04.14.17

Up and Coming

A Studio Aiming to Bring More Curves and Coziness to Finnish Design

In the U.S., we look at the rich, enduring design history of Scandinavian countries like Finland and feel nothing but blind envy. But those who have grown up amidst it often have a more nuanced view, like Anni Pitkäjärvi and Hanna-Kaarina Heikkilä of the emerging Helsinki outfit Studio Finna: "The Finnish design world is very much masculine," they say. "The key aspect is functionality. The design language is edgy and square. The colors used are black, white, and grey." They're trying to take a different tack.
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04.13.17

Excerpt: Exhibition

ECAL Students, Playing With the Distinction Between Object and Art

An exhibition curated by an artist closely affiliated with the Fluxus movement — John M Armleder, to be exact — is sure to be liberated from traditional constraints. “More Rules for a Modern Life,” a selection of pieces by ECAL students in industrial design and fine arts that debuted last week in Milan, turns out to be just the case.
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De Allegri and Fogale
04.12.17

Sighted

A Mystical Marble Interior in the Heart of Milan

The last time we saw a site-specific installation by London-based duo De Allegri and Fogale, you literally couldn't miss it — their tinted acrylic tunnel stretched across a bridge at the V&A, smack in the middle of the London Design Festival. But last week, the duo launched a project in Milan so small and so hidden that you had to know exactly what you were looking for in order to find it. But perhaps that was the point: Called Mystical Solace, the installation was meant as a commentary on the quiet, contemplative spaces that have become so popular during events like these.
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10.22.14

The Making of

Make a Sculpey Mobile, With Fort Makers

The team behind Fort Makers don’t refer to themselves as a design studio but rather an “artist collective,” and there’s a marked difference: They make functional objects, but instead of producing a stream of products with a unified aesthetic, they each work individually under the studio umbrella, experimenting with whatever interests them at any given time. In a way, it’s that same sense of structureless structure that first attracted Noah Spencer to the idea of making mobiles: You can hang pretty much anything from them, as long as you get the balance right. “Any kind of visual language can be carried into the mobile world,” says Spencer, a Paul Loebach and Uhuru Design alum who co-founded Fort Makers in 2008. While he primarily makes models hung with simple wooden shapes, he’s also been toying around lately with more expressive elements made from polymer clay (aka Sculpey), a method he graciously offered to teach Sight Unseen readers in this tutorial.
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04.10.17

Fair Report

The Best of the 2017 Milan Furniture Fair, Part I

When you're on the ground at the Milan Furniture Fair, things can seem like a total blur — you're walking miles a day, eating on the go, drinking too much wine, and seeing more new things than your brain can actually process at once. Which is why we love doing round-ups like these — organizing all of our favorite things into one (or two or three) places makes us realize just how great last week was, what trends are emerging (we're looking at you fringe, rust, lilac, and fiberglass) and what an interesting place design is at right now.
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04.08.17

Saturday Selects

Week of April 3, 2017

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the fat-legged table trend continues, a design restaurant grows in Nashville, and imaginary modernist villas take shape in Vienna.
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04.07.17

Sighted

The Best Thing We Saw in Milan Today, Day 4

On the Salone fairgrounds, we found a sleeper hit in the Italian metal processing company De Castelli, who began collaborating with designers back in 2010. We especially love the snaking, patinated Scribble tables by Francesca Lanzavecchia above, as well as the painterly folding screens by Alessandra Baldereschi.
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New Apparatus collection
04.06.17

Sighted

The Best Thing We Saw in Milan Today, Day 3

We don't mean to be biased towards our American compatriots for the third day in a row, but the new Apparatus collection is, in a word, stunning — translucent, cast-resin tables topped by ash slabs lacquered in a high-gloss, rust-colored hue; patinated brass lamps with bases sheathed in a buttery calf suede; and slip-cast porcelain pendants punctuated by dangling brass spheres.
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04.05.17

Sighted

The Best Thing We Saw in Milan Today, Day 2

At Rossana Orlandi, we spied this collection of items by students in the School of the Art Institute of Chicago's Architecture, Interior Architecture, and Designed Objects program. The school partnered with West Supply, a Chicago-based foundry and fabricator to develop a selection of objects in glass and bronze.
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04.04.17

Sighted

The Best Thing We Saw in Milan Today, Day 1

Sight Unseen is on the ground at the Milan Furniture Fair this week and we’ll be bringing you loads and loads of coverage next week! But until our rounds here are done, we’ll be featuring quick hits from some of our favorite things that caught our eye. First up: We had to cross an ocean to find a collection designed in our own backyard, Matter-Made's gorgeous new line.
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04.04.17

Sighted

A Collection of Mirrors and Vases Inspired by Tribal Shapes and Colors

You heard it here first: Fringe is getting mainstreamed in Milan. When we came across VI+M Studio's divisive Cousin Itt-esque lamps last week, we didn't think to much of it, but this week, there's already been Cristina Celestino's new tables for Editions at Spazio Pontaccio and, around the corner from our Airbnb, these sweet collections of vessels and mirrors at the fashion boutique Malìparmi, designed by Serena Confalonieri,
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