Norwegian Product Designers Gunzler Polmar

Gunzler Polmar, led by ceramicist Victoria Gunzler and furniture designer Sara Wright Polmar, haven't churned out a ton of work just yet, but the projects they have designed — including their new textile series launched this week at 100% Norway in London — display an eye for form, proportion, and material that certainly merits further attention.
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Norwegian Product Designers Stokke Austad

It's a bit strange to call Stokke Austad Up and Coming, especially since their current project list includes the interior design for a major new wing of Oslo's airport. But this week we're spotlighting three of our favorite studios presenting new work at this year's edition of 100% Norway at the London Design Festival, and we'd be remiss if we didn't include them in that list.
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Norwegian Furniture Designer Silje Nesdal

This week we're showcasing three Norwegian studios showing new work as part of this year's 100% Norway at the London Design Festival. First up is Silje Nesdal, who began her career with a short stint in fashion and textiles, then incorporated those skills into a furniture practice, creating objects that are functional and honest in their construction.
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Week of June 8, 2015

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a look inside Andreas Murkudis's new full-service design outpost in Berlin, a sneak peek at our favorite projects launching at Design Miami/Basel next week, and our first picks from this year's degree shows, starting with the vanity above.
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Hallgeir Homstvedt, Designer

As we prepare to welcome the new year, let's all take a moment to reminisce about how great 2014 was. Sure, some had better years than others, but there's one thing that can't be contested — Norwegian designer Hallgeir Homstvedt had an immensely successful run, launching four products to the market and cementing relationships with companies like Muuto, Lexon, and Established & Sons. So what is it exactly that brings manufacturers knocking at his door? We've got a hunch that it's the designer’s ability to be adaptable and cooperative throughout the design process, whilst sticking to a very distinct concept, something he learned on the job during a three-year stint with design studio Norway Says. His products are tactile and interactive, smart and perfectly proportioned.
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Vera & Kyte, Furniture Designers

It's been a banner year for Norwegian design — from our perspective, anyway. Just after being thoroughly indoctrinated to its highlights, both old and new, during New York Design Week in May, we set off on a long-awaited pilgrimage to the country in June to experience its aesthetic charms for ourselves, and we were not disappointed. Yet if we think back, our Norwegian design awakening truly began at this year's Salone Satellite exhibition in Milan; that's where we discovered the work of the promising young Bergen-based duo Vera Kleppe and Åshild Kyte — aka Vera & Kyte — whose debut collection of colorful tables, lamps, room dividers, and daybeds was highly graphic, well-resolved, and of-the-moment without being too trendy. Inspired by Art Deco, functionalism, French botanical gardens, and Jaques Tati's Mon Oncle, the series made us eager to see more from the duo, a wish that was granted this week when they sent us a first look at their latest project, just unveiled at Tent London: a simple wooden armchair intended to evoke summer. Read more about the work, along with what inspires Kleppe and Kyte in general, after the jump.
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In Norway

If anyone needed proof this year that Scandinavia had quietly usurped London's status as the world's hottest contemporary design scene, it could be found at the Salone del Mobile in April, where the presentation that Danish brand Hay put on, complete with a pop-up shop and an utter madhouse of a cocktail party, was pretty much the talk of the town. It's entirely thanks to the rise, in the past few years, of not just Hay but brands like Menu, Ferm Living, One Nordic, Muuto, Gubi, and Design House Stockholm, all of whom are working with emerging talents across the region. As we've watched the Nordic scene grow, we've managed to pay visits to Sweden (three times), Denmark (twice), and Finland (once, in the dead of winter, natch) — even to Iceland, for its DesignMarch festival three years ago. That left Norway as our personal holy grail, made doubly intimidating because of its famed reputation for being outrageously expensive. Two weeks ago, as you may have noticed on Instagram, we finally took the plunge.
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Norwegian by Nature

