Casey McCafferty sculptural furniture

Casey McCafferty’s Mythological Furniture Keeps Getting Bigger

Whether it’s Aztec carvings, Native American totems, Norse idols or African masks that you see in Casey McCafferty’s work, the Los Angeles and New Jersey–based designer uses mythology from all of these diverse cultures to inform his fantastical furniture creations. Heavily influenced by Joseph Campbell and Bill Moyers’ The Power of Myth conversations, as well as historical science fiction, he blends characters from archeology and lore with shapes found in nature when carving pieces from wood and stone that each have their own personality.
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25 Projects We Loved at This Weekend’s 2022 Collectible Design Fair in Brussels

This past weekend marked the fifth edition of the Brussels design fair Collectible, and while our schedules failed to align with an IRL visit, we did our best to round up our favorite participants from afar, everything from old favorites like Maarten de Ceulaer's stained glass lamp series — which got a few new additions this month — to exciting new discoveries like Sarah Becchio and Paolo Borghino of Errante Architetture, who debuted a series of hardware-free MDF coffee tables. Browse our finds after the jump!
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Haos’s Steel and Plywood Collection is a Coolly Elevated Take on Minimalism

Haos's Sophie Gelinet and Cedric Gepner recently relocated from Paris to Lisbon, where they've opened a larger studio and workshop where they can make work on-site. But rather than take their practice to the furthest experimental reaches just because they can, they've instead created a pared-down, rigorous framework for their fourth collection, taking cues from traditional Japanese architecture, 20th-century Modernism, and the Dogme 95 movement, which sought to distill filmmaking to its essence by rejecting special effects and gimmicks.
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Theoreme Editions Collection 02 Sight Unseen

Theoreme Editions’ New Collection Features Mirror, Metallics, and a Hint of Mint

Named after a 1968 movie by Italian director Pier Paolo Pasolini, the Paris-based brand Theoreme Editions describes its curatorial approach as embodying the same “fetish for form” and penchant for storytelling through art as Pasolini's radical film did. After presenting their debut collection of furniture, which we spotted during Milan Design Week in 2019 as well as at the 2020 Collectible Design Fair, founders David Giroire and Jérôme Bazzocchi invited 10 new French designers to collaborate with artisans across Europe. Intended as a continuity of the first, Collection 02 keeps a sculptural and poetic thread running through a range of numbered and limited editions.
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Dirk van der Kooij On Creating a Truly Circular Design Process — And On Using Your Old Nirvana CDs to Make Furniture

To ensure true circularity, Van der Kooij and his team of carpenters, welders, colorists, and finishers make use of proprietary technology including house-developed presses, robots, and extruders to transform waste materials such as discarded CDs, leather sofas, kitchen appliances, chocolate molds, and diseased wood into singular pieces made to stand the test of time and trends.
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Motherhood — And the Ways In Which It Challenges Us to Create — Is At the Center of This Exhibition

The idea for Egg Collective's third "Designing Women" exhibition was born long before the pandemic struck. Back in 2018, Egg's co-founders — Hilary Petrie, Crystal Ellis, and Stephanie Beamer, along with Ellis's sister, the artist Tealia Ellis Ritter — had the idea to curate a selection of female artists and designers who also happened to be mothers, and who often worked with or chafed against the constraints of motherhood in order to create.
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Marco Campardo and the Marta Gallery Founders On Obsessive YouTubing, Failed Projects, and the Importance of Craftsmanship in Design

Considering the Italian designer Marco Campardo’s long friendship with Marta Gallery founders Benjamin Critton and Heidi Korsavong — as well as the trio’s shared interest in a multidisciplinary approach — we decided to go Interview Magazine–style with this Q&A and allow the three room to riff on ideas about collaboration, identity, and digital representation in design.
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This Canadian Design Show Was Dreamed Up Before the Pandemic. So Why Is It About Mutation, Isolation, and Fear of the Unknown?

Set in an abandoned, somewhat post-apocalyptic-looking building in the middle of Montréal, FICTIONS offers visitors a surveillance-like experience, with four different camera angles offering a glimpse of the half-shrouded pieces, alongside an eerie accompanying score. Though there was no brief, many of the pieces play with ideas about mutation and perception.
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Charlotte Kidger’s Crumbling Columns, Made From Foam Dust, Are Perfect For This Moment in Time

In April, just as the world was beginning to shut down, Central St Martin's grad Charlotte Kidger got a phone call from Browns Fashion in London, who wanted her to create a window display for the store's flagship on South Molton Street. Four months and 19 sculptures later, Kidger's work is on view until September 7, highlighting the store's iconic accessories collection.
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Week of April 20, 2020

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a few good fundraisers, color-blocked interiors, and a new exhibition inspired by quilt makers.
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Furniture Inspired by an Architectural Jewel of the Mediterranean

This month, a special exhibition at Gagosian’s Davies Street gallery in London will see the space arranged to resemble Casa Malaparte’s main room, a stone-floored space with ocean vistas that features in Jean-Luc Godard’s 1963 film, Contempt. Tommaso Rositani Suckert, Malaparte’s youngest descendant, has produced editions of three of the most iconic furniture pieces from Casa Malaparte for the exhibition: a table, a bench, and a console, all manufactured in Italy and comprised of solid walnut, pine, Carrara marble, and stone.
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