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The Best of Milan Design Week 2019, Part IV

Today and tomorrow we’re sharing the best of the rest, including Nilufar Depot's inflatable bubbles by Space Caviar, Cristina Celestino whirligig-inspired lights, up-and-coming studio Kabinet's assured and tortoiseshell–filled debut, and Matthew Day Jackson's laminate, lunar-inspired table and seating for Made By Choice.
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The Best of Milan Design Week 2019, Part III — Salone del Mobile

Today we're sharing the best launches from Salone del Mobile, the 2.5 million-square-foot fairgrounds outside the city, where some of our favorites included the Bouroullecs' découpaged ceramic vases for Vitra, Stefan Diez's purple modular recyclable polypropylene sofa for Magis, and Michael Anastassiades's expressive track lighting system for Flos — possibly the first and only time we'll wax poetic about track lighting on this site.
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The Best of Milan Design Week 2019, Part I

Each year in Milan brings something truly wonderful to behold, whether it's furniture hoisted into inflatable bubbles (Nilufar Depot), a newly open-to-the-public Piero Portaluppi interior (Massimo de Carlo Gallery), or the coolest amoeba-shaped marble tables we've ever seen (by Studio Binocle, which we're featuring here today). We'll be devoting our whole week to coverage from the fair so stay tuned, and click through for the first of our favorites.
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Milan Preview: New Lighting — And the Cutest Café — By Lambert & Fils

At Salone every other year, a special portion of the fair is devoted to Euroluce, aka all the lighting brands you can cram into one (or two) pavilions. But this year, one of our favorite lighting brands is debuting its new collections miles away from the fairgrounds of Milan: Next week, the Montréal-based Lambert & Fils will pop up with a six-day concept café at Alcova, a former panettone factory in the northeast corner of the city.
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Six Practically Perfect Floor Lamps from the Italian Architect Behind the Prada Stores

Remember the house tour that published a few years ago in T Magazine, with its Ekstrem chairs, velvet couches, 18th-century wooden toilet, and circular bed covered in fox fur? We've pretty much been obsessed with its owner, the Italian architect Roberto Baciocchi — aka the man who designs all the Prada stores — ever since. His latest works for Nilufar Gallery, which we spotted on Instagram and are publishing here today, only serve to fan the flames: a series of six geometric floor lamps, with materials like brass, slate, iron, and velvet stacked into neat totems.
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Week of November 26, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week featured more than a few classic references: a lamp from South Korea inspired by Calder mobiles, a Melbourne cafe inspired by Jean Royère textiles, and a series of Italian rugs that channel Renaissance painters (pictured above).
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Week of September 24, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: an (old) Celine-inspired boutique, a strawberry-themed reading nook, and a rainbow of 3D-printed objects in Copenhagen.
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The Best of the Rest at London Design Festival 2018

For the second year in a row, Swedish Ninja launched one of our favorite objects, this year in the form of small, mix-and-match glass sculptures. Studio Anansi capitalized on the lumpy and tubular trends with its chiseled sycamore table mirror. Skandium took up the mantle of Peter Pilotto, with its similarly color-blocked townhouse takeover. And the Ace Hotel continued its Ready Made Go collaboration with Modern Design Review, with this year's designers collaborating with local social enterprises to create each piece. Here's hoping that becomes the trend to follow us into 2019.
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LDF Preview: The Online Design Gallery Redefining “Nordic”

For Now Nordic, Adorno invited curators from Copenhagen, Stockholm, Helsinki, Reykjavik and Oslo to assemble a collection from 5-7 designers working at the intersection of art, design, and craft. The point of the exhibition was to explore whether the label "Nordic" — or what the organizers call "design-world shorthand" for clean lines, natural materials, simplicity and functionality — can meaningfully describe an aesthetic or if lumping designs from different countries together actually does each of them a disservice.
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Kueng Caputo’s Kaleidoscopic New Furniture, On View in Copenhagen

Since the beginning of their practice, the Swiss duo Kueng Caputo have been obsessed with what happens when colorful particulate matter is somehow fused together. After all, their first, attention-grabbing project was a series of chairs in which pigmented sand and mortar were hardened in a mold and then chiseled into shape. Their newest works, currently on view at Copenhagen's Étage Projects in a exhibition called Ciao Amico Mio, follow in that same vein.
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