Our Fall Pop-Up at Space Ninety 8

Having branched into retail three years ago with the Sight Unseen Shop — plus a few pop-ups along the way — we can definitively say that the only thing better than buying beautiful objects for ourselves is putting them out into the world for the enjoyment of others. When Marissa Maximo, curator of Space Ninety 8 in Williamsburg, offered us 500 square feet in which to host an event for the month of September, we figured it was the perfect opportunity to bring the work of some of our favorite makers — most of it destined for our fall shop collection — to a much wider audience. Designed by Syrette Lew of Moving Mountains and on view now through October 5, the pop-up consists both of items we admire (Pat Kim's Soap on a Rope, Heddle & Needle's wall weavings) and items we've commissioned exclusively for the Sight Unseen Shop (Ian Anderson's Oden pitchers, Sandwich Shop's Shapes Vase and Two-Tone Artifact Mug). See photos of the space — and our packed opening-night party — after the jump.
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“Another Cats Show” at 356 Mission

“Another Cats Show” may have started as a one-liner, but that doesn’t mean it fails to land the joke. The exhibition, which closed this week at the Los Angeles gallery 356 Mission, included feline-themed pieces from 301 artists and proved that what they say about die-hard cat lovers is pretty much true: They may be crazy, but they also totally mean it. “People assume cats will be funny,” says Ooga Booga founder Wendy Yao, a partner in the space. “It is casual and inclusive, and gives artists a chance to do something not quite as monumental.”
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Charcolor Furniture, by Louie Rigano and Avantika Agarwal

Our first introduction to Louie Rigano, a New Jersey-born, RISD-educated designer who's now studying in the Design Products program at RCA, was a piece he'd made for the American Design Club's Trophy Show, back in 2013. Called Glittering Urn, it was a neo-classical form made slightly punk-rock by virtue of its material: a resin that had been almost entirely suffused with glitter. So it came as no surprise when we received an email last week from the designer — who describes his process as a "search for moments of unexpected accord between the spectacular and the practical" — of a new furniture collection he'd created in collaboration with fellow student Avantika Agarwal, which paired relatively simple wooden forms with an audacious coloring process. To create Charcolor Furniture's seared rainbow effect, CMYK pigments are literally burned onto the wood.
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Week of September 8, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: marble, fake marble, and a marbled painting made with a broom. Plus, select highlights from the London Design Festival, which started today.
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Future Tropes at Volume Gallery

"Timeless" is probably the most overused — and abused — word in design in recent years, typically employed by designers in the context of sustainability in order to imply that a piece has such a classic look or function that its expected longevity can somehow justify its existence in a sea of wastefulness and overproduction. Future Tropes, a new group show that opened this past weekend at Chicago's Volume Gallery, approaches the concept of timelessness from a very different angle, however: "The work should be slightly ahead of the world, slightly un-contemporary, setting the stage for future codes yet operating in a place that precedes our ability to apply language to those codes." (—Jan Verwoert, as adjusted by RO/LU.) In other words, objects that are equally linked to our prehistoric past and our distant, utopian future. Volume curators Sam Vinz and Claire Warner proposed that brief to Leon Ransmeier, ROLU, Jonathan Muecke, Tanya Aguiñiga, Jonathan Olivares, and Anders Ruhwald, who exchanged ideas on the topic before each creating a custom piece responding to it. See the results after the jump.
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The Sight Unseen Shape Shop at Creatures of Comfort

By the close of Sight Unseen's four-day pop-up during the Noho Design District last year, we'd come to realize a few things. One: that we quite enjoy being shopkeepers — the merchandising of objects, the banter with the public, the satisfying swipe of each credit card through our handy Square readers. And two: that four days was not nearly enough. As we watched the objects we'd put so much effort into procuring move on to more permanent retail homes, we felt a vague sense of deflation, almost like a break-up, and we immediately began plotting for pop-up number two. Never, though, did we dream what would happen next: We were approached by Jade Lai, owner of the impeccably curated Creatures of Comfort store in New York and Los Angeles, to create a Sight Unseen pop-up in the gallery space of her New York store, which had previously played host to temporary outposts from the likes of Confettisystem, Textfield, and the Japanese housewares shop Playmountain. After months of planning, we finally debuted the Sight Unseen Shape Shop this Tuesday at a blowout party.
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minimalist design incense holders

