10.01.24

Sighted

Hauvette & Madani’s Second Furniture Collection Channels 1930s Art Deco and the Strict Geometries of a Visionary Architect

When the French design duo Hauvette & Madani released their debut furniture collection in 2021, they called it Amuse-Bouche, after the small canapés served prior to a meal. Their newest collection, which launched during Paris's design week last month, has a slightly more esoteric name — following with the dining theme, they called it Entremets, dubbed for the decorative after-dinner or between-course treats popular in French cuisine — but it's a clear and logical evolution from their previous releases. Here, oak, lacquer, and Art Deco accents are the primary ingredients, resulting in a mélange of pieces with a distinctly 1930s feel. This means hard lines, essential geometries, and lots of layered materials, which have been cropping up a lot in new collections recently. Deco is seemingly the design era du jour.

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09.28.24

Saturday Selects

Week of September 23, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Clare Vivier's first furniture and lighting collection, the (momentary) return of Zouzou rugs, and influential Italian/Swiss designer and architect Eleonore Peduzzi Riva finally gets her due.

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09.25.24

Excerpt: Exhibition

This Norwegian Studio Devised Its Own Machinery to Make These Joyful, Rainbow-Colored Stools

We learned something new today, so perhaps you will, too: The acronym for the colors of the rainbow in Norwegian is ROGGBIF, which Oslo-based Studio Sløyd has used to title its new collection of stools, as multi-colored and joyful as you’d expect from such a moniker. Comprising 24 different playful shapes, each is designed to explore applications of a newly created dyed wood technique, which founders Herman Ødegaard, Mikkel Jøraandstad, and Tim Knutsen — who decided to work together as students during a late-night karaoke session (extremely relatable) — have been developing over the past couple of years. “Rather than starting with a shape or form, we turned our usual process on its head for this project, experimenting our way to a new material,” says the trio. 

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09.21.24

Saturday Selects

Week of September 16, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: an Ibiza boutique that mimics the sea, a Belgian artist's house-museum covered in velvet, and a two-person sculpture show nestled in the mossy landscape of Manitoba, Russel Wright's home an hour north of NYC.

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09.19.24

Sighted

Step Into the World of a Beloved Australian Furniture Brand at Its New Space in Sydney

There’s no denying that Instagram has been a source of inspiration and connection — especially in the design world — but it’s also impossible to escape the flattening quality of the social media scroll. Australia’s Ellison Studios, whose furniture takes the best of the '70s and makes it refreshingly modern, had long been envisioning a move, or an extension, from the digital realm to a physical one, but a traditional showroom didn’t feel quite right. So when an apartment in an iconic Sydney landmark became available, an idea took shape: The Rental. For the next six months, the studio is bringing their atmospheric point of view and the imaginative world-building of a mood board to life, creating a tangible, tactile space you can step into and even inhabit for a time.

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01.23.23

American Design Hot List

Announcing Our 2022 American Design Hot List Honorees

Today we’re pleased to announce the honorees of our 10th annual American Design Hot List, an unapologetically subjective editorial award for the names to know now in American design. The list acts as Sight Unseen’s guide to those influencing the design landscape in any given year — whether through standout launches, must-see exhibitions, or just our innate sense that they’re ones to watch.

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09.18.24

Up and Coming

This Swedish Designer Uses a Centuries-Old Technique to Create Mural-Like Landscapes and Domestic Scenes in Wood

In the hands of Swedish designer Carl Martinson, the centuries-old inlay technique of wood intarsia is made modern with compositions that are representational — quiet domestic scenes or landscapes — abstract, or somewhere in between. What runs throughout Martinson’s kitchen cupboards, cabinets, tables, wall works, and sculptural pieces is the soothing palette of wood tones and a material richness and warmth.

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09.14.24

Saturday Selects

Week of September 9, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: an exhibition that delves into grotto life, tapestries that depict architectural deterioration, and a woven rug collection photographed at a folk-influenced farmhouse in Sweden.

