Samantha Bittman, Artist

It was a couple of years ago that Chicago-based artist Samantha Bittman first captivated us with her intricate, meticulous paintings on woven textiles. We’ve been transfixed by her work ever since, so when we had the chance recently to visit her studio and delve into her process, we jumped. Bittman creates dazzling surfaces of optically challenging patterns that draw you in to reveal greater depths, dimensionality, and unsteadying shifts in perspective. There’s an objective, mathematical precision to her pieces but there’s also a remarkably human warmth — the result, perhaps, of giving in to the parameters created by the loom while also resisting them.
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Studiopepe, Stylists and Set Designers

When describing their sensibility, Arianna Lelli Mami and Chiara Di Pinto of the Milan-based Studiopepe invoke the versatility of classic white shirt: “You can wear it anytime, to go to the supermarket or to a soirée. The same is for design. Good design — whether a masterpiece or anonymous — goes with everything.” Their evocative aesthetic, though, is anything but simple. “Eclecticism and curiosity” are important starting points for them, and their output is rich with visual references, ranging from the harmony of classical forms to the glamour of Italian cinema in the ‘60s. But they don’t merely quote their source material, they transform it.
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Oyyo, Swedish Textile Designers

Lina Zedig and Marcus Åhrén, of the Stockholm-based studio Oyyo, take a best-of-both-worlds approach to their work. If Zedig is the self-described perfectionist who obsesses over color and composition, Åhrén is the “action person, always keen to get new projects going and thinking that everything is possible.” For their first collection, which launched in 2013, they employed age-old techniques to craft flat-weave dhurries, but imbued the familiar form with unexpected geometric and architectural patterns. And while their carpets — in combinations of pastel pinks, yellows, and oranges, deep blues, greens, and black — have a cozy, at-home feel, they also reflect the restless, roving spirit in which Åhrén and Zedig, avid travelers, created them. It’s design for settling in, not settling down.
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Jennie Jieun Lee, Ceramic Artist

Jennie Jieun Lee makes plenty of glossy, pretty pieces that would look lovely alongside other objects in your home, but there’s a real depth of feeling that distinguishes her work. The large ceramic masks she’s been showing in galleries have a visceral, unsettling quality and a sly humor. But even her more practical goods — plates, bowls, cups, and creamers — convey moodiness and urgency, something you don’t often find yourself saying about tableware. “I think it was because of all those years I was stuck,” she says. “It was dying to come out.”
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Andy Coolquitt, Artist

“It was a weird thing for a kid growing up in a Baptist family to collect,” says Andy Coolquitt of the whiskey bottles that formed his earliest stockpile. “I was interested in the beautiful, sculptural shapes of the bottles and the graphic design of the labels. It was something we didn’t have in our house, so it was a bit exotic. I had them displayed in this little cave-like space off the garage.” The now Austin-based artist was raised in Mesquite, Texas, in what he describes as a “bland, boring suburban existence,” with little “interest in visual culture.” Rebellion came in the form of “having a whole lot of stuff around me and letting that stuff dictate my aesthetic.” Since then, Coolquitt has literally turned obsessive scavenging into an art form. Metal pipes and tubing, plastic lighters, aluminum cans — these are just a few of the found materials he repurposes and transforms, setting them up in conversation with each other and giving them a life-like, almost human quality.
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Monique Meloche, Chicago Gallerist

When Monique Meloche took a chance on opening a Chicago gallery back in 2000, she launched with a show called Homewrecker, for which she invited 30 artists to exhibit over all three floors of her Ukrainian Village townhouse. The huge turnout prompted her to find a more permanent spot, as did gentle prodding from her husband. “He was like, ‘Sorry, I don’t want people sitting on my bed watching videos on Saturday when I come home from the gym.’” But while her home is no longer on public view, it remains a kind of lived-in display of contemporary paintings, photography, and sculptural works by artists she represents along with those she simply loves. We were lucky enough to visit recently and get to know Meloche a bit better.
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Katy Krantz, Ceramicist

Katy Krantz likes to leave things to chance, at least when it comes to making ceramics. She has a method, but it involves working with a “wild and crazy collaborator” — a giant gas kiln that can fire clay at extremely high temperatures. “When you fire that high, the clay and glaze react in ways that are unpredictable. You get a lot of weird, random spotting, things that I would never be able to paint on.” That element of surprise and transformation runs through her colorful, abstract sculptural objects and jewelry, as well as her block prints and recent forays into fabric. Though she’ll establish “loose parameters” at the outset of a project, she says she’s “never been able to work with a real detailed plan in mind. I can work like that, but I tend to make really boring work that way. When I have too much control, it’s less interesting.”
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Alyson Fox

When you consider the range of projects designer Alyson Fox has carried off, you might wonder if there’s anything she can’t do: prints, illustration, jewelry, clothing, textiles, not to mention a book of portraits. While Fox has degrees in photography and sculpture, she says she never really had a preconceived idea “of what I wanted to do or what it would look like.”
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Laure Joliet, photographer

You could say that photographer Laure Joliet is in the image business, but her work is about depth as much as surface. She has a way with spaces, rendering them intimate and mysterious at the same time, capturing the revealing detail you notice out of the corner of your eye. Though her subject is often interiors, a large part of her job involves getting to know people. “I spend the day with them and find out things I don’t know that you would normally get to find out, what they’re passionate about. It feels really satisfying to have that experience.”
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Heidi Norton, Artist

“Being a photographer and being an artist working with materials like resin, plants, and glass — those two worlds should not really mix,” says Heidi Norton. “You have the camera and you have film and you’re trying to keep things clean and archival, and then you have dirt and glass shards everywhere.” Such contradictions are at the core of Norton’s work, from the immaculate glow of her photography to the dirt-under-your-fingernails feel of her sculptural pieces, which typically feature houseplants in some form or another.
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