The Best of Milan Design Week 2019, Part I

Each year in Milan brings something truly wonderful to behold, whether it's furniture hoisted into inflatable bubbles (Nilufar Depot), a newly open-to-the-public Piero Portaluppi interior (Massimo de Carlo Gallery), or the coolest amoeba-shaped marble tables we've ever seen (by Studio Binocle, which we're featuring here today). We'll be devoting our whole week to coverage from the fair so stay tuned, and click through for the first of our favorites.
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The Best Thing We Saw in Milan Today, Day 4

This week we're featuring quick hits from some of our favorite things at the Milan furniture fair that caught our eye. Today's snapshot features three table lamps from three different designers in three very different materials: Bec Brittain's new marble Heron lamp for Mmairo, Maarten de Ceulaer's stained glass beauty for the Doppia Firma exhibition, and the tortoise and aluminum Obelisk from one of our favorite newcomers of the week, Kabinet.
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The Best Thing We Saw in Milan Today, Day 3

After five years, Dzek — you know, the makers of your favorite terrazzo kitchen — returned to the fair with another architectural material with a vast applications: Called Ex-Cinere, it's a collection of tiles — with serious 70s vibes — developed in collaboration with Formafantasma, stemming from the Dutch-based duo's longtime exploration into volcanic rock.
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The Best Thing We Saw in Milan Today, Day 2

Sight Unseen is on the ground at the Milan Furniture Fair this week and we’ll be bringing you loads of coverage next week, plus moment-by-moment round-ups on our Instagram Stories. But until our rounds here are done, we’ll be featuring quick hits from some of our favorite things that caught our eye. Our pick today? These skewed, psychedelic checkerboard rugs by Martino Gamper for cc-tapis, whose color-blocked not-quite-grids result in a collision of textures and hues.
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The Best Thing We Saw in Milan Today, Day 1

One of the first projects we saw this week was a new collection by Bloc Studios, for which the Carrara-based studio collaborated with three of our favorite designers: Odd Matter, Federica Elmo, and Studiopepe, whose collection in
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Week of April 1, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Solo exhibitions abound by some of our favorite artists, burl wood and glass blocks continue to pop up in unexpected places, and a killer collaboration by two New York talents is one of our favorite launches so far this year.
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The 9 Best Things We Saw at DesignMarch 2019 in Iceland

Iceland's DesignMarch is no New York design week — and we would never expect as much from a country with a total population of 340,000 — but like every other up-and-coming design scene around the world, from Norway to China, its practitioners are getting more savvy, more entrepreneurial, and more ambitious, resulting in more impressive work all around. Click through to see our favorite discoveries from our recent trip to this year's fair.
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Milan Preview: New Lighting — And the Cutest Café — By Lambert & Fils

At Salone every other year, a special portion of the fair is devoted to Euroluce, aka all the lighting brands you can cram into one (or two) pavilions. But this year, one of our favorite lighting brands is debuting its new collections miles away from the fairgrounds of Milan: Next week, the Montréal-based Lambert & Fils will pop up with a six-day concept café at Alcova, a former panettone factory in the northeast corner of the city.
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Material Lust Independent

Frustrated by the Limits of Design, Material Lust Sets Its Sights on the Art World

Not much had recently been heard from Material Lust until this March, when, after a few quiet years, they popped back on our radar, showing neither at a design gallery nor a furniture show, but at the New York art fair Independent, in a Spring Studios skybox overlooking a maze of gallery booths. Frustrated by the literalness of conversations they were having in the world of furniture design — and with their practice taking an increasingly conceptual turn — the pair made the conscious decision to turn Material Lust from a design brand into an artist collective.
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Patricia Treib’s Paintings Are Abstract, But Rooted in the World of Objects

In Brooklyn-based painter Patricia Treib’s expansive abstract canvases, frothy pastels and opulent jewel tones abut daring and clever interventions of palette — a sudden wash of matte elephant gray against a translucent seafoam green, or a block of deep mahogany propping up a pale blue stain. Her paintings are a pleasure to take in, with a healthy dose of art history and a deep interest in the world of material objects as well as the physical properties of paint.
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In LA, A Weekend-Long Show Cheekily Called “Object Permanence”

Two weekends ago, a group of Los Angeles–based designers came together to interpret the candlestick in the first iteration of "Object Permanence," a new, quarterly event co-curated by designer Leah Ring of Another Human and Emma Holland Denvir, head of Hem's U.S. business development. Hosted at Hem’s Los Angeles showroom, the selection of designers and their objects follows a recent trend of reimagining near-relics like the ashtray, the bookend, and the paperweight, in which each object represents a tiny distillation of its designer's aesthetic.
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Week of March 25, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A new book that reveals hidden Gerrit Rietveld interiors, brand new furniture releases by two American design studios, two major ceramics discoveries, and the latest dispatch from our imaginary sister site, Sight Unseen Bathrooms.
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