chic Parisian hotels boutique interior design

Meet The In-Demand Interior Designer Redefining Parisian Chic

Dorothée Meilichzon had worked in Paris for just five years before she founded her eponymous design studio in 2009 at the age of 27. Since then, she’s become one of the most in-demand interior designers in the French capital — as well as 2015’s designer of the year at Maison & Objet — despite maintaining a full-time staff of only three. Her work focuses on hotels, restaurants, and bars — the “fun places,” as she calls them, done in a style that is decidedly of-the-moment but grounded in color and texture and marked by an exquisite attention to detail and a love for metals, wood, and stone.
More

A Bauhaus-Inspired Artist Makes Color Her Primary Medium

The paintings and wall-based textiles of New York–based Senem Oezdogan are like a Venn diagram where Bauhaus and Suprematism meet — almost as if Anni Albers and Kazimir Malevich were to have a baby. Her fiber-based geometric studies — made by wrapping wood panels in natural rope, punctuated by cotton floss color blocks — are deft executions of straight lines and woven shapes that tease the eye yet retain the softness of a tapestry.
More
RCA emerging designers 2016

Six Talents to Watch from RCA’s 2016 Graduate Show

Martino Gamper, Tomás Alonso, Raw-Edges, Soft Baroque — these are just a few of the designers who came from abroad to study at London's Royal College of Art and ended up making a home in the UK. So it's no wonder a dampened mood filled the air at this year's graduate showcase, in the wake of the EU Referendum, with an underlying anxiety of how the political sphere might affect the influx — and future prospects — of applying students. Still, the show was as fruitful as ever at uncovering this year's next big thing designers — click through for six of our favorites!
More

Inside the Rope-Painting, Basket-Making World of Gemma Patford

After attempting to learn to crochet, Patford realized it was not for her and instead turned to artists who were working with rope like Doug Johnston, who remains one of her heroes. “I muddled my way through the Internet to find a process that worked with my abilities and with what I had at home. I had a sewing machine and paint — and the baskets were born,” she says.
More

Meet the Talented Sisters Behind Our New Favorite Lighting Brand

If you visited Sight Unseen OFFSITE last week, you might have noticed one standout booth in particular, dressed as it was in moody shades of blue, showcasing an incredible number of variations on the sculptural, globe-bulbed typology that's recently become so en vogue in the lighting world. In fact, in its striking beauty, the booth was impossible to miss: The lights were the work of London-based sisters Gwendolyn and Guillane Kerschbaumer, two Austrian-born designers who work under the studio name Areti.
More
Swedish designer Erik Olovsson

This Former Acne Art Director Makes Furniture With a Graphic Eye

When we first encountered Swedish designer Erik Olovsson two years ago in the basement of Rossana Orlandi, he had but two products to his name — a wavy-lined metal and marble clothes rack and a modular, geometric shelving unit, both created in collaboration with his fellow graduate and graphic designer Kyuhyung Cho. Since then, Olovsson has been developing and tinkering with the beautiful projects he's unveiling in Milan this week.
More
Tijmen Smeulders minimal Dutch design

Here’s (More) Proof That Dutch Design Has Gone Super Minimal

It’s rare to come across a body of work and a design approach as radical as that of Dutch designer Tijmen Smeulders. Give his portfolio a quick browse, and you'll find only the barest essentials: dimensions, material, and year of production. Focused on technical exploration and highly sculptural, his pieces offer the viewer no explanation of their existence or even a hint as to the concept behind them — they are pure form.
More
South Korean designers Craft Combine

A South Korean Design Collective Making Treasure from Trash

At the heart of Craft Combine, a South Korean design collective run by four students currently studying at Hongik University, is a fascination with materials and processes from the perspective of different disciplines; between the four of them, there is expertise in photography, metalwork, product design and textiles. But what often holds those interests together is a commitment to environmental responsibility and a need to re-examine the things we throw away.
More
Colorful geometric design objects by Schneid

Colorful, Geometric Designs by a German Studio On the Rise

Though Julia Mülling and Niklas Jessen of the German studio Schneid consider themselves makers of all things — from textiles to furniture to the amazing, stackable dishware set above — it’s lighting that fills the majority of their portfolio. Creating a lamp, they say, “feels very free, almost like making a piece of art — where you don’t have to follow the rules like when you design a chair.” So it’s no wonder that when we ask who their influences might be, they don’t first cite Ettore Sottsass or some other member of the Memphis Group who could have inspired their colorful, totemic Junit series, but rather light artists like James Turrell and Olafur Eliasson. “When you see their art, you realize how affected you can be by the use of light and color,” Mülling says. “That’s very inspirational to us.
More

Erika Emerén is Doing Magical Things With Concrete

Swedish designer Erika Emerén's current practice involves dyeing and casting concrete in an experimental process that she has very little control over, then using it to make chairs, tables, and soon, lamps too. "The results always vary, especially when I'm mixing different colors," she says. "But that's what I prefer, to make something unique. The that I can't control is what makes the design interesting."
More
The Hip New Face of Brazilian Design

Pedro Paulo Venzon Is the Hip New Face of Brazilian Design

History looms large over Brazilian design — how to compete with tropical modernism? Sergio Rodrigues? Lina Bo Bardi? Everyone's got it pegged, which is why the work of Pedro Paulo Venzon is so exciting: He's the first young up-and-coming Brazilian designer we've seen who's totally nailing the delicate balance between paying homage to the legacy of his forebears, and developing an aesthetic that's new, cool, and relevant to the international contemporary scene.
More