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The Parisian Design Duo Channelling 1970s French Glamour

The 1970s were, arguably, one of the best eras in French design. It’s a decade that saw then-president George Pompidou commission Pierre Paulin to reimagine the Élysée Palace’s interiors in his unorthodox space-age designs, and the stiff conventions of mid-century modernism finally loosened into an ironically cosmopolitan glamour. So when we came across French design duo Hauvette & Madani’s sumptuous interiors that so perfectly channel that decade’s vibe, we were instant fans.
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Travertine, Salt, and Wood: Gregory Beson and the Beauty of Tangible Materials

There’s something refreshingly thoughtful about the way New York–based furniture designer and Parsons professor Gregory Beson talks about his practice. He may be represented by Love House in New York and Rossana Orlandi in Milan, but when discussing his recent collection, Home Group One, it’s not some white-gloved gallery where he pictures it. “I see the pieces as plinths for living,” says the Massachusetts-born designer, describing the series of tables, chairs, and shelving formed of interlocking planes of solid walnut.
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Christopher Norman is Turning the Castoff Urban Trees of Los Angeles Into Art

Los Angeles–based architect and designer Christopher Norman’s new collection of hand-machined minimal forms resists standardization. His untitled “extrusions” in ash and cedar and pine riff on a hardware aesthetic, while maintaining the organic ethos seen in much of his other, more fluidly-shaped work. Forgoing pre-cut lumber, Norman uses wood from freshly cut trees. “If you’re working with commercial wood, you get a very normalized look and set of proportions. It’s basically highly mediated,” he explains.
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Matthias Selden

Sorry, Hygge Hive — Mattias Sellden Just Took Nordic Design Out Of Its Comfort Zone

For Swede Mattias Sellden, the first step towards making a name for himself was, for better or worse, admitting that he wanted to. “For me, even showing what I do was a hurdle. I still don’t have a website and I started my Instagram only in August of last year — three months after my graduate exhibition.” Sellden chalks this reticence up to the Nordic code of conduct known as Janteloven, which he describes as “the very Swedish notion not be a show-off.”
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Fort Standard’s New Striped Wood Collection Goes Against the Grain

Gio Ponti, cabana stripes, hoop skirts — these are just a few of the references that come to mind when you first see Fort Standard's new Cooperage collection, made from alternating stripes of light and dark wood, which launched this week in New York at Colony Design. But what you don't necessarily think of is the process by which Fort Standard founder Gregory Buntain achieved the collection's incredibly playful, graphic look.
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Canadian furniture designer Thom Fougere

A Canadian Furniture Designer Strikes Out On His Own

At the age of just 24, having just graduated from architecture school, the Winnipeg–based designer Thom Fougere became the creative director of EQ3 (which is something like the Canadian version of Room & Board). Now, just five years later, Fougere has opened up his own shop as well.
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Nicolás Aracena Müller at Chamber

If you happen to have been wandering under the High Line in New York's Chelsea neighborhood sometime over the last week, you might have seen something you don't see every day — the bespectacled, wild-haired Chilean designer Nicolás Aracena Müller making chairs from found scraps of wood in the gallery windows of Chamber, a concept shop and exhibition space opened last year by Juan Mosqueda.
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Fredrik Paulsen chairs

A Furniture Collection Inspired By Pick-Up Sticks

We gave you a sneak peek of Fredrik Paulsen’s solo exhibition at Paris’s Galerie Torri earlier this summer, but when we saw the Stockholm-based designer had properly photographed the whole collection, we wanted to share the results. Called Mikado — a name we assume originates from the European form of pick-up sticks — the chairs are made from simple pieces of pine that Paulsen stains a brilliant teal blue.
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Lily Kamper, London Jewelry Designer

Though she studied textiles at London's Royal College of Art, Lily Kamper spent most of her time in the jewelry department experimenting with acrylic, resin, and offcuts of Corian. The lathe became her tool of choice, enabling her to machine pillar-like, geometric forms that could transform those everyday materials into vibrant, beautifully crafted pendants and accessories.
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Wintercheck Factory’s Collection No. 300

When we asked Brooklyn's Wintercheck Factory — who debuted their latest collection with us at Sight Unseen OFFSITE last month — to shoot those new pieces in the most appropriate scenario they could imagine for our Self Portrait column, their choice of venues ended up being even more fitting than they themselves realized. A 1910 bank building in Bed-Stuy is about to become the duo's new studio, and clearly it makes for a stunning backdrop, but having been ripped up, painted, retiled, left to rot, bricked up, and, now, appropriated as a creative space, it can also be read as a symbol of Wintercheck Factory's own gradual reinvention.
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