By the close of Sight Unseen’s four-day pop-up during the Noho Design District last year, we’d come to realize a few things. One: that we quite enjoy being shopkeepers — the merchandising of objects, the banter with the public, the satisfying swipe of each credit card through our handy Square readers. And two: that four days was not nearly enough. As we watched the objects we’d put so much effort into procuring move on to more permanent retail homes, we felt a vague sense of deflation, almost like a break-up, and we immediately began plotting for pop-up number two. Never, though, did we dream what would happen next: We were approached by Jade Lai, owner of the impeccably curated Creatures of Comfort store in New York and Los Angeles, to create a Sight Unseen pop-up in the gallery space of her New York store, which had previously played host to temporary outposts from the likes of Confettisystem, Textfield, and the Japanese housewares shop Playmountain. After months of planning, we finally debuted the Sight Unseen Shape Shop this Tuesday at a blowout party.
Our inspiration for the Shape Shop came from both the high — our appreciation for things like Constructivism, Memphis, and the Bauhaus — and the low (who doesn’t love a triangle?). For the merchandise, we scoured the blogs for little-known gems, like Cincinnati-based designer Andrew Neyer’s shape-adorned Watch Clock, and also went back to many of the same artists and designers we’d worked with in our first pop-up, asking them to propose pieces that either took the form of or were decorated with basic geometric shapes. We also developed two mini-installations within the shop, one of a selection of shapeless blobjects and the other of geometric vintage oddities pulled from the personal collection of artist Jason Rosenberg. The results, which we’re previewing in the slideshow at right, are beautifully designed, ridiculously covetable, and most of all, they make us really, really happy. We hope they do the same for you.
In the realm of magazine-making, photographer Eva Michon and creative director Colin Bergh could be considered populist heroes. Whenever they begin an issue of their four-year-old side project Bad Day Magazine, they make a wish list full of dozens of potential subjects they happen to be interested in at the moment — Sofia Coppola, Glenn O'Brien, Ariel Pink — and then, except for one fateful attempt to woo Nicki Minaj, they actually manage to go out and persuade those disparate personalities to appear together among their monochromatic pages. The pair have gotten so good at the curatorial hunt that when Michon, who serves as editor, agreed to let us reprint an article from the recently released Bad Day Issue #11, we were spoiled for choice: There were interviews with Sight Unseen favorites Martino Gamper and Tauba Auerbach, both of whom we're planning to feature on our own in the near future, plus stories on Mike Mills, David Shrigley, Tomi Ungerer, and David Shearer. But ultimately we settled on the curious multidisciplinary dialogue between the actor Jason Schwartzman and the New York artist Andrew Kuo, who meander between topics like music, color-mixing, hangovers, and what it would be like if they looked like Jesus.
If you ever have the privilege of chatting up Jade Lai, who owns the bicoastal cult fashion emporium Creatures of Comfort, don't be surprised if she tells you that, after returning from a trip to Morocco last year with no less than 15 carpets in tow, she was struck by the notion that she could totally see herself in the rug business. And when this is followed by the revelation that she’s looking to expand the Creatures of Comfort brand to encompass food, or that she’s been taking pottery classes, or that she hopes to run a bed and breakfast sometime soon, resist the urge to raise an eyebrow — these may sound like the ramblings of a dilettante, but make no mistake, Lai is both hyper-creative and legitimately driven. Consider, for example, the year she spent working as a product developer for Esprit in her native Hong Kong: She took the job after having graduated with an architecture degree, freelanced as a graphic designer, and started her own stationery line in L.A., but proceeded to become so good at it that she could eventually identify a fabric’s contents by touch alone — a useful skill for someone who now designs Creatures of Comfort’s in-house fashion line, and one that would certainly come in handy for any aspiring carpet slinger.
Two years ago, in the Nine Streets shopping area of Amsterdam, two lifelong friends, René Strolenberg and Menno van Meurs, opened a store called Tenue de Nîmes. Like a lot of very hip retailers these days, Tenue de Nîmes is devoted in large part to denim — Nîmes, France being the fabric’s birthplace — and also like a lot of very hip retailers these days, it publishes a semi-annual magazine, this one called Journal de Nîmes. The shop has become widely loved for its expansive outlook and inventory (great denim doesn’t have to be Japanese!, it seems to say), and the magazine, while nominally a vehicle to promote brands sold by the shop, has also become, over six issues, something much more. This is due in part to its excellent art direction and photography, which come courtesy of Another Something blogger Joachim Baan, but also because of its simple, very Sight Unseen–like aims: to reveal the personalities and the stories behind how things are made.