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07.24.16

Saturday Selects

Week of July 18, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: finding our spirit decor, continuing the hunt for the geometric rug of our dreams, and catching up on American design insta-classics we almost missed, like this 70s-style floor lamp by Egg Collective.
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07.19.16

Excerpt: Book

The Faded Pastels and Geometric Glamour of Ward Roberts’s Courts Series

If you're familiar with the work of photographer Ward Roberts, chances are you found his work, like we did, on Pinterest. After all, the New York–based photographer's images were practically made for social media, featuring as they do the aesthetic memes du jour: muted, pastel colors; graphic, geometric compositions; and architectural wonders seemingly devoid of any people. In Roberts's case, the backdrop common to all of his photos are the basketball and tennis courts of Hong Kong, where the Australian-born photographer was raised from the age of three.
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Repossi Paris flagship OMA Sabine Marcelis
07.18.16

Sighted

In Paris, the Anti-French Jewelry Boutique

Here's something we never thought we'd be covering on this site: A French jewelry boutique. The very idea seems too fussy for our forward-thinking aesthetic, calling to mind things like porcelain reliefs, gilded displays, and grand spiral staircases. But the new Repossi flagship in Paris's Place Vendôme, designed by Dutch architects OMA, contains precisely none of those things.
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Anthony Sperduti Hamptons home tour
07.12.16

At Home With

Anthony Sperduti’s Art-Filled Hamptons Hideaway

Partners & Spade's Noho storefront closed in 2014, as the brand grew up, evolved, and moved into swankier digs on Lafayette Street. But I was happy to see its spirit alive and well when I walked into Anthony Sperduti's Sag Harbor cottage for the first in an editorial series we're doing with SONOS on the homes of some of New York's most interesting — and influential — creatives. Sperduti's weekend Hamptons house, tucked away in a quiet corner on the Sag Harbor Bay, is our favorite kind of home — the perfect mix of vintage and contemporary art and objects, each with a fascinating story behind its acquisition.
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07.02.16

Saturday Selects

Week of June 27, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a weirdly synchronous amount of folded metal, a colorful alternative to all those brass bottle openers, and a new way to experience an exhibition on the other side of the world.
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Emily Mullin still-life sculptures
07.01.16

Sighted

Still-Life Sculptures That Blur the Line Between Photography and Art

In its guise as a flower shop, Saffron Brooklyn had already hosted its share of exhibitions over the years, everything from photography by Youngna Park to ceramics by Katy Krantz. So it makes sense that the sister-owned shop would eventually open a gallery of its own: Sunday Takeout, a tiny spot in Fort Greene next door to Saffron, opened in April of this year. On view now, their second-ever exhibition on view now — by Brooklyn-based Emily Mullin (who goes by the studio name Vachina) — in fact bridges both of those mediums, photography and ceramics. Her show spotlights a series of wall-based, still-life sculptures featuring glazed ceramic vessels on painted sheet metal.
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06.30.16

Excerpt: Exhibition

Ceramic Experiments by a Swiss Designer, On View in the South of France

First on our list of talents to scout at this year's Design Parade at Villa Noailles: Swiss designer Dimitri Bähler, who we featured earlier this year for the beautiful limestone bench he showed with Nov Gallery in Milan. Bähler showed at Noailles a few years ago when his current project was in its infancy: Now called Volumes, Patterns, Textures & Colors, the collection, on view in the gymnasium at Villa Noailles, features a series of ceramic volumes that have been imprinted with various three-dimensional patterns by way of a textured latex foil.
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06.21.16

Fair Report

10 New Takes on the Pendant Light, From a Designer Down Under

In the category of cities we're seriously dying to visit, Melbourne is right up there with Tokyo, and now we have another reason to make the trek: the recently wrapped Denfair, a design fair now in its second year, which in the past week has introduced us to whole host of new talents, including the German-born, Melbourne-based designer Volker Haug, whose new lighting collection we're featuring today. Made by hand in Haug's Brunswick East studio, the lights represent a more minimalist direction for the designer, whose previous creations were more colorful and organic.
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06.20.16

Sighted

The Coolest Glass Chairs Since Kuramata

Guillermo Santoma's interior work shows an acute understanding of things like just how much geometry is enough and how interesting cuts in the architecture can lift a just-great renovation into something otherworldly. Over the past few months, Santomá has released a series of chairs that embody many of those same principles.
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06.18.16

Saturday Selects

Week of June 13, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: an armchair digest of our favorites from this week's Art Basel and Design Miami/Basel, a farewell to a beloved London retailer, and the discovery of a dreamy incense burner set by Lonewa (above) that's now for sale in the Sight Unseen Shop.
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06.17.16

Sighted

Soft Baroque’s New Furniture Series is the Ultimate Trompe L’Oeil

One of the most clever and delightful projects on view this week at Design Miami/Basel was Soft/Hard, an installation by Soft Baroque commissioned by the Copenhagen gallery Étage Projects, which presented a series of trompe l'oeil domestic objects pairing materials like granite, OSB and bublinga wood with their digital simulacra printed onto soft silk textiles.
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