At Design/Miami Basel and Art Basel 2013

This week, I got more than a few emails from friends and family members flummoxed by my trip to Art Basel. "You're where???" exclaimed my mother, halfway believing I'd temporarily left my annual summer sojourn in Berlin to double back to Miami for three days. That's because while Sight Unseen has been a longtime devotee of the Floridian version of the international design and art fair — stretching back to our I.D. magazine days — we've never managed to make it to the Swiss edition, which is even more extensive. Turns out 2013 was a pretty amazing year to call our first: Design Miami/Basel moved into the incredible new Herzog & de Meuron building, expanding its show in the process, and Art Basel totally killed it with the Untitled show of large-scale works, featuring a new piece by the wonder twins of contemporary installation art, Jonah Freeman and Justin Lowe. Artsy made my trip 10 times easier with its extensive online preview of both shows (not to mention an ingenious iPhone-charging station at its ROLU-designed fair booth), and Craig Robins put the cherry on top by letting Kanye West preview his new album — and perform a song a mere 8 feet in front of me — with less than 7 hours' notice. You totally should have been there, but if you weren't, here's the Sight Unseen rundown.
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At New York Design Week 2013, Part V: The Rest

New York Design Week may already feel like a distant memory, but we couldn't move on to covering the upcoming Design Miami Basel fair — or start publishing all the amazing studio visits and house tours we've been saving up for the past few weeks — without doing one last post about all the offsite shows we saw (and didn't see) during this year's ICFF. From magnified eyeballs to garbage arches to our favorite watering can of all time, check out the official Sight Unseen roundup below.
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At New York Design Week 2013, Part IV: ICFF

We had a dream for ICFF this year: to set up a "Sight Unseen Canteen" staffed by an avant-garde chef who would purchase food items from the conference center cafeteria and recast them into amazing gourmet meals, a bit like the now-defunct website Fancy Fast Food. The reason we had this dream (which we still hope to someday realize) is that no one in their right mind ever has anything good to say about the Javits itself — the climate, the lighting, and of course, the hideous, overpriced cuisine — and so pretty much everyone, we figured, would get the joke. If we could add on a foot massage station, a napping pod, and a daylight simulator, our vision would truly be complete. But alas, this year all there was to comfort weary fairgoers like us was plain old great design, and the joy of running into old friends and colleagues, and so we had no choice but to settle for that. We came, we saw, we conquered.
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At New York Design Week 2013, Part III: Jambox at Noho Next

This year's Noho Next show didn't just look amazing — it sounded amazing, too. That's because in the exhibition's flagship space, Sight Unseen created a special installation for Noho Design District sponsor Jawbone, a kind of video listening area decked out not only with the brand's latest wireless speakers, but with an array of furnishings and objects culled from some of our very favorite designers — from Paul Loebach to Tom Dixon. Styled with the help of Seattle's Ladies & Gentlemen Studio, the space invited Noho Next visitors to kick back, relax, and experience the sound of Jawbone's latest BIG JAMBOXES, which are newly available in more than 100 customizable color combinations. Check out the setup after the jump, plus watch the seven designer-made videos that Sight Unseen hand-picked to screen over the weekend.
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At New York Design Week 2013, Part II: Noho Next

In our fourth year of producing the Noho Design District, we’ve learned a few things. Namely: That while industrial, disused spaces have loads of charm, they also run the risk of leaking when those May showers hit. After two years of emergency sandbagging and climbing onto roofs in our galoshes, we decided it was time to go legit. So when we heard last fall that 45 Bleecker Street — which played host to Tom Dixon’s labyrinthine underground exhibition in 2012 — was about to undergo a gut renovation, to be reborn as a music events space, we knew we wanted in. We decided early on that the space would be filled with up-and-coming talents for our Noho Next exhibition, which in the past has proved a bellwether for design stardom, featuring the likes of Jonah Takagi, ROLU, Fort Standard, Iacoli & McAllister, and Brendan Ravenhill. We have a feeling this year’s edition will prove no different.
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At New York Design Week 2013, Part I: The Noho Design District