When it comes to contemporary Scandinavian design, the furniture love tends to go to Denmark (Hay, Muuto, Normann Copenhagen) while Finland gets all the attention for its graphic design (Tsto, Lotta Niemenen, Kokoro & Moi). But Norway's design identity was always a bit more elusive — that is, until recently. This month in New York saw an onslaught of celebrations of Norwegian design, including Norwegian Icons — which celebrated the Nordic country's contribution to midcentury — and Norwegian by Nature, a survey of emerging talent curated by our friend Paul Makovsky of Metropolis, who criss-crossed the small Nordic country visiting schools, studios, and design fairs to gather a group of 23 design shops on the cusp of stardom. Norwegian by Nature was part of the Inside Norway booth at ICFF, and it was one of our favorite concepts for an exhibition in a long time. Prototypes by the up-and-coming studios (like Silje Nesdal, whose Granit bookends are shown above) were mixed with vintage pieces curated by Oslo-based Fuglen as well as works by more established companies like Roros Tweed and Mandal Veveri. All of the prototypes were having their North American debuts, but we can only hope some brave, deep-pocketed soul will soon put these beauties into production so we can see a whole lot more of them.
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Malin Gabriella Nordin’s Children’s Workshop

Malin Gabriela Nordin isn’t the type who’d be quick to align herself with an art movement — the 24-year-old prefers to stay as insulated as possible from outside influences, which is why she left her friends and family in Stockholm four years ago to attend art school in comparably tiny Bergen, Norway. But as it turns out, Nordin is something of a Surrealist, at least from where we’re standing: Everything about her process is geared towards connecting with her subconscious, from letting her sculptures develop intuitively and spontaneously to painting with quick-dry acrylics, eliminating any lag between her mind and the canvas. And then there’s her obsession with children. “My work has to do with reconstructing fragments from memories, and I've been working with my own childhood a lot,” she says. “I think of kids at that age as more free.” It’s that notion that led Dalí and Picasso to pay homage to the creativity of the pint-sized, and that led Nordin to make them the subject of her senior graduation project, inviting eleven children to participate in her artistic process.
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Kent Fonn Skåre, Artist and Graphic Designer

Being that he's still a student at Konstfack in Stockholm, you've probably never heard of Norwegian artist and graphic designer Kent Fonn Skåre. But his work, even at first glance, is ridiculously easy to love: It's got a heavy focus on materials, lots of marble, and a whiff of Memphis — yes, the three "M"s, the golden trifecta of the current avant-garde, or at least the little corner of it that we're obsessed with, which also includes folks like Clemence Seilles and Jens Praet. We discovered Fonn Skåre via a fleeting image on Pinterest, but found surprisingly little information on him and the ideas behind his work, so we did what we do best, harassing the poor man until we were able to tease out a bit of insight into his practice. Check out the interview and accompanying photos here, then bookmark Fonn Skåre's Flickr feed to browse more of his graphic design work and follow his future projects.
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Andreas Ervik, graphics artist

When asked if the mountainous landscape of his native Norway influences his art, 24-year-old graphics artist Andreas Ervik suggests it’s actually the opposite: Growing up in Aalesund, a small city of about 40,000 inhabitants, he says, Norway’s cold, dark climate is what kept him indoors playing on his computer, surfing the net, and perfecting his craft — a mix of distorted prints and digital collages in which geological representations form an overarching motif. In fact, the internet has played such an integral role in the development of his aesthetic that Ervik admits he’s developed carpal tunnel syndrome in his wrists. Like a true millennial, he says, “I feel like I’m always connected. If not with hands to keyboard or touchscreen, I’m there online in spirit.”
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Lars Beller Fjetland on It’s Nice That

We've had printed editions of online magazines on our minds lately, and now comes the news that one of our favorites, It's Nice That, will release its 8th issue at the end of this month. Their new edition will feature all sorts of design-world greats like Paula Scher and John Pawson, but their website continues to introduce us to exciting unknowns, like their recent feature on Norwegian designer Lars Beller Fjetland, which we're reposting today. Fjetland hasn't even graduated yet from the Bergen National Academy of Arts, but he's already amassed a first-rate portfolio of projects that often use found objects or waste materials, like cork and leather, as their jumping-off points. His latest collection is a series of hand-turned wooden birds made from reclaimed Norwegian wood. In this interview with It's Nice That, the designer explains how the project came to be; we were intrigued enough that we asked him to share with us some process photos as well.
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