02.25.13

Up and Coming

Till Wiedeck of HelloMe, Graphic Designer

If you're wondering why we chose to kick off a story about a graphic designer with a series of objects that fall squarely in the art/furniture realm, there are two reasons: First, they were our first introduction — via Pinterest — to Till Wiedeck's work, and second, they illustrate perfectly what's so great about the Berlin-based talent. Though he refers to himself as a hyper-functionalist, preoccupied with detail and simplicity and too serious to answer our sillier interview questions about Google searches and fictional characters, somehow he's still the kind of guy who would take a sizeable chunk of time out of his client schedule to build a suite of semi-useless objects like these. You'll find the same juxtapositions in the portfolio of his graphics studio, HelloMe, where he might pair spare typography with lush hyper-color flower arrangements, creepy Photoshop smears, or experimental acid-trip paintings he and his cohorts have made by hand. It all comes together in our interview with Wiedeck, who has a thing for both Bauhaus and Memphis, modernist chairs and tchotchkes. Whatever it is, it's working.

02.13.13

Up and Coming

Asaf Weinbroom, Lighting Designer

If Asaf Weinbroom had ended up a fashion designer, the way he intended from a young age growing up in Tel Aviv, it’s easy to envision what the hallmarks of his design might have been: unconventional draping, vintage buttons or clasps, and an obsession with transforming materials that would normally be considered pedestrian. After all, as a lighting designer — the path he chose after being rejected from a fashion program — his pieces have all followed a similar formula. “I begin to design from the inside out,” he says. “I’ll start with small details, joints, or mechanisms, and when those are done I decide which type of light it will be.”

02.08.13

Up and Coming

Ya Wen Chou, Textile and Product Designer

Ahh, design school — where navel-gazing and the pretentions of identity art are not only tolerated, but encouraged (on days when the lesson plan doesn't focus on sustainability or people with disabilities, of course). It's easy for lesser talents to get sucked too far into these themes and end up with over-baked work that either borders on kitsch or is completely irrelevant to the wider world, but when done right, the results can be both beautiful and culturally illuminating — as in the case of Ya Wen Chou, who used her time in the RCA's textile department to dig into the traditions of her grandmother and her home country of Taiwan. "My grandmother’s house was always full of handicrafts made by Taiwanese artisans," she told the Arts Thread blog last year, explaining a main source of her inspiration. And her Precious Objects project — which first caught our eye on Pinterest — explores her culture's traditional reverence for nature's role in everyday life, which does feel rather universal, having a lot in common with everything from Icelandic elf mythology to Native American spirituality. Read more about Chou's point of view in our interview after the jump.

02.04.13

Up and Coming

Stephanie Hornig, Furniture Designer

One of our favorite things to do when we discover the work of a new designer is to play the internship guessing game. You can typically spot a former Bouroullec acolyte, for example, just by their use of shape and color. But Stephanie Hornig? With forms this clean and utilitarian, we never would have guessed she once worked for the doyenne of decoration, Patricia Urquiola. Perhaps a more telling clue in Hornig's case is the fact that the Austrian-born talent went to design school in Berlin before moving on to her current home in London — her geometric tables, accordion shelves, and minimalist chairs lean more towards functionalism and the beauty of classic everyday objects, albeit subtly tweaked with new colors and ideas. We asked the recent graduate to tell us a bit more about her fledgling practice, which we'll no doubt be keeping an eye on.

01.09.13

Up and Coming

Gemma Holt, designer

Gemma Holt is one of those designers who seems to be both everywhere and nowhere at once. If you’re organizing a group exhibition heavy on young designers or putting together a collection of talents for an expertly curated new shop, chances are she's on your list: The RCA-trained, London-based designer’s work often has conceptually rigorous thinking behind it, but her forms are usually quite simple and her jewelry pieces are the sort of elegantly crafted bits that tend to fly off the shelves. If you’re the average Pinterest-happy design-lover, however, you might not know a whit about her, considering there’s maddeningly little written about Holt on the web. It’s possible she keeps a purposefully low profile; after all, she’s worked for years for one of the biggest names in furniture design (Martino Gamper). But today the secret’s out: We’re taking it upon ourselves to introduce you both to Holt herself and to three of her incredible pieces, which we’ve recently launched in the shop. (Above: O&D bangles, $380)

12.20.12

Up and Coming

Fabien Cappello, Furniture Designer

Whatever Fabien Cappello's studies at ECAL may have taught him about luxury, his subsequent grad degree at the RCA may have un-taught him: The London-based designer has made stools carved from trashed Christmas trees, Venetian glass vessels melted onto lowly bricks, and benches constructed from shipping pallets or punctuated with cheap street-vendors' umbrellas. That's not to say, of course, that Cappello's work isn't high end — it's been shown at the likes of Libby Sellers Gallery and has won him an Elle Decoration New Designers Award — just that the materials and ideas he sees value in wouldn't exactly be considered the norm. If he's come a long way since setting up his own studio in 2009, it's because his focus on local and overlooked resources has captured the curiosity of the design world, not just its eyes or its wallets. That said, with the world headed where it's headed, his style of economical chic may become the new luxury before long, so we figured he was worth checking in with. He gave Sight Unseen a quick glimpse into his practice below.

