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Ornsbergsauktionen 2014

If you're a longtime reader of our site, you might remember that February, despite being utterly gross in the weather department, is one of our favorite months if only for the Ornsbergsauktionen, an artist-run auction house that's taken place during each of the past three Stockholm Design Weeks. Started by Fredrik Paulsen, Simon Klenell, and Kristoffer Sundin, the auction gathers together limited editions and one-offs from designers we already know and love — Katja Pettersson, Uglycute, Silo Studio, Hilda Hillström — and always introduces us to a handful we can't wait to Google. This year, in addition to furniture and objects, the three also managed to wrangle works on paper from the Memphis Group's still-prolific Peter Shire and Nathalie du Pasquier. We've included a selection of our favorites below, but for the full catalogue, visit the (gorgeously designed) catalog website or see the objects in person if you're in Stockholm, on view through Friday!
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Jesse Moretti at Mondo Cane

A few weeks ago, someone on our Facebook page coined the term "zigzag expressionism" to describe the current prevailing aesthetic in art and graphic design. At the time, we laughed, gave the comment a thumbs up, and moved on. But in the weeks since, the phrase has stuck with us — and never more so than when we caught a glimpse on Instagram of the work of recent Cranbrook MFA grad Jesse Moretti, on view now at Mondo Cane gallery in New York. What we like about this phrase in general is its laughable obviousness, but in the context of Moretti's work it actually does describe not only a visual language but a thematic one as well.
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Furniture 2013 at Johnson Trading Gallery

We suppose a lot could be made of the fact that Paul Johnson’s usually private Johnson Trading Gallery is finally opening its doors for an exhibition at the same time that both the Collective Design Fair and the Frieze Art Fair descend on New York City — and of the fact that Johnson’s former cinema­–turned–gallery space is located in Nowheresville, Queens, pretty much smack in the middle between Collective’s Chelsea pier and Frieze’s takeover of Roosevelt Island. After all, the gallery has always been on the fringes of both design and art, what with its carefully groomed roster of young talent making things that sometimes count as furniture in name only (Aranda/Lasch’s industrial rubber–sprayed Modern Primitives chair comes to mind). But to tell the truth, we’re pretty tired of the whole design vs. art debate at this point. It’s been nearly two years since Johnson hosted an exhibition in New York, and considering this one’s meant to celebrate four young designers who’ve barely yet made a blip on the scene, we were more interested to see what exactly Johnson’s been up to in his far-out lair and who he’s been scouting in the interim.
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Poetic Lab & Studio Shikai, Designers

As anyone who’s spent even a passing amount of time with us knows, one of our favorite games is playing “spot the next design star.” There are lots of places to look, of course — our most recent obsession being the treasure trove that is Instagram — but the granddaddy of them all is Salone Satellite, the young designers showcase that sets up shop on the edge of Milan’s fairgrounds each year. Before blogs, before ICFF Studio, before the London Design Festival even existed, there was Satellite, which in the past has been a launching pad for designers like Front, Nendo, Paul Loebach, Jonah Takagi, and Matali Crasset, to name a few.
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Last project you worked on: “I’ve been collaborating more with Kristoffer recently as together we can take on much larger commissions. We recently designed an office and a shop interior here in Stockholm. I also just made a side table for a plant for in my house.”

Fredrik Paulsen, furniture designer

Fredrik Paulsen’s work, both as a designer and as a co-founder of Stockholm’s brilliant Örnsbergsauktionen is shaking the foundations of what you think Scandinavian design ought to be. “Here you are taught to produce work for the everyman,” Paulsen says. “It’s the legacy of IKEA: Good design for everyone. But if your work doesn’t really fit into mass production and it is not intended for it, then there is no platform or venue to show it.” It was this void that led Paulsen and his friends and fellow designers Simon Klenell and Kristoffer Sundin to stage their first auction during last year’s Stockholm’s Design Week. They invited contemporaries — some they knew, others they only knew of — to submit diverse, self-made works that went beyond the cookie-cutter forms they’d grown tired of, and put them up for bidding. It paid off.
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New Jewelry by Nhat-Vu Dang

Sometimes we furiously scour the internet or go gallery-hopping for inspiration. But sometimes, new good things just fall into our laps (something for which we’re particularly grateful on these tough days back after a holiday!) Case in point: These amazing new necklaces and brooches by recent Rietveld Academy grad Nhat-Vu Dang, which arrived in our inbox yesterday. It’s no secret we love ourselves a large, mixed-media necklace, and these fit the bill nicely, made from glass, wood, paint, high-density foam, and epoxy (the brooches are foam and steel). The new pieces, on view at the Amsterdam jewelry gallery Rob Koudijs through the end of February, are an extension of Dang’s graduation project: sculptural pieces of jewelry made from gray cardboard, which revealed hidden flashes of color when worn. The new pieces, says curator Ward Schrijver, are even more conceptual but no less covetable.
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