changed life in the 21st century, they’ll include stories like Atelier Bingo’s: After living in Paris for two years post-graduation, Adéle Favreau and Maxime Prou decided on a whim one day to leave their burgeoning graphic design careers behind for a life in the countryside, and guess what? It didn’t make a lick of difference. The pair now run a bustling illustration studio from a converted factory in Saint-Laurent-sur-Sèvre owned by Favreau’s uncle, and thanks to the magic of email, it hasn’t stopped them from selling prints online and working with clients like Vogue, The Plant, and Wrap Magazine, plus companies they did graphic design for back in Paris, now three hours away.
If you’ve been following our Instagram, you know that we’ve been spending an awful lot of time in Los Angeles lately. Last Thursday, we finally revealed why (aside from an obvious need to escape New York’s subzero temps and un-meltable snowdrifts). Our latest pop-up — and our first-ever venture in LA — opened last Thursday at Space 15 Twenty, the Los Angeles Urban Outfitters concept shop and sister store to Brooklyn’s Space Ninety 8, where we hosted a similar event last fall. Called Think Big!, the pop-up is inspired by a 1980s-era Soho store of the same name, which featured scaled-up versions of everyday objects.
A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A glimpse into the past (the three-year-old side table, pictured above, we can’t believe we overlooked), present (six can’t-miss art exhibitions happening now), and future (four pieces launching in Milan next month).
If there’s anyone we’d trust to put together a beautiful book of ephemera, it’s JP Williams, the New York–based graphic designer whose collections — of baseball cards, of balls of twine, of Swiss office supplies, and the like — are legendary. But Williams’s first book doesn’t in fact catalog his own accumulations from years past but rather those of the iconic graphic designer Paul Rand, who Williams used to visit at his home before Rand’s death in the late 1990s. But, Williams writes, “it was not until visiting Mrs. Rand that I discovered Mr. Rand’s cache of items that he had saved from his travels. A large variety of items: packages, shopping bags, dolls, toys. So many were unfamiliar to me. As soon as I saw them I asked then and there if I could have them photographed. I asked the photographer Grant Peterson to shoot all of these items in hopes of doing a book. Well, 18 years later, here it is.”