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Week of January 28, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A primer on Bauhaus, an under-the-radar American midcentury talent, a holographic furniture collection, and plenty of sculptural travertine.
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Week of May 30, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Beige is back, so are Tevas, and yet another Wright auction is absolutely killing it (the upcoming Contemporary Glass — which introduced us to this granite and glass concoction by glass artist William Carlson — is just. so. good.)
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Besides the 14-foot windows that overlook Manhattan’s skyline, a prototype of Gilad’s 2005 Dear Ingo chandelier for Moooi is the centerpiece of his 8th-floor studio. “My first studio was just above Ingo Maurer’s Soho shop, on Grand and Greene. I couldn’t not see his work every morning going down for coffee, and I decided to create an homage to what he was doing over there. At the time, lots of his chandeliers were combined from parts he’d found on Canal Street. I was looking for a very simple fragment that I could reproduce to create a larger piece, and I found it in a task light at Ikea.” In the rear are shelves lined with Designfenzider’s other best-known works, including red and yellow Fruit Bowls, Clipped Cubes, and Ran Over By Car vases.

Ron Gilad, Designer

One of the turning points in Ron Gilad’s career came late on a Sunday evening in January 2008, one of the coldest nights of the year. That’s when the designer, along with nearly 200 other artistically minded tenants, was evicted from his live/work loft building in South Williamsburg, Brooklyn — the result, the New York Fire Department claimed, of an illegal matzo operation being run out of the basement by the building’s landlord. No matter that the Tel Aviv–born designer was out of the country at the time. “I extended my trip a week, but then I came back to nowhere. For three and a half months, I was homeless. And that’s when I started really playing with the idea of spaces and homes, and what, for me, a home really is.”
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