At the London Design Festival, Part II

Just as everyone else is arriving in London, our time here is winding down — we have one last day today to take in the sights and sounds before flying home tomorrow, and we'll be spending most of it at one of the more newsworthy events of the week, Designjunction. There's going to be quite a few new releases happening at the Central London hub, but if you want to know the truth, we're most excited about seeing the building, a 250,000-sqft. industrial complex that should make a sublime backdrop for our humble photography efforts. Meanwhile, we've documented the last two days' worth of events and shows here, from a trip to the Mint gallery where we spied the marbled stools above to a plop onto the motley mix of benches arrayed around the V&A courtyard, all made by various design superstars. There's no way we'll make it to everything by tomorrow, but we've got a lot more to share, so keep coming back to visit us please!
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At the London Design Festival, Part I

The first time we attended the London Design Festival, five years ago now, it became something of a benchmark for us — the design event against which we not only measured other design events, but would come to measure our own, the Noho Design District. That's because when you attend the LDF, you feel like you couldn't be anywhere else but in London; the spotlight is resolutely on emerging homegrown talents (thanks in part to the RCA) and there are always brand new projects and product launches to see (thanks in part to the fact that, unlike ICFF, the festival takes place halfway between Milan fairs). LDF has such a good reputation, in fact, that even the coalition behind New York City's official efforts to organize an as-yet-unnamed New York design week are looking to it for inspiration — can you imagine Tom Dixon giving away 500 free lamps in the middle of Times Square? It may happen sooner than you think. In the meantime, three years after our last trip to our favorite fair, we've returned, and we'll be making the rounds all week reporting on who and what we see here. After arriving on Friday morning, we had a bit of a slow start, poking around Shoreditch and hanging out with the incredibly gifted duo behind Silo Studio, whom we'll introduce in depth in the coming weeks. Check out the images here, and stay tuned for many more.
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At Design Miami/Basel 2012

When Design Miami rolls around each winter, it’s hard to resist the siren’s song of sunshine in December, no matter how much you've decided you hate standing in line for parties or how high the hotel rates might balloon during that frenetic week. We’ve been known to pool resources with friends far and wide in order to hop on flights and hightail it out of New York on the promise of a stolen afternoon at the Standard’s pool, or even a press brunch at some Collins Avenue hotel du jour. But we’ve never made it to the event that started it all: Design Miami/Basel and its legendary accompanying art fair. Lucky for us, then, that we alighted this year on the perfect correspondent: Marco Tabasso, known in design circles as Rossana Orlandi’s right-hand man, who took advantage of a rare two-day break (the gallery sat this year out, after having debuted a massive Nacho Carbonell installation in 2011) to zip around the Swiss metropolis, capturing everything he saw for us on proverbial film.
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At dOCUMENTA (13)

You don't go to Kassel, Germany (population 195,000) to eat delicious food or sightsee, and you certainly don't go there to shop. It's not even the kind of place that has that old-world, small-town charm. Kassel has one thing and one thing only: dOCUMENTA, the massive art show that was founded there in 1955 and takes place once every five years, pairing all the right it-names of any given half-decade's contemporary scene with all the right coolly obscure ones plucked from modern history. Earlier this week, I ventured out to Kassel from my temporary summer roost in Berlin to visit dOCUMENTA (13), curated by Carolyn Christov-Bakargiev; in two days, I managed to see only about a half to two-thirds of the work woven throughout the show's two-dozen or so venues, not including a park full of sculptures and conceptual dog runs that I particularly regret missing. I took nearly 200 photographs, half of which are now posted on Facebook — check out a sampling here, then follow this link over to Sight Unseen's page to see the rest, including an "invisible" installation by the inimitable Ryan Gander that left a very curious byproduct on the floor...
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At Sofia Design Week

This past weekend, Sight Unseen was invited to participate in Sofia Design Week, where I gave a lecture to the members of Bulgaria's design community about how and why we do what we do here. (Other speakers included Stefan Sagmeister, Raw Edges, Bas van Beek, Numen/For Use, and my new faves Abäke.) Unsurprisingly, it was my first time in Bulgaria, so I couldn't resist taking photos — both of the city's strange and wonderful sights, and of the few design objects I had time to check out while not watching my fellow speakers hold forth in the lecture hall, like this chair by London-based Marina Dragomirova that uses traditional Bulgarian carpet-weaving techniques. We've just posted a photo album on Sight Unseen's Facebook page; have a look, and don't forget to like us while you're at it!
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At New York Design Week 2012, Part IV: The Rest

At 8:15 AM on Monday, May 21, I heard it in my sleep: thunder, really loud thunder, loud enough to wake me up and send me flying to the window in a panic. The Noho Design District's 22 Bond space had shown signs of roof leakage during setup earlier that week, and with torrential downpours seeming imminent, I threw on shoes and glasses and rushed meet Jill at the space to begin damage control. Thus went the day, as we scrambled to clean up puddles and position buckets underneath the growing indoor deluge, our dreams of making it to the rest of New York Design Week's offsite shows slipping away from us by the hour. We'd seen Wanted Design and Matter the day before, but as fate would have it, there would be no Boffo Show House for us this year, nor would we make it to Model Citizens, despite a valiant effort which saw us sprinting up the stairs of the venue fifteen minutes before the show was scheduled to close, only to find that almost everyone had packed up early. Luckily the American Design Club's Raw + Unfiltered exhibition at Heller Gallery — part two of the Karlsson's Unfiltered project — remained on view later that week, so we paid it a belated visit. (The Boffo house is up through June 4, though as of press time we hadn't been able to get there quite yet; ditto for the Herman Miller pop-up shop, on until July 1.) Next year, if they haven't quite perfected cloning technology just yet, we at least hope to nip this problem in the bud with a more foolproof modern invention: interns.
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At New York Design Week 2012, Part III: The Noho Design District