27 Incense Burners That Double As Art Objects

A few years ago, we noticed an uptick in the number of incense burners being produced by small-scale makers, and produced this little nothing of a story. Fast-forward two years, and that uptick has suddenly become a deluge — like jewelry once was, incense burners have become an indispensable part of a designers’ small goods line-up, as well as a place to experiment with form and materials. The rise in popularity of incense has gone hand in hand with an explosion in the world of ceramics (since incense burners can, by definition, only be made from a certain number of materials, including clay). But it all comes back to the recent popularity of cleansing rituals in general, be they part of a greater wellness trend or simply a way to reclaim some shred of sanity in these troubled times. Even better, these minimalist takes look stylish even when not in use. Breathe deep and scroll through to find where to find — and buy — our favorites right now.
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Ricky Swallow vs. Matt Paweski, for Herald St London

As much fun as it is, as journalists, to the pick the brains of the artists and designers who inspire us every day, there's something we enjoy even more: being a fly on the wall as two of our favorite creatives spar back and forth about their craft. It's something we'll never understand as intimately as those who are makers themselves, and when those makers are as thoughtful about their work as Los Angeles artists Ricky Swallow and Matt Paweski are, it makes for a most excellent Friday read. Swallow interviewed Paweski in advance of the latter's solo exhibition, opening tomorrow at Herald St gallery in London, and we were lucky enough to nab a transcription of that Q&A. Read on to find out what makes a Matt Paweski, which direction his work is going in, and what the heck a "kerf" actually is.
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Andy Coolquitt, Artist

“It was a weird thing for a kid growing up in a Baptist family to collect,” says Andy Coolquitt of the whiskey bottles that formed his earliest stockpile. “I was interested in the beautiful, sculptural shapes of the bottles and the graphic design of the labels. It was something we didn’t have in our house, so it was a bit exotic. I had them displayed in this little cave-like space off the garage.” The now Austin-based artist was raised in Mesquite, Texas, in what he describes as a “bland, boring suburban existence,” with little “interest in visual culture.” Rebellion came in the form of “having a whole lot of stuff around me and letting that stuff dictate my aesthetic.” Since then, Coolquitt has literally turned obsessive scavenging into an art form. Metal pipes and tubing, plastic lighters, aluminum cans — these are just a few of the found materials he repurposes and transforms, setting them up in conversation with each other and giving them a life-like, almost human quality.
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Inka Järvinen, Graphic Designer and Printmaker

Finnish graphic artist and designer Inka Järvinen began her career with a degree in fashion from Helsinki University of Art and Design in 2005. But after graduating, she quickly discovered she preferred designing in two dimensions to three. So what do you do when you hold a diploma in something that doesn't suit your true passion? You follow those dreams back to school and get yourself a second degree! Armed with a BA in graphic design, Järvinen went on to co-found Tsto, a design agency whose hotshot clients include Artek, Levi's, and Nokia, and she continues to work on solo projects in her spare time. We especially love her graphic prints, controlled yet unpredictable. They're clean, and perfectly executed by someone that clearly understands the principles of balance, line, and pattern. We've excerpted some of our favorites after the jump.
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12 Dozen Egg Cups

Here at Sight Unseen, we have a pretty strict bias against kitsch. But every so often we stumble upon a project that, while somewhat gimmicky, injects so much fun into the daily routine and has such roots in formal and material investigation, that it’s impossible to deny its utter lovability. We discovered such a project from the Leicester, England–based creative duo 12 Dozen Egg Cups, whose initial outing to a pottery class at a local community center developed into a challenge to repurpose the ubiquitous egg cup 144 different ways in the space of 12 months.
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Week of August 25, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: shockingly beautiful interiors, sophisticated student work, and a surprising new (Canadian!) design hub.
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The Game’s New Online Shop

With Labor Day around the corner (we'll be taking off this Monday, along with the rest of America) we're allowing ourselves to get just a tiny bit excited about the impending fall. Sweaters, the color navy, and the smell of burning leaves are right up there among our favorite things. Fall is also the time when we stop spending our waking hours wondering when we can next get to the beach and start spending them a bit more inside on the computer, shopping for knickknacks that will make the homes we're about to spend a whole lot more time in even cozier. Our newest destination is The Game, a brand new shop that exists both online and in two Belgian outposts, founded and curated by Alexis Ryngaert, who's also behind of one of our all-time favorite design galleries, Victor Hunt.
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