Oversized terrazzo floor

We Thought We Were Over Terrazzo Until We Saw This Epic Apartment in Lithuania

Why do some trends fizz out, while some stick around and — in many cases — keep coming back stronger year after year? Take terrazzo: We've been hawking that gorgeous, endlessly reconfigurable aggregate since at least 2013, but the design world's adoration of it has hardly waned in the six years since. Still, when you find an application that stops you in your tracks, it’s worth noting, which we happily did this week with an apartment in Lithuania by DO Architects.
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Symbols, Snakes, and Spirituality in a New Collection of Terrazzo Furniture

Carly Jo Morgan's debut furniture collection, which includes the Yin Yang Table (twin surfaces in pink and black, enhanced with brass inlay), the Cozy Club Chair (with optional sheepskin), and the zig-zagging Serpentine Heart Song Lamp, was unveiled at the new Los Angeles gallery Not So General on April 20th. Today, Morgan shares her thoughts on transformation, her toughest critic, the satisfaction of “deep” sisterhood, and faking it until you make it.
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These 5 Installations in Milan Turned Materials Into the Main Event

I spent a lot of last week in Milan thinking about innovation in materials; in presentation after presentation, some of the best work to emerge from the fair came from materials companies who had hired A-plus designers to translate their raw product into something almost implausibly beautiful. From recycled aluminum to post-industrial plastic to a company that's asking us to reconsider the humble linoleum tile, here are five of our favorite materials-based projects from the week.
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Week of April 1, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a new exhibition space in Buenos Aires, a soft/hard collision in the USM x Comme Si pop-up, and the chicest utility knife we've ever seen. 
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Week of March 11, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a bookend that reminds us of a thicc 70s-era font, a chair series inspired by Rainer Maria Rilke, and a glass collection by LA artist Austin Fields, with sinuous curves reminiscent of the human body.
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30 Projects We Loved at the 2024 Stockholm Furniture Fair

Perhaps no design fair makes me philosophize about the future of trade shows more than Stockholm. A small fair that has become even more compact over the past few years, as Danish brands have increasingly shifted their calendar to coincide with Copenhagen's 3 Days of Design, Stockholm tends to particularly shine in two areas that make a fair worth having in the first place: its curation — not only in booths but also in talks that one might actually care to attend — and the idea that sustainability ought to be baked in at every turn, or else what's the point of making new things?
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Home Studios’ Latest Restaurant Interior, All Rounded Corners and Soft Textures, Invites You to Literally Take the Edge Off

At Theodora, a new restaurant in Fort Greene, Brooklyn’s Home Studios has perfected the cozy but airy welcoming interior. For Tomer Blechman’s (of Miss Ada and Nili) latest outing, Home Studios took their cues from Theodora’s Mediterranean-inspired menu and created a simple-looking yet highly thoughtful environment. Literally underscoring the idea that Theodora is a convivial place where you might relax and take the edge off, most of the surfaces here are rounded and curved, from the tabletops to the bar to the cutest sextet of ribbed-glass porthole windows.
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It’s Not Often That a Designer Strikes Gold With Their First Big Product, But Studio Mignone Nailed It With Their Beloved Tavolo Morbido

When Studio Mignone’s Tavolo Morbido coffee table debuted in 2019, it became something of an instant, and soon much copied, classic. Tavolo Morbido is Italian for soft table, which gets at what Isabella Wood, one half of the Australian design duo, calls the “illusionistic softness” of the piece. But the name is also a little ironic: The original version was made of solid concrete pillars. It’s a relatively simple design, but a generative one that’s led to many iterations. It perfectly embodies a kind of maximal minimalism — clean, straightforward forms that contrast with the exuberance of their materials, colors, and surfaces — which is also what makes it work in so many different style spaces.
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