Each time we start to celebrate the end of yet another successful edition of our Noho Design District project — this one being our fourth, if you can believe it — it's not long before a certain realization hits us like a ton of bricks: We only really get a few short months to recover before we have to start the process allllll over again. We began planning in the fall for the 2013 edition of the show, which ran from May 17-20 and which we'll be recapping on Sight Unseen today and tomorrow, and it's almost impossible to fathom how much work could go into a four-day event that nevertheless flew by so quickly. There were spaces to secure (thanks, SubCulture!), flyers to finagle (thanks, Benjamin Critton!), and press-preview pastries to provide (thanks, The Smile!). And of course we had to find the perfect brand to partner with to help support all the amazing emerging talents we offer a platform to (thanks, Jawbone!). But in the end all that work would have amounted to naught had our exhibitors failed to bust out with some of the most stunning and inspiring designs we've ever shown, from the simplest concrete domino set to painstakingly elaborate chandeliers, light-up neon desks, and textile installations. In case you weren't lucky enough to join us for this year's event, we've put together a roundup of its highlights, the first half of which is featured in the slideshow at right; stay tuned for coverage of Noho Next, ICFF, and other offsite shows to come. And thanks to everyone who joined us this weekend!
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At the 2013 Frieze New York Art Fair

Halfway through our ferry ride across Manhattan's East River to Randall's Island this weekend, thunder rang out, the skies opened up, and a torrential downpour enveloped our little boat, ruining our hair and prompting dozens of our fellow travelers to whip out their iPhone cameras with glee. But neither rain nor sleet nor snow was going to keep us away from this year's Frieze Art Fair, especially after we missed the 2012 show due to Noho Design District preparations and — through the reports of friends and critics — definitely lived to regret it. Once we were inside the giant white tent (designed by the local architecture firm SO-IL), snapping away on our own iPhones while drooling over the smell of Mission Chinese that hovered mercilessly over the central arc of the space, we didn't mind so much that our feet were sloshing around inside our shoes. We managed to see nearly everything — including an amazing performance piece by our favorite, Tino Sehgal — identified several strange recurring trends (art made on or from mirrors, references to outdated technologies), and had a major celeb spotting (Jared Leto) to boot. Check out some of the pieces we Instagrammed after the jump, then head over to our Facebook gallery to see even more photos.
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The Best of the 2013 Milan Furniture Fair, Part II

If, like us, you spent the last week in Milan, catching up with old friends, meeting those with whom you'd only traded emails (hi Fredrik Paulsen, Adam Stech and Katrin Greiling!), and making new ones — well, you're probably in a bit of withdrawal as well. Milan, despite being frequently cloudy, transportation-unfriendly, and just too darn full of things to see, showed us an excellent time this year, and we're only just now recovering. But this post helps! It includes some of our favorite photos from the second half of our trip, but there are many, many more in our Facebook album — click here to check it out!
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The Best of the 2013 Milan Furniture Fair, Part I