12.04.12

Up and Coming

Ladies & Gentlemen Studio, Furniture and Product Designers

After Jean Lee met Dylan Davis while studying industrial design at the University of Washington, and after a string of successful school collaborations led them to start dating, the two of them did a semester abroad together in Rome. “Those were the good times,” laughs Lee. “We saw all these independent studios there, and designers working more as artists, and it was really inspiring for us. That wasn't happening at all in Seattle.” And so after they graduated in 2005, Lee went on to work for a messenger bag company based in Philadelphia, while Davis joined the team at Henrybuilt. They did a small trade selling vintage finds on Etsy for awhile, and eventually started repurposing those objects into new designs as a hobby. But what finally led them to join forces as Ladies & Gentlemen in 2009 were the first signs that they might be able to find in Seattle what they experienced in Rome after all: Not only had studios like Iacoli & Mcallister and Grain begun to flourish by making and selling their own work, their new coalition Join was gathering together local designers to collaborate and exhibit together. “Jamie Iacoli asked us to contribute to a show, and were like ‘What the hell? Let’s do it!’”

11.26.12

Up and Coming

Assembly, Furniture Designers

Even for struggling post-grads, the constraints under which Pete Oyler and Nora Mattingly of the fledgling design studio Assembly created their debut furniture collection would be considered rather limiting. The couple — he a Kentucky-born RISD furniture grad, she a Pratt-educated interior design major — were living in a cramped apartment in Bedford-Stuyvesant with a third roommate, sharing a studio space in even farther-out Brooklyn, and commuting nearly four hours to a woodworking shop in Westhampton, Massachusetts, where Oyler had apprenticed for two years before grad school. But rather than chafing against such strictures of space, the two worked with them, creating pieces that were easily transportable and could be effortlessly placed in any small space: side chairs with smaller-than-usual footprints, glass-and-blackened-steel lamps with hand-blown shades hardly bigger than the bulb, even a stripped-down toilet paper–holder that doesn’t consist of much more than a brass cylinder that mounts directly into the wall.

10.23.12

Up and Coming

Josep Román Barri, Graphic Designer

Josep Román Barri's latest project happens to be the art direction for a new website that's in the exact same spirit as our own: It goes behind the scenes in design, focusing on process rather than the final result. Should you ever have doubted that the world needs more of this kind of reporting, though, try searching for behind-the-scenes information on young talents like Román Barri himself, whose work has certainly made the blog rounds as of late but who might scarcely have a turn under the microscope if it weren't for sites like ours. When we first caught a glimpse of his fledgling oeuvre, all we could glean was that he was a 26-year-old Barcelona-born graphics graduate who studied technical engineering before turning his hand to two-dimensional design, and that he had a way with color and typography. So we emailed him and asked him to introduce his work, and he gladly obliged — now that wasn't so hard, was it?

09.10.12

Up and Coming

PUTPUT, artists and photographers

In some ways, the work of the Danish-Swiss duo Putput could be considered a response to sites like this one: If we're constantly bombarded by scrolls of images, the two designers seem to ask, how can we be convinced to reconsider objects that at first glance seem so quaintly familiar? Projects like their Popsicle series (above), which found the icy treats replaced by scrubbing sponges, or Inflorescence — for which the two employed the visual language of still life to depict cleaning implements as potted plants — play with subverting our expectations in a way that could seem cliché if the resulting images weren't so exceedingly lovely. The two work at an increasingly trafficked intersection where photography, styling, art and design meet, which allows creators to control both the product and the way it's presented — both the input and the output, as it were, which is where their clever studio name comes from. We recently caught up with the two recent grads as they were dipping a toe into the contemporary art world and looking for new studio space.

09.07.12

Up and Coming

The Fundamental Group, Architects and Furniture Designers

The Fundamental Group's designs may be inspired by geometric principles, but the burgeoning Berlin studio owes its existence, at least in an abstract sense, to another realm entirely: physics, ie, the field in which opposites attract. As architecture students at Berlin's University of the Arts back in 2003, Gunnar Rönsch and Stephen Molloy worked as assistants to rival department chairs, which in the world of academia, meant that they were automatically rivals, too. "If you sign up with one, you hate the other," Rönsch explains. "Mine was building construction and detail design, while Stephen's was based on a programmatic approach to structure — my chair basically had to solve all the problems created by his." In time, however, the pair realized the inevitable -- that by joining forces, they'd be stronger. First they became roommates, noticing how smoothly their collaboration on the apartment went, and then they began working together professionally, on projects like a friend's house remodel. Their only other major conflict came when it was time, in 2010, to choose a name for their new company: Rönsch & Molloy, or Molloy & Rönsch? "A mathematician friend of ours was sitting in our kitchen talking about the fundamental group — a term from algebraic topology that describes very complicated 3-D surfaces," says Molloy. "It was the perfect compromise."

08.30.12

Up and Coming

Ian McDonald, Artist and Ceramicist

To understand what it was like for Ian McDonald growing up in California’s Laguna Beach, it helps to refer back to one of the greatest television dramas of all time. Not, mind you, MTV’s reality show of the same name, but the heart-wrenching high-school football epic Friday Night Lights — McDonald’s hometown being pretty much the diametrical opposite of Dillon, Texas. “Laguna was founded as an artists’ colony,” he says. “Our school mascot, The Artist, ran around with a brush and palette and a beret. Even the football stars took art classes.” In fact, one of McDonald’s earliest run-ins with the medium that would eventually become his life’s work happened when his own sports-star brothers brought their ceramics projects home from school, where their art teacher was a local studio potter.