02.04.14

Excerpt: Exhibition

Kueng Caputo: Never Too Much at Salon 94

Kueng Caputo’s first moment of fame came a few years ago from a series called “Copy,” where the two design-school friends would purposefully mimic a recently released work from a major talent by creating an exaggerated or distilled fakery of that piece. The process was meant to be a tongue-in-cheek homage to the original artists as well as a way for Sarah Kueng and Lovis Caputo to explore how those pieces had acquired their specific character or value. Whatever lessons they learned from that experiment must have stuck, for in the last two years, the Swiss design duo have released two collections that seem predestined for design greatness.

More

02.03.14

Fair Report

At Maison et Objet and IMM Cologne 2014

In January, we saw plenty of incredible things, from the Brancusi show at Paul Kasmin Gallery to the Swiss Alps to the movie Her. What we did not see, unfortunately, was a design fair — while many of our friends and colleagues were making the rounds in Paris and Cologne, we were busy with the likes of planning our 2014 New York Design Week event, beginning our site's forthcoming redesign, and talking about how much we loved Her. Lucky for us, though, we're pretty well connected, so we managed to round up a relatively comprehensive group of photos of what we missed. Behold, after the jump, the Sight Unseen armchair guide to the best new releases at Maison et Objet and IMM Cologne 2014, minus the jetlag and the convention center food.

More

02.01.14

Saturday Selects

Week of January 27, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a stunning geometric '70s tapestry piece, dispatches from the LA Art Book Fair, an unconventional take on a diamond ring, and a jealousy-inducing Art Deco-era necklace (pictured above) found by Caitlin Mociun at an antique fair in Miami.

More

01.31.14

Excerpt: Exhibition

Thaddeus Wolfe: Unsurfacing at Volume Gallery

Thaddeus Wolfe's Assemblage vases looked mysterious enough when he debuted them in 2011, first for sale with Matter and then with a special edition for Chicago's Volume Gallery — we'd never seen glass before that paired the shape and surface texture of rocks and minerals with amazing fades of opaque color. When we asked him to describe his process to us, it turned out that it was relatively easy to grasp, if not execute: He blew the vessels into faceted plaster-and-silicon molds. His newest take on the series — the Unsurfacing collection for Volume, on view as of tonight — looks even more complicated, layered with fragmented geometric patterns and contrasting colors.

More

01.30.14

Excerpt: Exhibition

Constantin Boym at UrbanGlass

For anyone like us who "grew up," professionally speaking, in the New York design world in the last few decades, it was always with a sense of awareness of and deference to the scene's elder statesmen. Constantin and Laurene Boym, for example, set up Boym Partners back in 1986, and by the time we started circulating in 2005, they still felt markedly omnipresent, both critically and physically speaking. We suppose that's why it felt so surprising when these New York stalwarts up and left town in 2010, after Constantin accepted a two-year tenure as director of graduate design studies at Virginia Commonwealth University in Qatar. They disappeared from New York design events, parties, exhibitions, and talks, only occasionally sending dispatches to their mailing list about life on the other side of the globe. They returned to New York a year ago, but we hadn't really heard from them until now — with the launch of Constantin's new exhibition at Brooklyn's UrbanGlass, "Learning From the East," which opens this Saturday.

More

01.27.12

Sighted

Furniture Inspired By Architecture

A small roundup of recent furniture by designers who take inspiration from a profession Philip Johnson once called “the art of wasting space.”"

More

01.29.14

Sighted

Celine SS14 Shoes & Accessories

Okay, so maybe we're not the first place you go for news about the ready-to-wear collections, but when we saw the new Spring/Summer line from Céline, with its brash painterly strokes and squiggles, we were knocked out. Then we saw the shoes — and had to share. There's something almost '90s-architect about them — like if we'd heard the one with the tubular gold heel was designed by Zaha Hadid, we might not have batted an eye — but they somehow go beyond that into something incredibly cool. We've included the season's amazing cuffs for your perusal as well, in crumpled painted copper or Mondrian-inspired enameled brass, but for a look at the full collection, get on over to the Céline website. You won't be sorry.

More

01.27.14

At Home With

Laure Joliet, photographer

You could say that photographer Laure Joliet is in the image business, but her work is about depth as much as surface. She has a way with spaces, rendering them intimate and mysterious at the same time, capturing the revealing detail you notice out of the corner of your eye. Though her subject is often interiors, a large part of her job involves getting to know people. “I spend the day with them and find out things I don’t know that you would normally get to find out, what they’re passionate about. It feels really satisfying to have that experience.”

More

01.25.14

Saturday Selects

Week of January 20, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: an art installation inspired by Facebook, a refined furniture collection by a Danish design student (above), and a mirror you could get lost in.

More

01.24.14

Up and Coming

Natalie Herrera of High Gloss Ceramics

If you want to get a sense of exactly how new to the scene Natalie Herrera is — well, she just launched her online shop last night. It’s not that she’s a newly minted graduate — Herrera got a BFA from RISD in 2009, after all — it’s only that it took her this long to figure out she was really, really good at ceramics. A glimpse at her work can immediately tell you why: When you look at her forms, which have more rigorous lines than your usual wheel-thrown vessels, as well as hand-built surface decoration in the form of shapes and squiggles, it comes as no surprise that what she was doing before she stumbled into ceramics was graphic design.

More

01.23.14

Sighted

Sevak Zargarian, Ceramicist

Sevak Zargarian is a London-based graduate of the Central Saint Martins undergrad course in Ceramics, for which his final project was the series of Grogged Vases pictured in the first half of this post. To make them, Zargarian first creates his own "grog" — broken-up scraps of stained and fired clay normally mixed into pottery to invisibly prevent kiln shrinkage — then makes a plaster bowl mold, which he dips into a bucket of grog-filled slip in a reverse-casting process. His Grogged Jars, below, use smaller grog bits and conventional plaster molds. Zargarian focuses on process- and materials-driven experimentation based around the tactile qualities of clay, yet rather than only celebrating the hand-made element of his work, he's more interested in how he might someday apply his studio discoveries to industrial production.

More

01.22.14

Q+A

Henny Nistelrooy on I’m Revolting

Like so many small-town kids before him, Henny van Nistelrooy didn’t move to just any city. He moved to the most tightly layered and epochally dense cities he could find, the sorts of places that have already had a dozen lifetimes. After graduating from London's Royal College of Art, Van Nistelrooy launched his design studio in London in 2008 and then moved to Beijing, another capital with more than a bit of historical fiber. They’re fitting locales for Van Nistelrooy’s textile process of taking seemingly finished material and slowly unraveling the threads for an entirely new weave.

More

01.21.14

The Making of

The Stacks Series by Clemens Kois

Not everyone would spot the potential magic in a cluster of their children's medicine bottles, or in utilitarian household items like batteries, lightbulbs, and binder clips. But before he began constructing and shooting teetering towers of such trifles, photographer Clemens Kois had plenty of practice: as a longtime flea market enthusiast and avid collector — of Carl Aübock designs, among many others — he had spent decades perceiving a heightened level of beauty and value in objects others might overlook. Each image in his ongoing Stacks series always begins with a few such things he's harvested from somewhere in his New York apartment, which he builds into a delicately balanced vertical composition, like arranging the notes in a song.

More