Fabien Cappello Mexico City studio

Fabien Cappello’s Studio is an “Island of Quiet” in the Middle of Mexico City

When asked about his relationship to color, furniture and interior designer Fabien Cappello stifles a laugh. “I find this so funny,” he says, “but I am colorblind.” This comes as somewhat of a shock after having seen the inside of Cappello’s Mexico City studio, a 1,075 square-foot space littered with designs in various stages of development: yellow and red fiberglass plant pots; a woven lounge chair with teal legs; lantern-like prototypes made of blue, orange, and pink wire.
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Fabien Cappello, Furniture Designer

Whatever Fabien Cappello's studies at ECAL may have taught him about luxury, his subsequent grad degree at the RCA may have un-taught him: The London-based designer has made stools carved from trashed Christmas trees, Venetian glass vessels melted onto lowly bricks, and benches constructed from shipping pallets or punctuated with cheap street-vendors' umbrellas. That's not to say, of course, that Cappello's work isn't high end — it's been shown at the likes of Libby Sellers Gallery and has won him an Elle Decoration New Designers Award — just that the materials and ideas he sees value in wouldn't exactly be considered the norm. If he's come a long way since setting up his own studio in 2009, it's because his focus on local and overlooked resources has captured the curiosity of the design world, not just its eyes or its wallets. That said, with the world headed where it's headed, his style of economical chic may become the new luxury before long, so we figured he was worth checking in with. He gave Sight Unseen a quick glimpse into his practice below.
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Week of September 9, 2024

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: an exhibition that delves into grotto life, tapestries that depict architectural deterioration, and a woven rug collection photographed at a folk-influenced farmhouse in Sweden.
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This French Riviera Design Showcase Delivers On Emerging Talent

For those lucky enough to be sunning themselves in the south of France right now, there are two sister design shows worth peeling away from the beach for. Split across a pair of historic and impressive — yet totally different — venues in the neighboring Riviera towns of Hyères and Toulon, the annual Design Parade festival and competition brings together established and emerging designers as part of two season-spanning exhibitions. Design Parade has long been a particularly great opportunity to spy up-and-coming French talent, and there's more than enough to get us excited in this year’s edition.
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A Brutalist Cemetery, a Center for Spiritual Exploration, a Compendium of Product Design: What We’re Reading, Summer 2024 Edition

This week, the New York Times is counting down the 100 best books of the 20th century. So while you could be reading one of those this summer — or, perhaps, the book everyone I know is talking about, which does tangentially relate to this site in the form of a motel-room renovation — we've recently had a few more hefty design tomes come across our desk. What better time, then, to inaugurate a new column, where we tell you all the great things we're reading, browsing, or simply returning to again and again for inspiration. 
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The 11 Best Things We Saw at This Year’s 2024 Fog Design+Art Fair in San Francisco

In January I finally attended the Fog Design+Art show for the first time. The design scene in SF seems to be picking up a bit these days, and we've been getting to know its talents — from interior designers like Studio Ahead and Michael Hilal to local furniture and object makers like Kate Greenberg, Caleb Ferris, and Ido Yoshimoto — so I figured it would be a good chance to both network with the locals and see what the out-of-towners were bringing to the fair itself. Here's everything I liked at the show(s).
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An Exhibition of 100 Hooks Has Us Totally Rethinking Our Wall-Mounting Game

The humble coat hook might be the most simple and effective design humans ever invented. It solves the problem so well that it’s often taken for granted (as most genius inventions are) and little attention is paid to its ingenuity, because it just works. Well, humble no more — the hook is celebrated in all its weird and wonderful variations in an exhibition called 100 Hooks presented by the estate of American sculptor JB Blunk. A hundred versions — by names like Jasper Morrison and Ilse Crawford as well as young artists and designers from across the US, UK, Europe, Mexico, and Japan — are all designed, at least nominally, for hanging clothing, towels, bags, hats, art, or whatever else needs storing or displaying. 
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Last Month’s Parisian Design Fairs Made Us Feel Open-Hearted and Optimistic About the Future of Design

Paris has been host to a lot of action over the last few months: Fashion Week, the World Rugby Cup, and a certain creepy crawly who shall not be named among them. During the second and third weeks of October, however, a flurry of design people — our people — popped into town for a fair circuit punctuated by the inaugural Paris edition from Design Miami/ as well as Paris+ par Art Basel and two exciting new kids on the block: CONTRIBUTIONS and THEMA.
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“The Willingness For Something to be Imperfect” — Inside the Mexico City Home of Rodman Primack & Rudy Weissenberg

Rodman Primack and Rudy Weissenberg are all over the map, both literally—with houses in Guatemala, Mexico City, and New York—and figuratively, with multiple professional interests that ultimately converge around contemporary design. Primack is a former director of Design Miami and currently runs the textile and interiors studio RP Miller, while Weissenberg, a former television exec, now works in real estate development. Together, the pair founded the design gallery AGO Projects, which is just a short drive from their colorful Mexico City apartment, featured here.
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A Puzzle-Piece Bed, a Ceramic Peanut, a Mosaic Table: Everything We Loved in Miami This Year

Miami in December is a fairly easy sell for those of us in the art and design industries (despite the fact that, check notes, precisely zero of Sight Unseen's editors attended this year!) Those who weren't book launch mode descended in droves for the city's annual Art Week, as it’s become known since the number of exhibitions put on around Art Basel Miami Beach and Design Miami ballooned somewhat out of control. Today we're featuring a few acts from the week's anchor fairs, but between poolside cocktail parties and trips to Twist, our reliably favorite fair is of course Design Miami, which showcased an impressively diverse — and thankfully colorful — range of collectible design during its 18th edition.
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Week of December 5, 2022

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: “Neolithic-core” tables, gummy worm–striped salt and pepper mills, soothingly smooth-edged furniture, and an Alpine-inspired lodge in upstate New York that we want to spend all winter in.
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