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10.16.24

Sight Unseen Collection

This California Designer’s Steely Minimalism Was Inspired by Japanese Architecture and the Light & Space Movement

It's a common conundrum for creatives: knowing exactly what you want for your own space, but, more often than not, finding it does not exist. California-based designer Orlando Pippig began producing furniture for this very reason, without any formal training, to create a home filled with pieces he actually loved. Eight years later, something of an accidental furniture designer, he’s amassed a collection of striking minimalist designs — several of which we sell through our own Sight Unseen Collection — and he continues to expand his range of “usable sculptures” through experiments with materials, scale, and proportion.
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09.03.24

Up and Coming

When Their Commercial Work Dried Up During the Pandemic, This London Studio Bought a Laser Cutter and Started Making Furniture From Aluminum Scrap

As Jamps Studio, a London-based design and fabrication consultancy, Martha McGuinn and Tom Pearson collaborate with artists like Marguerite Humeau and Yinka Ilori and help create the design environments for exhibitions at the Venice Architecture Biennale and the Victoria and Albert Museum. Friends for a decade, McGuinn and Pearson studied together at the Royal College of Art, teaming up on a few small projects while Pearson was employed in fabrication and McGuinn worked as a high-end cabinet maker. Six years ago, they made their own practice official with Jamps Studio. Post-pandemic, that sense of play, inventiveness, and fun has now led to By Jamps, objects and furniture McGuinn and Pearson make out of leftovers — mostly aluminum — from fabrication projects they’ve done. If it’s an exercise in letting nothing go to waste, By Jamps also springs from a love of a particular material: the versatility and mutability of aluminum.
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01.15.24

Up and Coming

Born in Philly and Based in London, Andrew Pierce Scott Has a Knack for Turning Discards Into Drama

Metamorphosis is at the heart of what Andrew Pierce Scott does. The London-based American designer has a talent for taking leftovers and discards and turning them into sculptural metal furniture and objects or an evocative textile still-life. In Scott’s hands, recycled sheet steel becomes a lamp with a darkened yet almost iridescent finish; fabric scraps become a plate of oysters and glasses of wine that make you immediately wish for the pleasures of good company and a good meal.
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12.05.23

Up and Coming

Frederik Fialin on His New Tubular Metal Collection: “We All Like to be Comfortable, But Other Things Are Often More Important to Me”

Danish designer Frederik Fialin understands the idea that you have to know the rules before you can break them. He’s certain something is working not only when it’s functional and beautiful, but when it makes him laugh. It’s a way of taking the work seriously, without taking yourself too seriously, and it may have something to do with how Fialin got started, with a classic cabinetry apprenticeship. “I didn’t particularly enjoy it at the time, but now I see why everything has to be done in a certain way. I consider this, now, to be possibly the greatest foundation of my professional life that I could ever have asked for — especially because I can use, remix, and warp this never-ending chase for perfection that dominates the environment. There’s reason in the madness.”
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07.14.22

Q+A

Axel Chay Channels Man Ray Through His Erotic Bent Metal Designs

“Not a bit phallic, a lot phallic!” laughs French designer Axel Chay when I suggest his lamp slightly resembles a penis. Based on a 1920s sculpture by Surrealist artist Man Ray, the playful pink design — which I later found out is actually called Phallus — and a sconce shaped like a nipple are the most blatantly erotic and humorous of Chay’s designs. Others more subtly exude sensuality through their curves or elements entangled with one another, but are finished in bright greens, yellows, and blues so could also be interpreted in a completely different way. 
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Sight Unseen Furniture Collection Bestcase
05.12.22

Sight Unseen Presents

Cool Chromes and Candy-Colored Resin: Introducing the First Sight Unseen Furniture Collection, Created in Collaboration With Bestcase

As an editorial platform and sometimes-IRL design show, Sight Unseen has been showcasing furniture and accessories by talented designers for almost thirteen years. But it wasn't until nearly a decade in, when our old friend Charles Constantine went to co-found a metal manufacturing facility called Bestcase, that we began to wonder — wait, shouldn't we also be making furniture ourselves? After figuring out the possibilities and constraints of designing with metal, creating a '70s-inspired mood board with references to how we wanted the collection to feel — at once icy and warm, vintage-inspired, yet of the moment — and reaching out to a handful of designers who could absolutely nail this look, the resulting six-piece collection launches today, both on Sight Unseen's 1stDibs storefront and through Bestcase’s distributor network.
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04.28.22

Up and Coming

Christian + Jade Are Making the Sculptural Indoor Fireplace of Your Dreams

Since graduating from Design Academy Eindhoven in 2018, Christian Hammer Juhl and Jade Chan — who go by the name Christian + Jade — have combined their love of material history, context, and raw expression through their Copenhagen-based studio. He’s from Denmark, she’s from Singapore, and together they’ve already developed a strong visual language centered around two very specific themes: projects based on and around fire, and those made using hammered aluminum, with several obvious overlaps. 
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Paolo Pallucco 1980s archive furniture
03.09.22

Excerpt: Exhibition

A Retrospective of 1980s Furniture Visionary Paolo Pallucco Opens in Paris

If you’ve been following the trend cycle of archive and vintage furniture over the past few years, you'll have noticed by now that the 1980s are back in a big way. We’ve recently covered a few — like Czech Modernist Bořek Šípek and Italian artist-designer Pucci de Rossi — but it seems like every month there's a new figure that's resurfaced and reevaluated in the present day. The latest is designer and manufacturer Paolo Pallucco, whose brief stint at the helm of his eponymous brand produced some of the most radical furniture of the decade — and who is now the subject of a new exhibition in Paris at Ketabi Projects.
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12.18.21

Saturday Selects

Week of December 13, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a reconstructed 1960s apartment by Ettore Sottsass opens in Milan, six London designers exhibit works in glass and metal, and Sweden's David Taylor unveils his latest collection of bent-aluminum furniture and lighting.
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09.15.21

Up and Coming

Three New Collections in Metal That Get Creative With Industrial Parts

We recently noticed a fascination, shared among three up-and-coming designers from two different parts of the globe — Sebastian Kommer, Jinyeong Yeon, and Nice Workshop — with using off-the-shelf metal materials in new, more beautiful ways. The concept itself is nothing new, but it underscores just how much endless versatility can be found in industrial parts and profiles — and how they offer emerging designers access to industrial fabrication without the expensive factory tooling and MOQs.
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06.06.18

Excerpt: Exhibition

A New Furniture Collection Highlights the Color-Shifting Magic of Car Paint

A new exhibition at A Plus A Gallery in Venice, Italy, brings together artists and designers Richard Wheater, Jochen Holz, and M–L–XL in conjunction with this summer's architecture biennale. Wheater’s neon installations show off light and shapes as much as the cords and electricity themselves; Holz’s neon lights and glass objects are wild and free, with bulges and tubes composing cartoon-like moments. But the real star here is M-L-XL's new furniture collection, inspired by everyday extruded metal L-profiles and painted with holographic car paint.
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