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All Hail Block Shop’s Affordable, Art Deco–Inspired Woodblock Prints

Did you, like us, visit Block Shop's reading room at Sight Unseen OFFSITE and wish you could walk away with just a fraction of the sisters' sunny decor (including that bonkers amazing banana flower plant?) If so, consider your wish granted: This week the L.A.–based studio released its first edition of woodblock prints on colored paper, and they're a perfect, low-risk way to incorporate some of the sisters' graphic sensibility into your own home.
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One of the Art World’s Biggest Rising Stars is Inspired by Design

Less than a month after we spotted a stunning unknown painting on the walls of Kai Avent-deLeon's Brooklyn brownstone in 2015, we popped into L.A.'s MAMA gallery for a random visit and instantly recognized that we were surrounded by the work of the very same artist, Mattea Perrotta. It was either kismet or an intense case of Baader-Meinhof, but what's certainly no coincidence — because we're constantly drawn to the work of artists who do — is that Perrotta finds some of her inspiration in design.
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Memphis Meets Secession in L.A.’s Coolest New Bar Interior

When the New York interiors firm Home Studios presented its first collection of lighting and furniture at our OFFSITE show earlier this year, the pieces were a culmination of an unusually prolific track record of custom design and fabrication. Having seen the firm's newest project, the West Hollywood bar Bibo Ergo Sum, in which Home designed every single element but the chairs, we can only imagine how ridiculously good their second collection is going to be.
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In a New Exhibition, Six Ceramicists Try Their Hand At Furniture

For Lawson-Fenning in Los Angeles, Bari Ziperstein, Michele Quan, Jonathan Cross, Heather Rosenman, Victoria Morris, and Beth Katz (the artist behind Mt. Washington Pottery) have each created a series of ceramic tables, including stacked, saturated totems by BZippy, Brutalist slabs by Jonathan Cross, and Eastern iconography by MQuan. In other words, each piece is a recognizable extension of the artist's current body of work, but unique in its point of view.
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Inside the Home and Studio of LA’s Newest Emerging Design Star

Leah Ring's works represent striking and deeply thoughtful iterations on familiar forms, but there’s something brighter and more buoyant that binds them. “There's a sort of playful geometry that's present in all of my work, and I definitely hope that all of it communicates a sense of joy,” Ring says. She recently invited us into her Atwater home and studio to reflect on her space, her process, and the importance of play.
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Jezek decided against a sofa in her living area, choosing three chairs — two Mies Van der Rohe and one Brazilian vintage leather piece — to populate the space instead. “I needed furniture that was flexible and portable for when clients come over, so we can gather around my desk,” she says.

An LA Interior Designer’s Indoor-Outdoor Silverlake Bungalow — Complete With Chickens

Interior designer Rebecca Jezek applies the guiding tenets of her design practice — a propensity for warmth, an appreciation for architecture, and a deep respect for the classics — to her own Los Angeles home, whose French doors and concrete flooring provide a bright, blank canvas. In many ways, it’s a standing tribute to what’s shaped her: from her own father, an architect influenced by Bauhaus and Dieter Rams (and for whose commercial interior architecture firm Jezek worked as a teenager); to various Czech porcelain artists; to the great designers of Cassina, including Bellini, Magistretti, and Corbusier.
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Symbols, Snakes, and Spirituality in a New Collection of Terrazzo Furniture

Carly Jo Morgan's debut furniture collection, which includes the Yin Yang Table (twin surfaces in pink and black, enhanced with brass inlay), the Cozy Club Chair (with optional sheepskin), and the zig-zagging Serpentine Heart Song Lamp, was unveiled at the new Los Angeles gallery Not So General on April 20th. Today, Morgan shares her thoughts on transformation, her toughest critic, the satisfaction of “deep” sisterhood, and faking it until you make it.
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The Glass-Walled LA Loft of New Fashion Brand Everybody is Anything But Basic

As former creative leads at American Apparel, it’s no surprise that Iris Alonzo and Carolina Crespo have an idiosyncratic sense of what counts as basic. After all, these are the women who visually defined a generation by re-proportioning denim and T-shirts into high-waisted mom jeans and plunging V-necks. In leggings as pants and a rainbow array of unitards — and in a now-notorious series of advertisements — was the sense that wearing a uniform could be outré, as well as an embrace of ease that paved the way for the subsequent movements of athleisure and normcore. The duo's new line follows suit: EVERYBODY, a collection of unisex, seasonless basics ranging from a white cotton flightsuit to a perfect garment-dyed denim work coat. We recently visited them in their studio.
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