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Jagged, Glacier-Inspired Glass By a California Icon, On View at Hauser + Wirth

Larry Bell's latest exhibition at Hauser + Wirth, on view until April 11, might be the California Light & Space artist's largest presentation of work in New York yet. Called Still Standing, the title refers both to the octogenarian's practice, which shows no signs of slowing, and to what Bell calls his "standing walls" — aka the architecturally-scaled crystalline forms that result from Bell deconstructing his signature colored glass cubes.
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Meet The RISD Grad Pushing Pastel Pulp To The Forefront of Sustainable Design

Twenty-two-year-old Mike Ruiz-Serra grew up in Westchester, a great vantage point from which to peer in on New York’s constantly evolving design scene. And for his first collection as an industrial design graduate from RISD, he cites barely-older-than-him contemporaries like Zach Martin and Thomas Barger as people whose work helped him to understand the full potential of his favored medium: paper pulp.
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Week of December 2, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A tour of Suzanne Demisch's East Village home, our top finds from the upcoming Phillips design auction, a Meccano-esque DIY furniture kit, and chair (above) whose photo set we deeply wish we could live in.
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Fort Makers Opens an Yves Klein–Inspired Shop on the Lower East Side

In keeping with the recent theme of New York designers opening their own showrooms and shops, Fort Makers this week opened its own permanent space at 38 Orchard on the Lower East Side, just down the street from Coming Soon. The space will transform every six to eight weeks with an installation curated by Fort Makers creative director Nana Spears; its first iteration takes inspiration from Yves Klein in an installation called The Blue Room.
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Fort Standard’s New Striped Wood Collection Goes Against the Grain

Gio Ponti, cabana stripes, hoop skirts — these are just a few of the references that come to mind when you first see Fort Standard's new Cooperage collection, made from alternating stripes of light and dark wood, which launched this week in New York at Colony Design. But what you don't necessarily think of is the process by which Fort Standard founder Gregory Buntain achieved the collection's incredibly playful, graphic look.
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Frustrated by the Limits of Design, Material Lust Sets Its Sights on the Art World

Not much had recently been heard from Material Lust until this March, when, after a few quiet years, they popped back on our radar, showing neither at a design gallery nor a furniture show, but at the New York art fair Independent, in a Spring Studios skybox overlooking a maze of gallery booths. Frustrated by the literalness of conversations they were having in the world of furniture design — and with their practice taking an increasingly conceptual turn — the pair made the conscious decision to turn Material Lust from a design brand into an artist collective.
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Week of March 25, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: A new book that reveals hidden Gerrit Rietveld interiors, brand new furniture releases by two American design studios, two major ceramics discoveries, and the latest dispatch from our imaginary sister site, Sight Unseen Bathrooms.
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Casa Perfect Opens in New York, And It’s Even Better Than the Instagrams

Casa Perfect — the shoppable interior concept from The Future Perfect — finally opened in New York City this weekend after the success of previous Los Angeles iterations, and it was predictably awesome: Copacabana-like tropical lights by Chris Wolston, ethereal glass pieces by John Hogan, lush velvets by Lazzarini & Pickering, oil-finished tables by Floris Wubben, and a spectacular Chipperfield-designed wood staircase that flies up the home's central void, all the way from the subterranean kitchen to the roof.
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