SAIC

Led by Pete Oyler and Jonah Takagi, the 2020 Whatnot Studio at the School of the Art Institute of Chicago addressed the concept of utopia.
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RISD

This year's RISD furniture MFA grads made "Poop Stools" and neon anemone ottomans, but the work is more sophisticated in execution than its playful conceptual starting points might suggest.
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Christopher Norman

Christopher Norman is a Los Angeles architect who sculpts large-scale wooden furniture using a manually controlled WWII-era pattern-making mill.
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Estudio Persona

Estudio Persona's Connection Collection started with the investigation of volume, and the idea to present elemental forms in a new and different way.
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Field Tiles

In lieu of elaborate patterns, the HM01 collection gains personality from unique nuances and shading details — no two pieces are exactly alike.
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In Common With

For the most part, In Common With's collection takes two materials — glass, either hand- or mold-blown, and steel — and combines them in near infinite variations.
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Coil + Drift

For his Hone collection, Coil + Drift's John Sorensen-Jolink decided to dig into his archives and reinterpret existing designs — some in production, and others that had never seen the light of day.
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Jackrabbit Studio

In his Hudson Valley workshop, Brett Miller of Jackrabbit Studio creates work — primarily in wood — that explores his fascination with rounded, organic forms.
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BZIPPY

BZIPPY's new collection sees the LA–based ceramicist massively scaling up the studio's most iconic works and introducing new forms that challenge the limits of ceramic production.
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Cuff Studio

For its Common Ground collection, Cuff Studio began by brainstorming the design elements that form a thread not only among their own pieces, but in the art and design world as a whole.
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Tantuvi

The abstract color fields in Tantuvi's new Travertine collection reference ancient rock formations in Rajasthan, and their naturally occurring layers of color and texture.
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Supaform

Supaform's Fancy-Routine collection is its first to trade loud colors for a natural rusted metal palette, and yet the Russian studio's signature style is still evident in the work's Brutalism-meets-the-'80s influence.
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