08.28.14

Sighted

CC-Tapis Rugs

An offshoot of a 1940s-era French-Persian rug house, CC-Tapis is a contemporary design label founded in 2011 and based in Milan. Each rug is hand-crafted by Tibetan artisans in Nepal using natural fibers, dyes, and processes to create a high-quality work of art. The company occasionally collaborates with artists and includes more traditional degradé wool patterns in its archive but we fell hard for these perfectly styled, geometrically-inclined specimens from their most recent catalog. Shot by Lorenzo Gironi, the photos of the collection are a perfect blend of simple colors and minimal props that bring the rugs into the third dimension with style. Check out some of our favorites below.
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08.27.14

At Home With

Page Neal of Bario-Neal

Seven years ago, when Page Neal and Anna Bario decided to relocate from New York and San Francisco respectively to work on a sustainably-minded line of jewelry, they chose Philadelphia because it was both affordable and close to New York City. “The decision to move here was a complete whim,” Neal told me over iced tea in her kitchen when I visited her South Philly home earlier this summer. “I didn’t know anyone and neither did Anna.” But the gamble paid off: The city, it turned out, had a thriving jewelry district where casting, engraving, and stone-setting workshops have sat above storefronts for generations. “It’s an amazing place for makers because small-scale manufacturing is really accessible,” Neal says.
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08.25.14

Sighted

Sigrid Calon, Visual Artist

For some reason, this is the week we finally put our money where our mouth is: First we took home one of Fort Standard's beautiful, mint-colored standing bowls, and then, on a whim last Wednesday, we picked up a risograph by Dutch visual artist Sigrid Calon, who we've had on our radar for quite some time. The hardest thing about buying Calon's work is narrowing down your options to just one — each print, which is based on the Tilburg artist's interpretation of an embroidery grid, is beautifully layered, using eight gradated colors, dots, and lines to achieve endless variations. Which one would you choose? See more after the jump.
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08.23.14

Saturday Selects

Week of August 18, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week had a very geometric vibe, from our favorite picks from the NYNOW gift fair, to a lamp inspired by '80s virtual reality, to a photography series showcasing the nature of shadows.
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08.22.14

Sighted

KONTO, Installation and Product Designers

KONTO is a collaborative installation, interior, and product design project by two Danish creatives, artist Morten Bencke and textile designer Elizabeth Kiss. The pair make things like lamps and trivets, but our favorite projects of theirs are more abstract, like the pastel totem pictured below, created for a friend's music video, or the experimental sculptural series Montage 1, featured in the rest of this post. The pair describe their work as "based on light, balance, curiosity and colors" — check out more of it after the jump.
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11.16.12

Q+A

Caroline Achaintre on Arcademi

The biggest reason why we love our new Peer Review column: because it lets us heap mountains of credit onto blogs like Arcademi — the source of more of our "holy shit" moments than almost any other site — while giving us good reason to borrow their content. Namely, the opportunity to hear their subjects wax poetic about things like hairy tufting and multiple personalities, like today's subject, Caroline Achaintre. We were lucky enough to convince Arcademi editor Moritz Firchow to interview the London-based artist, who trained as a blacksmith before finding her way to a multidisciplinary practice inspired by the way German expressionism, post-war British sculpture, and Primitivism merge influences from both ancient and modern culture.
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08.21.14

Up and Coming

Ian Anderson, ceramicist

If you find it at all impressive that Philadelphia-based ceramicist Ian Anderson is releasing the debut collection we’re presenting here at the tender age of just 23, consider this: Anderson has been developing the collection’s asymmetrical, highly sophisticated forms in his head ever since he was a high-school student back in Mission Viejo, California. He just never had the studio set-up to realize them until now.
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08.19.14

Travel

Helen Levi in the American Southwest

Sometime in the past year, Brooklyn potter Helen Levi began making her popular Desert Tumblers, which evoke a kind of faded, windswept, Southwestern landscape by marbling white porcelain with sandy red clay. But the funny thing is, until this summer, New York–born Levi had never even been to the desert. "I’d been wanting to go to New Mexico since high school," she says. "That landscape has always been kind of a dreamy thought, but my tumblers were based on my imagination of a place I'd never seen." This summer, Levi decided to bite the bullet, taking a month off from work to road trip 7,000 miles — all the way to Albuquerque and back — making sure to stop along the way at places like the Pittsburgh factory where her clay is made and leaving enough time to simply wander off the road in search of this country's vast natural beauty.
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Erin O'Keefe
08.18.14

Graphic Design

A Former Architect, Erin O’Keefe Creates Art That Plays With Spatial Perception

Erin O'Keefe is an artist and architect based in New York and New Brunswick, Canada. Having studied architecture at Columbia's grad program, O'Keefe took her interest in spatial perception back to her art career, in which she creates sculptures and models and landscapes out of paper, plywood, and foil, which she then photographs. As she describes it: "I'm interested in the layer of distortion and misapprehension introduced by the camera as it translates three-dimensional form and space into a two-dimensional image. In architecture, there is a similar dissonance ... The representation of the building and the building itself are two radically different things, as is the photograph and its subject. This inevitable and often fruitful misalignment is the central issue in my practice." Check out our favorite examples of her work after the jump.
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08.16.14

Saturday Selects

Week of August 11, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week was all about next-level workplace decor: colorful benches for happy waiting rooms, amazing ceramics for air-freshening plants, and the coolest Christmas-colored desk we've ever seen.
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08.15.14

Up and Coming

Workaday Handmade

Like many creatives we’ve interviewed before, Forrest Lewinger began his Workaday Handmade ceramics label while in the employ of someone else. Having studied ceramics in college and promptly dropped it to focus on more video-based, site-specific work, the Virginia-born designer found himself a year or so ago back behind the potter’s wheel, working as a studio assistant to a ceramicist in New York City. “A lot of times, artists think of their day job as an obstructive force,” laughs Lewinger. “I started to think of it as something more generative.”
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08.14.14

Sighted

Fruits of Labor by Bethan Laura Wood

Sighted this week on Pin-Up magazine's website, making-of images from the latest project of London talent Bethan Laura Wood, a series of summer window displays for Hermès UK called "Fruits of Labor." Pin-Up's editors call the project, which consists of classical still lifes full of oversized fruits and vegetables, "Henry Rousseau in 3-D." Says Wood of the project: "I really wanted these large-scale sets to be hand-painted in order to highlight the layers handcrafted at every stage that make up final Hermès products.”
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08.13.14

Up and Coming

Marine Duroselle, graphic designer

For the young, French graphic designer and Royal College of Arts grad Marine Duroselle, a relationship to pattern and shape is both instinctive and intuitive, owing in large part to the vast array of objects she was exposed to as a child. Growing up in Peru, her mother an anthropologist specializing in pre-Colombian textiles, Duroselle was continually surrounded by rich fabrics, threads and other types of South American crafts; a period of post-adolescence spent living in New York, on an exchange program at the School of Visual Arts, only further emphasized her interest in textiles and color.
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