See Inside Maniera Gallery’s New Home, a Belgian Art Deco Masterpiece

When Belgian design gallery Maniera first opened nearly a decade ago, the works were located inside the loftlike apartment of Maniera's founders, Amaryllis Jacobs and Kwinten Lavigne. The gallery has gone through many incarnations since then — including once popping up in a famed Brutalist house in Ghent — until this spring, when it moved into its new permanent digs: the Hôtel Danckaert, also known as Villa Dewin, a landmarked Art Deco building in Brussels designed in 1922 by architect Jean-Baptiste Dewin. Maniera’s first exhibition in the space, which opened last month, features 15 new designs by artists and architects, all of which were created to respond to the gallery's imposing setting. 
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These Mysterious Glass Assemblages, On View at Marta, Were Inspired By Modernist Buildings and Corporate Architecture

Over the years, Jonah Takagi has worked with all kinds of materials, but it's glass that has preoccupied him throughout five summer residencies in the south of France, at the International Glass and Visual Arts Research Center, or CIRVA, in Marseilles. For Takagi, the experience yielded not only an unexpected love for Marseilles but also an ever-evolving series of mesmerizing angular vessels that reference, in their shape and in their texture, the Brutalist architecture of Kenzo Tange or Le Corbusier. His latest selection, a series of dusky, painterly assemblages, is on view through April 22 at Marta gallery in Los Angeles in a solo show called "Brut Vessels."
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Nadia Yaron Embraced Chaos — In the Form of Chainsaws — To Create This Tranquil Exhibition

In a new show at Francis Gallery in Los Angeles, Nadia Yaron presents the body of work that emerged from a burgeoning love affair with her natural surroundings in Hudson, New York. “I work mostly outside from spring to autumn and am immersed in nature,” she shares. “This show is a tribute, a way to say thank you to these elements for their beauty and wisdom and all the joy they bring to our lives.” From her studio, a repurposed 19th century barn, Yaron used chainsaws and grinders to produce a series of sculptures of striking tranquility. It is not a peaceful exchange of energy. But, she says, “out of the chaos comes some quiet.”
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The Latest Iconic Italian Sofa Reissue, Bellini’s 1972 Le Mura, Has Arrived in the US

First came the return of conversation pits. Then came the resurgence of that other '70s-era seating mainstay — the ultra-comfortable, oft-squishy, sometimes-modular sofa, conceived by an array of (mostly) Italian designers, and built for conversation, intimacy, and that ephemeral but much sought-after quality of "conviviality." The trend only picked up steam during the pandemic, spurred by our collective desire to entertain at home. Now, alongside a slew of other sofa reissues throughout the industry, comes a Mario Bellini masterpiece back onto the market: The Le Mura sofa, first released in 1972 and reissued last year by Tacchini, will get its U.S. debut this week at the New York design gallery M2L, in a special presentation on view though March 27.
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In a New Milan Exhibition, These Elemental Materials are Anything But Basic

Wood and metal — often used interchangeably for the same purposes, known as symbols of strength, both are innately rigid, while also malleable and capable of being crafted into almost any shape imaginable. As part of the recent Makers 1 exhibition in Milan, these two materials, which dominate the construction and furniture industries, were investigated in their many weird and wonderful guises by no less than 28 designers.
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Alekos Fassianos’ Hellenic Designs Offer a Fanciful Take on Ancient Greece 

The simplicity of Greek classical and folk art was an eternal muse for the late artist Alekos Fassianos. Best known for his paintings, which blend ancient iconography and contemporary scenes in vibrant swashes of blue, red, and gold, his overtly Hellenic influences and signature palette also gave birth to a wide range of furniture designs. Carwan Gallery in Athens is presenting the first retrospective of these pieces, following the artist's death last year, and they’re just as transportive and delightful as his 2D works.
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In a Philippe Starck Retrospective, The Designer’s Early Work Reads As Both Vintage and Prescient

Before Philippe Starck became a mega-famous household name, producing everything from countertop juicers to opulent hotel lobbies and Bond-villain yachts, the French designer conceived of Postmodern furniture that feels distinctly of its time yet continues to fascinate and compel us. Starck’s work from the late '70s and '80s is now getting its first retrospective at the Ketabi Bourdet gallery in Paris. In a way, it’s the next step in the ongoing re-evaluation of designs from that era and a continuation of the conversation the gallery opened up last year with an exhibition of the visionary Italian designer Paolo Pallucco.  
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For One Night Only at Superhouse, We Paired Works and Personal Mementoes by 16 Designers

To celebrate the upcoming launch of our book, How to Live With Objects, we put on a one-night-only exhibition last week at Superhouse Gallery in Chinatown with a *very* fun concept. To showcase How to Live With Objects' new approach to interiors — simply surrounding yourself with objects you love — we invited 16 designers, eight from our book, and eight from our exhibition partner, Areaware, to display two objects each: one they had made, and one that was meaningful to them. Each pair was displayed on a Duo Object Stand, a new, two-object pedestal designed by Sight Unseen and produced by Bestcase.
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A Traveling Gallery Show in Belgium Offers a Renewed Sense of Discovery

This summer, the galleries Barbé Urbain and Atelier Ecru, located in Ghent, Belgium, have teamed up to present a temporary exhibition of collectible design and contemporary art outside of their dedicated spaces. Named to evoke a sense of discovery, the Magellan show brings together works by a host of artists and designers in the De Beir residence, an iconic early Modernist building designed by Belgian architect Huib Hoste in 1924.
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In a Public Art Installation at Rock Center, Emily Mullin’s Floral and Ceramic Hybrids Are Suddenly Larger Than Life

In still-life ceramic and floral vitrines framed by Art Deco flourishes in the lobby of 45 Rock, in photographic murals lining the underground concourse level, and at Top of the Rock, the viewing platform where visitors can look out over Manhattan, Emily Mullin's work is suddenly available to all. It's a huge leap in visibility for the Brooklyn-based artist, who produced the photographic works on view in collaboration with her partner, Tony, as well as a throwback to the earliest moments of her New York career, when she commuted to Midtown for a job designing window displays up the street at Bergdorf Goodman.
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Hanna Dis Whitehead ceramics

Hanna Dis Whitehead’s Colorful, Constantly Mutating Objects Are On View in Iceland

An amalgamation of materials and what she refers to as “drawer ideas,” Icelandic artist and designer Hanna Dís Whitehead’s latest exhibition, "Spin," turns experimental objects on their head while bringing lost thoughts from her school years back to life. Presented by the Gerðarsafn Art Museum in Kópavogur, Iceland, the exhibition showcases a selection of colorful and exuberant pieces, from a wonderfully offbeat lamp adorned with geometric, hand-cut tiles and pine, to ecstatic, slumping goblets.
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This Copenhagen Gallery’s First Show Features a Cheese Cracker–Like Room Divider

Copenhagen may be famed for Danish Modern furniture, but the contemporary designs on show at a new gallery in the city’s Østerbro neighborhood are decidedly more exciting (for us, anyway). The debut exhibition at Carlota Oyarzun gallery occupies two rooms of a private residence, which boasts historic details and enviable herringbone floors. In wonderful contrast to the period features, the group show, titled It Will Follow, brings together 14 local and international designers who explore “how bold materials are adapted to function with simplicity in form and subtle detailing.”
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