Introducing Your Newest New York Design Week Destination

Here at Sight Unseen HQ, we've been keeping some pretty major news under wraps for a few months now, but it's time to finally let the cat out of the bag. If you've been reading our site, you know that we founded and ran the Noho Design District, a satellite show during ICFF, for four years. This year we made the tough decision to retire the NDD and launch in its place a new event that shares our namesake: Introducing Sight Unseen OFFSITE, a brand new design fair happening in New York from May 16-20, 2014, that will feature a curated selection of furniture and product launches by the best independent designers and forward-thinking brands, all under one gigantic roof.
More

Tim Colmant, Illustrator

For everyone who's ever bought, coveted, or loved the famous laminates of the Memphis design group — or is semi-ashamedly stalking the new Nathalie Du Pasquier collection at American Apparel — it is nearly impossible not to fall for the work of the young Belgian illustrator Tim Colmant. We succumbed the moment we discovered his cheerful illustrations a little over a year ago, and went on to recommend him to Jonah Takagi, furniture designer and co-founder of the housewares brand Field, when he curated an exhibition for our Noho Design District event last year. A few weeks ago, we found out that our little matchmaking scheme had evolved even further, into a collaboration between Colmant and Takagi's insanely talented girlfriend Mary Timony, whose new band Ex Hex has hired him to wrap its merch in his signature Microsoft Paint–inspired designs. We figured it was time to check in and see what else Colmant has been up to in the year since we first featured him.
More

Week of March 17, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: The world's most beautiful bike lock, an iPad cover inspired by New York and a table (above) inspired by Milan, and an epic terrazzo floor discovered in a local institution.
More

Cassie Griffin, Ceramicist

Cassie Griffin is a Brooklyn-based ceramicist who was introduced to us by our friend (and sometime model) Lulu Wolf. However, when we went to search the Internet for more information about Griffin’s dreamy ceramics — and their goofy everyday object–styled photos — we came up empty, save for a post on Design Sponge. So we reached out to Griffin herself, who gave us the scoop.
More

A Memphis-Inspired Wall Mural Pops Up in Melbourne

We were pretty beside ourselves last week when the news floated our way that not only was the terrific Melbourne art and design shop Third Drawer Down opening a second location but that its exterior was going to be hand-painted by Camille Walala, the French-born, London–based graphic designer and illustrator whose work we've been obsessing over for the last year and a half.
More

Assembly, Furniture Designers

Even for struggling post-grads, the constraints under which Pete Oyler and Nora Mattingly of the fledgling design studio Assembly created their debut furniture collection would be considered rather limiting. The couple — he a Kentucky-born RISD furniture grad, she a Pratt-educated interior design major — were living in a cramped apartment in Bedford-Stuyvesant with a third roommate, sharing a studio space in even farther-out Brooklyn, and commuting nearly four hours to a woodworking shop in Westhampton, Massachusetts, where Oyler had apprenticed for two years before grad school. But rather than chafing against such strictures of space, the two worked with them, creating pieces that were easily transportable and could be effortlessly placed in any small space: side chairs with smaller-than-usual footprints, glass-and-blackened-steel lamps with hand-blown shades hardly bigger than the bulb, even a stripped-down toilet paper–holder that doesn’t consist of much more than a brass cylinder that mounts directly into the wall.
More

Renate Müller at R & Company

Renate Müller is 68 years old and has been designing children's toys for half a century, some of which she created for her family's toy factory in Sonneberg, Germany, in the '60s and '70s, and the rest of which she still makes by hand in her nearby studio, as part of the personal line she began in 1978. The materials she uses for that line have stayed exactly the same ever since (jute, wood, leather), as has her process and her policy of working alone, save for the occasional hand lent by her daughter. Many of her animal typologies have remained perennial, too. Yet when it came time to create 26 new pieces for her second solo show at New York design gallery R & Company, which opened yesterday, Müller decided to bust out a pretty major — and amusing — twist: Surrealist creatures with two heads, or no heads, that only someone with a very vivid, childlike sense of imagination could possibly dream up.
More

Sam Baron on Fabrica’s Extra-Ordinary Gallery Collection

When we found out that Fabrica, the Italian design studio and research center, had just launched its striking new Extra-Ordinary Gallery collection in its online shop earlier this month, the pieces were so intriguing and beautiful that we thought we'd struck editorial gold — turns out we weren't the only ones! The collection has been all over the design blogs in the past two weeks, and deservedly so. Yet we couldn't pass up the chance to share it with our readers anyway, so we got in touch with our old friend Sam Baron, creative director of Fabrica's design department, and asked him for some special insight into the collection, which he curated. The result is a fun little personal diary, featuring five of the line's standouts as they relate to Baron's daily routine.
More

Week of March 10, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week was, weirdly, all about fruit (perhaps it's the influence of the unstoppable pineapple?). We also said a (temporary) goodbye to a beloved New York retailer and a hello to the best Ikea collection in years.
More

Francesca Capone, textile designer

Francesca Capone creates work that experiments with textile processes and language. The RISD-trained designer employs traditional textile processes such as hand-weaving, jacquard, machine knitting, marble printing, screen-printing and various dyeing methods such as shibori. But an MFA in "cross-disciplinary writing" at Brown has also led her to explore what happens when she distorts words and meaning through photo-manipulation, scanning, and digitally layering books. Combined, these methods result in unique and striking geometric patterns on fabric and painterly compositions of abstracted textual fields.
More

Totokaelo Art—Objects’s Spring Campaigns

The cult Seattle boutique Totokaelo already carries clothing and objects so beautiful that each new season wreaks havoc on the wallets of aesthetes around the country. The only way the store could possibly improve on that game? By shooting those new collections in scenarios designed to make said aesthetes even crazier. To promote its spring Art—Object catalog, the store's creative director Ashley Helvey masterminded two such campaigns: a photo shoot shot by Robin Stein and styled by Margaret Macmillan Jones in the technicolor plaza of Seattle's King County Correctional Center (designed in the '80s by Martha Schwartz and Benson Shaw), and a video, also in collaboration with Stein, that features Cameron Mesirow of Glasser along with music from her latest album, Interiors.
More

Fort Standard’s Gregory Buntain on his Tombstone Chairs

From an outside perspective, the Brooklyn furniture-design studio Fort Standard exudes the aura of a successful business with a clear DNA. Yet that wasn't always the case: When co-founders Ian Collings and Greg Buntain first joined forces in 2011, after graduating together from Pratt, they had no idea what direction to take — they simply dove headlong into the making process. “We had one goal: to do our own thing,” Buntain said in a recent interview. Their stock may have risen since then, but behind the scenes, the pair still make an effort to keep things loose; to maintain a sense of discovery in their shared practice, they both do separate solo work on the side, little personal experiments and objects they create for their own homes. Occasionally these prototypes are developed into Fort Standard products, but most of the time they go unseen, as was the case for Buntain's marble Tombstone chairs before we spotted them on Instagram. When we approached the designer to ask him if we could share them with you in the interview after the jump, it turned out he had a home full of personal pieces he'd made but also never shared with the public, which he was kind enough to walk us through in the second half of this story.
More

Alyson Fox

When you consider the range of projects designer Alyson Fox has carried off, you might wonder if there’s anything she can’t do: prints, illustration, jewelry, clothing, textiles, not to mention a book of portraits. While Fox has degrees in photography and sculpture, she says she never really had a preconceived idea “of what I wanted to do or what it would look like.”
More