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09.13.24

Fair Report

Everything We Loved at Collectible’s First Design Fair in New York City

Last Sunday afternoon, as the first NYC edition of the Brussels-based contemporary design fair Collectible was just about to wrap, one of the fair directors paused in front of our booth and asked me how I thought the show had gone. “There are designers here we’ve never heard of,” I marveled, intending it as high praise indeed: For a European fair to show up on New York’s doorstep and show us something new (especially a fair planned in less than four months), well, I’d call that a success. Collectible, which took place at the burgeoning FiDi creative hub WSA, managed to both assemble a cornucopia of new ideas and draw a crowd, all from across the Atlantic. We brought our own dose of novelty to the show, with a booth that — while similar to our NY Design Week exhibition — showcased a new batch of 11 cabinets by 11 different design studios, all punctuated by hardware from my recently launched showroom, Petra.

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09.12.24

Up and Coming

A Speaker That Looks Like a Sculpture, and So Much More, From a New Australian Design Talent

There’s a raw simplicity to Australian designer Tom Fereday’s work that comes from applying simple gestures to great effect. The majority of his pieces are sculpted or constructed from a single material, and have one, carefully considered defining feature. Take his Cor light, a pillar of travertine with fileted corners, from which a curved slice is pared away to reveal a hollow core and a light source that glows from within. Or his Cove Lounge, a chair with a slender metal frame that — rather than wrapping around the backrest — elegantly disappears into the curved panel on one side and reemerges on the other. “I try to add innovation in the pieces from a perspective where we might look, for example, at articulating engineering details with natural materials,” Fereday says. This approach to simplified and sophisticated contemporary form-making is proving to be a hit with design lovers worldwide.

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09.11.24

Up and Coming

Carsten in der Elst Lets the Materials Lead Him Where He Wants to Go

Raw is the adjective that first comes to mind when looking at the work of German designer Carsten in der Elst. There's his Graywacke Offcut Series, for which in der Elst exclusively uses the jagged "crust" that's discarded when turning sandstone slabs into German sidewalks; his Accession chair, whose seat is formed from a sawn carpet of latex tubes resembling pasta noodles; and his ongoing Aluskin seating series, whose shells are crafted from the cast-off skins salvaged from high-precision aluminum production and whose cushions are foam remnants that puff up, lumpily, like loaves of sandwich bread. His designs feel contemporary and fresh but continue the red thread of predecessors like JB Blunk, Max Lamb, and Kwangho Lee (the former two in der Elst cites as inspiration). Like in der Elst, all of these designers seem to tease form from a material, allowing its inherent properties to lead to the final shape. 

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09.05.24

Interiors

This Victorian Home in Melbourne is a Love Letter to Tile and Stained Glass

For its latest project, a full renovation and extension of a Victorian weatherboard residence in Melbourne, Australia, the team at YSG Studio — based in Sydney and founded in 2020 by Yasmine Saleh Ghoniem —was tasked with a distinct challenge. At the head of the client's family were two spouses with divergent styles: one Egyptian-Australian and drawn to the pattern, color, and shapes of Middle Eastern design; the other Danish and partial to Scandinavian minimalism. Even more? Both partners have a kind of color-blindness that makes neutral tones appear washed out. In addition to melding these two aesthetic tastes, YSG needed to make an older house complement and connect with a newer addition — the first built project to be completed by YSG’s in-house architectural team since its addition to the team in 2022. See the results after the jump!

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09.04.24

Sighted

Audo, Our Go-To for Cozy Danish Furniture, Just Dropped a Whole Slate of Products Perfect for Small-Space Living

By now, we’ve established that Copenhagen’s 3 Days of Design is a staple on the annual design-fair circuit, particularly as many Danish brands forgo Milan in favor of their own city, where their work can be exhibited both in context and in a more sustainable fashion. For Audo Copenhagen, this summer's 3 Days offered the opportunity to celebrate the brand's Nordic roots — and newly released products — at the revitalized Audo House in the Nordhavn district. Launched in 2019 as a combination monobrand store, restaurant, and residence, Audo House got a glow-up this year in collaboration with Stockholm’s Note Design Studio to showcase updated favorites. But perhaps it's ironic that Audo's refreshed collection launched in summer, as so many of Audo's products are designed for maximum indoor coziness. As such, many of the products this season arrive in new, more petite sizes.

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