Greetings from Milano! Between all the Negronis and risottos, the late-night parties and the trips to Bar Basso, the Sight Unseen team has spent the past week treasure-hunting at the annual Salone del Mobile, and we’re excited to share with you our first batch of finds. This post includes our favorite photos from days 1 and 2 of our trip, but there are many, many more in our Facebook album — click here to check it out! And stay tuned for more! (Above: new copper oxidized True Colours vessels by Lex Pott.) Painted plywood furniture by Schemata Architects / Jo Nagasaki, which we spotted at Rossana Orlandi gallery. Nagasaka is the one who made that amazing fluoro epoxy table a few years back.Bertjan Pot lamp for DHPH at Rossana OrlandiArtist Maurizio Cattelan was hanging in his Toiletpaper for Seletti booth at Rossana Orlandi, playing pranks on passersbyMinale-Maeda mirrors at Rossana OrlandiScene from Nomadismi, an exhibition in Brera curated Li Edelkoort, with Stephen Burks Man-Made totem in the centerNomadismiAnton Alvarez wrapped chairs at NomadismiPierre Favresse table and Nathalie du Pasquier rug at La ChanceSebastian Herkner’s Salut tables at La ChanceSurrealist sculpture in BreraIceland Whale Bones project by ECAL students Brass-based lamps by Be Plus HaveAmazing architectural details abound in MilanBrose Fogale coat rack at DesignjunctionUpstairs at Fritz Hansen, visitors could sit in the new Ro Chair by Jaime Hayon and have their picture taken in front of a green screen. Um, yes please! The resulting photos placed us in 7 iconic cityscapes. We thought this one, in the center of Milan, fit the bill quite nicely! Stay tuned for more Milan coverage, coming soon!
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At Art Basel Miami Beach 2012

The thing about Miami is that what you see when you do head down for the annual art and design extravaganza can often be frustratingly little. Between the city’s grueling traffic, the lure of its glittering beaches, the daytime pool parties, and the later-than-usual nights, it’s a wonder anyone can make it through the entire convention center and its neighboring Design/Miami tent, much less the satellite art fairs, the Wynwood galleries, the museum shows, the new boutiques, and the odd day trip out to see new work installed in places like the Fairchild Tropical Botanic Garden. At the same time, as a journalist, you really have seen it all before, what with the endless previews and press releases. And so you’re caught endlessly swinging back and forth between anticipation and letdown, which you conclude can only be cured by a wine-soaked lunch on a patio overlooking the ocean, or an hour spent by the pool. (Are you getting a sense of our week yet?) Of course, some work had to be done, so though a few of our favorite projects went undocumented, we managed to catch the majority of the rest on film.
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At London’s Frieze Art Fair

Which furniture designs do discerning art dealers truly prefer? Not to sell, but to sit in? That was the age-old question that photographer Sanna Helena Berger set out to answer while traversing the aisles of last month's Frieze Art Fair. Her utterly unscientific answer? Four out of five discerning art dealers prefer Friso Kramer, or failing that, some variation on mid-century bentwood. Quelle surprise. A Swedish photographer based in London, Berger chose to hone in on the subject after her maiden voyage to Frieze — tagging along with a friend's art class — proved otherwise underwhelming. “The space itself is divided into cubicles, very much like an overcrowded office, except that everything is crisp, bright, and white and within the cubicles the office wear is of a higher standard,” she explains. “Obviously I don’t claim that there was no worthwhile art there, because there certainly was, but the environment, the space, and the curation were not for me.” Instead of complaining, though, and jeopardizing her friend’s happy experience, Berger pulled out her camera and devoted the rest of the day to documenting art-booth furniture. Then she decided to share the results with usThen she decided to share the results with us, in a behind-the-scenes exposé that will no doubt put a lot of curious minds at ease, once and for all.
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At the 2012 Dutch Design Week

It's been a tough two years for Dutch design. First a newly elected right-wing government slashed the tiny country's legendary arts funding, causing seemingly irreparable damage to its institutions and grant programs, and then a series of high-profile resignations called into question the inner workings of Eindhoven's hallowed Design Academy. But even if there are signs that the fairy-tale may not last — that creativity and experimentalism can't elude the death-grip of capitalism forever, even in a place where designers still benefit from squatters' rights — we still look forward to Dutch Design Week as a reminder of the happier consequences of those values. While we couldn't attend this year ourselves, we asked our faithful contributor Marco Tabasso, who's second-in-command at Rossana Orlandi gallery in Milan, to report back on his experiences at the festival — from his mixed feelings about the Design Academy show to the paella dinner he and Rossana shared with Nacho Carbonell in the designer's studio, above.
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