The question we get most often about curating and producing three years' worth of Noho Design Districts isn’t “Can you spare an invite to the VIP party” or even “How can I show my work with you?” but “How on earth do you two do it?” This year was our biggest and best event yet: We had two new hubs (the empty former print lab at 22 Bond Street and The Standard, East Village hotel on Cooper Square); two new international partners (London’s Tom Dixon took over the basement of the Bleecker Street Theater while DMY Berlin hit the American circuit downstairs at 22 Bond); and exhibitions so big that one of them stretched across two different venues (The Future Perfect’s showcase busted the seams of its Great Jones flagship, continuing up the street at 2 Cooper Square).
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At New York Design Week 2012, Part II: Hotel California

How could we have possibly known, when we first decided to host an exhibition of California design during our third annual Noho Design District, that we would be blessed with four straight days of glorious, Los Angeles–style sunshine? (Followed, of course, by a day of downpours, but more on that tomorrow.) Springtime in New York is a fickle beast, and when we first began to plan how best to use the gorgeous second-floor terrace space we’d been given at the new Standard, East Village hotel, we said a prayer for mild climes but also engaged in fretful what-ifs with our hotel ambassadors, talking of contingencies like awnings, tarps, and the possibility of moving everything — save for a nearly 50 square foot teak and rubber fort constructed on-site by Matt Gagnon — inside.
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At New York Design Week 2012, Part I: ICFF

We may have spent most of our New York Design Week(end) tending to the most successful Noho Design District ever — wrap-up post coming soon! — but this year we were determined to see as much of everyone else's presentations as possible, including spending more time walking the International Contemporary Furniture Fair at the Javits, checking in with old friends while discovering new talents. And since Roll & Hill opted not to reprise the bar they plopped in the middle of the fair last year, plying us with beers and chips as we charged our phones and completely lost track of time, we were able to do a relatively thorough sweep before racing back out into the sunshine again. We started out just snapping products we loved, but then couldn't resist adding a Sight Unseen twist, so we asked some of the more adventurous designers and brand ambassadors to strike a pose with one of their new pieces — which turned out to be a welcome break from the tedium of spending one's days doing business inside a windowless convention center. See our highlights here, then stay tuned for our roundup of this year's offsite shows.
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The Best of the 2012 Milan Furniture Fair, Part III

To quote Pilar Viladas in her roundup on The Moment this week, "Another year, another Milan Furniture Fair." Seriously. The Salone always seems so crazy and exciting while you're actually there — if not important, depending on whether any offerings managed to impress — but looking back on it a week later, it inevitably melts into one big blur of chairs and tables that probably already existed, in one form or another, the year before. With today's album of snapshots, some taken by Future Perfect owner and intrepid reporter Dave Alhadeff and some by the Eindhoven-based designer Max Lipsey, we offer you one last chance to relive the experience of the 2012 fair, up close and personal, before it gets written into the great furniture catalog in the sky. Maybe next year we'll go back ourselves, and remember what the fuss is about all over again. Until then...
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The Best of the 2012 Milan Furniture Fair, Part II

We'd scarcely pressed "Post" on last week's Milan Furniture Fair recap when another round of photos arrived in our inbox, this one featuring the jaw-droppingly amazing Sedimentation vases pictured above, which could be our favorite thing to emerge from the weeklong festivities. The fact that they're the work of a student — the Swedish-born Royal College of Art up-and-comer Hilda Hellström — makes them even more exciting, especially when the fair can sometimes seem dominated by glitzy launches from the megabrands. "I am OBSESSED with these," wrote The Future Perfect's Dave Alhadeff. "The forms feel well beyond student work and the 'on-trend' marbling technique." We couldn't agree more, and Hellström's urns were just one of the products we fell in love with by proxy; as the weekend wore on, we received picks from Mary Wallis, a designer at Lindsey Adelman's studio, and the American designer Jonah Takagi to round out our second wrap-up from the year's biggest furniture event. Mirrored crates, portable terrariums and zinc-coated screens are now tops on our wish lists. What's on yours?
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At the 2012 Milan Furniture Fair

While nothing will ever compare to the Great Ash Cloud of 2010 in terms of strange events surrounding the Milan Furniture Fair, there seems to be a fair amount of juju going on with this year's festivities — or at least with the members of our hand-picked street team, who were meant to upload photos from their bases around the Italian metropolis all this week. Pin-Up editor Felix Burrichter reported a suddenly collapsed eardrum, which stranded him in Berlin and prevented him from attending the fair entirely, while designer Sam Baron confessed his attempts to take photos at a dinner for Fiat's Lapo Eklann were sadly thwarted by bodyguards. Lucky for us, then, that we've been able to follow along on Instagram, Twitter, blogs, and a steady stream of photos arriving in our inbox from The Future Perfect's Dave Alhadeff, who's been firing off everything from potential products for his store to OMG moments to jealousy-inducing images of gelato. We'll be bringing you more photos as they roll in, but for now, here's a sampling of the first few days from one of our favorite fairgoers.
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