The Best of the 2017 Milan Furniture Fair, Part I

When you're on the ground at the Milan Furniture Fair, things can seem like a total blur — you're walking miles a day, eating on the go, drinking too much wine, and seeing more new things than your brain can actually process at once. Which is why we love doing round-ups like these — organizing all of our favorite things into one (or two or three) places makes us realize just how great last week was, what trends are emerging (we're looking at you fringe, rust, lilac, and fiberglass) and what an interesting place design is at right now.
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Week of April 3, 2017

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the fat-legged table trend continues, a design restaurant grows in Nashville, and imaginary modernist villas take shape in Vienna.
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The Best Thing We Saw in Milan Today, Day 4

On the Salone fairgrounds, we found a sleeper hit in the Italian metal processing company De Castelli, who began collaborating with designers back in 2010. We especially love the snaking, patinated Scribble tables by Francesca Lanzavecchia above, as well as the painterly folding screens by Alessandra Baldereschi.
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New Apparatus collection

The Best Thing We Saw in Milan Today, Day 3

We don't mean to be biased towards our American compatriots for the third day in a row, but the new Apparatus collection is, in a word, stunning — translucent, cast-resin tables topped by ash slabs lacquered in a high-gloss, rust-colored hue; patinated brass lamps with bases sheathed in a buttery calf suede; and slip-cast porcelain pendants punctuated by dangling brass spheres.
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The Best Thing We Saw in Milan Today, Day 1

Sight Unseen is on the ground at the Milan Furniture Fair this week and we’ll be bringing you loads and loads of coverage next week! But until our rounds here are done, we’ll be featuring quick hits from some of our favorite things that caught our eye. First up: We had to cross an ocean to find a collection designed in our own backyard, Matter-Made's gorgeous new line.
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Week of March 13, 2017

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a new place to shop in Florida, French high design comes down to earth, and a look inside the ultimate Venetian design destination.
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In This Dutch Designer’s Hands, Even a Door Handle Becomes a Piece of Sculpture

So pretty. So minimal. That, in a nutshell, is the work of Dutch product designer Jeroen van de Gruiter. A recent graduate of Design Academy Eindhoven, van de Gruiter’s work plays with the tension between what a thing appears to be and how we choose to let it function in the world. His objects are as much about themselves as anything else: the way they take up space, shifting and fluctuating, contrasting and offsetting — other objects as well as their surroundings. They are concept made manifest; latent potential given concrete form.
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At the 2017 Maison et Objet and IMM Cologne Fairs

Neither the shadow of Milan nor the frigid, grey weather prevents us, each year, from being able to bring you all kinds of February goodness from the 2017 IMM Cologne and Maison et Objet fairs, which we’ve catalogued below. You’ll find such gems as a confetti-sprinkled carpet, a new design line out of Portugal, and no less than three distinct releases with patina-mottled surfaces that have officially triggered our trend-spotting sonar. Not a bad opening for what’s promising to be a turbulent year in all other regards.
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Emerging Norwegian designers Domaas Hogh

An Emerging Norwegian Design Duo, Inspired by the Scandinavian Winter

While others may bemoan this season’s ever-wintery temperatures, young Norwegian design studio Domaas/Høgh look to the colder skies as an excuse to imbue their work with a bit of coziness. “This might sound like a cliché, but seasonal change is not something that passes us by without notice,” note the duo, when asked what’s been inspiring them of late. In truth, that awareness seems to be instinctive to Norwegian designers as a whole.
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Studio Proba

New York, studioproba.com Alex Proba is primarily a graphic designer, but in the past three years she’s become one of the most in-demand collaborators in the design scene, lending her expert eye for pattern and color to the likes of Bower, Aelfie, CHIAOZZA, and — soon — CC-Tapis. What is American design to you, and what excites you about it? I’ve moved to New York City almost 6 years ago, after studying in the Netherlands at the Design Academy Eindhoven, and at the beginning I was actually very clueless about contemporary American design and what it means. I’ve since learned and experienced that American design takes itself less seriously than European design (or the design I grew up with), and lets you be a bit more playful, with a wink. What are your plans and highlights for the upcoming year? I am actually so excited for next year. I’ve never been part of a show or exhibition outside the US, and next year I’m finally going to show in Milan. I have had the great honor to work with CC-Tapis on a new collection of rugs which will be launching at the Salone del Mobile in April. I’m very proud and nervous at the same time. I almost feel like a kid waiting for Christmas. Another very special project for me is a celebration of tradition and craft: I’m working with an amazingly talented weaving community in Ecuador, designing housewares that showcase their beautiful craft techniques and celebrate their tradition and history. I’m also working on an online publication and event series called “Substance Quarterly” with my dear friend Caroline Lau, which explores art, design, and food through the lens of one material. It will be launching early next year. What inspires/informs your work in general? Back in school I used to look to literature and design history for inspiration, but that’s drastically changed ever since I started my A Poster A Day project almost 4 years ago. I’ve learned how to be inspired by not visual and design-y things but by simple conversations with people, their stories, and their emotions, as well as smell. That also leads to materials — I love researching materials and their properties, and to feel and see them at the same time inspires me. In general I have to say that it isn’t necessarily visual inspiration that brings out an idea in me, it can be way more abstract than that. Sometimes all … Continue reading Studio Proba
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2016, Part V

This week we announced our 2016 American Design Hot List, Sight Unseen's unapologetically subjective annual editorial award for the 20 names to know now in American design, presented in partnership with Herman Miller. We’re devoting an entire week to interviews with this year’s honorees — get to know the fifth and final group of Hot List designers here.
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