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A New Lighting Collection Inspired By the 1960s Modernism of Fire Island Pines

“Growing up, I always love stained glass,” recalls Peter B. Staples, discussing the early design experiments that would eventually lead to the launch of his lighting brand Blue Green Works. “I grew up in a Craftsman-style home, and one summer, my dad and I found the plans for the original stained glass lanterns. We taught ourselves how to fix and recreate them. I was probably 12 at the time and that experience really stayed with me.” But while the exercise was clearly formative, Staples would have to take a circuitous path through the New York design scene before returning to lighting. Having previously worked at The Future Perfect and Apparatus, Blue Green Works marks the first time Staples has designed a collection himself — which you would never guess just by looking at it.
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Motherhood — And the Ways In Which It Challenges Us to Create — Is At the Center of This Exhibition

The idea for Egg Collective's third "Designing Women" exhibition was born long before the pandemic struck. Back in 2018, Egg's co-founders — Hilary Petrie, Crystal Ellis, and Stephanie Beamer, along with Ellis's sister, the artist Tealia Ellis Ritter — had the idea to curate a selection of female artists and designers who also happened to be mothers, and who often worked with or chafed against the constraints of motherhood in order to create.
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This Canadian Designer is Leading the Charge — No Pun Intended — to Prove Lighting Can Be Both Efficient and Beautiful

Caine Heintzman’s designs are among the most expressive produced by his company, ANDLight; you've surely seen his Vine light, which can only be described by the contemporary term "chonky," hanging in places like the Pieces Home in Kennebunk, Maine. But in fact, Heintzman's designs are typically inspired by hardy, everyday industrial objects. He designs in a modular way so that his products can exist singularly or be grouped and customized for various spaces and projects, and evolve far into the future.
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These Ceramic Lamps, Paired With Delicate Paper and Bamboo Shades, Are About to Be Everywhere

We first stumbled across Bennet Schlesinger's lamps on the Instagram of a friend. Perched atop two handmade ceramic bases were shades made from translucent paper sheets, stretched across a cambered latticework of bamboo strips. They were glowing and fresh and new, and we immediately fell in love. Now, the Southern California–based Schlesinger, who designs under the name Lightsong Exchange, is co-headlining an exhibition of his work at the new Los Angeles gallery Stanley’s.
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While on Lockdown at the Barbican, This Duo Made Brutalist Furniture Out of Moving Boxes and Other Scraps

A Space's new Barbican collection is a series of mirrors, lights, and tables whose name references the famed London housing estate where the studio's founders spent the past year living and making it. Having moved in last May, they conceived the series as an homage to their new surroundings, then sculpted it out of the materials available to them during lockdown, including moving boxes, food containers, and plaster of Paris ordered online.
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Week of January 25, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a funny lamp with cartoon hands, a new space for emerging design in Paris, and a collection of furniture by SU favorite EJR Barnes for a collector in London (above).
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Week of January 11, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: two European store interiors with epic dressing rooms, a new-ish tequila brand with a Chanel-inspired bottle, the prettiest watering can we've seen in a good while, and a highly ornamented new furniture line shot in an 1800s manor (above).
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The New Lambert & Fils New York Showroom is, Like the Brand Itself, an Incubator for Collaboration

To celebrate Lambert & Fils’s 10th anniversary back in early March, the Montreal-based brand’s founder, Samuel Lambert, traveled to New York City to sign a lease on a 1,500-sq.ft. space on the corner of Hudson and Duane Streets in Tribeca, fulfilling a longtime dream of opening a showroom in Manhattan. Of course, we all know what happens next: Within 24 hours of signing the lease, the city was in lockdown. “It was pretty much inked paper and then total chaos,” laughs Lambert’s brand and marketing director Rory Seydel. “But we took the challenge as a part of the process. What does a showroom even mean in 2021?”
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Week of September 28, 2020

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: LRNCE makes her first lamps, a New York designer releases a Memphis-style mirror to rival the Ultrafragola, and India Mahdavi opens a project space for experimental installations like the one pictured above.
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Though He Designs for Of-the-Moment Brands, Mario Tsai Isn’t Inspired By Trends

When Hangzhou-based designer Mario Tsai was growing up, he’d take apart the electronics in the house. Luckily for him, his parents were forgiving. He’d also collect old, tossed-out electric components and scrap pieces of wood to make new things. “I made many things that adults would consider strange,” he says, but that early freedom to explore has proven foundational for his design practice. A research-centered approach is the basis of Mario Tsai Studio, founded in the summer of 2014, which produces elegant, contemporary furniture and conceptual lighting design.
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Week of August 17, 2020

This week: The $195 acrylic table of our dreams, new lamps by the likes of Toad Gallery and Bijoy Jain, and a drop-dead gorgeous pink stucco house in Mallorca that's one with its surroundings (above).
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