Anders Ruhwald Century Garden Grounds and Garden Summer 2020

In This Banner Year for Outdoor Art, Anders Ruhwald’s IMA Garden Installation is a Standout Favorite

At Newfields, the gardens that surround the Indianapolis Museum of Art, Detroit-based ceramicist Anders Herwald Ruhwald installed an exhibition of 10 large-scale ceramic works. Titled Century Garden, the sculptures — many of which are meant to hold plants — were tucked into the wilder, more overgrown parts of the garden; though the ceramic surfaces appeared almost tie-dyed, mottled as they were with yellows and blues, tangerine oranges and greens, they were camouflaged amongst the flowers and native plants, creating an uncanny effect.
More
Simone Bodmer-Turner ceramics

Simone Bodmer-Turner’s New Brooklyn Studio is Like a Ceramic Sculpture Come to Life

Simone Bodmer-Turner's most recent project, a build-out of her Brooklyn studio, explodes the scale of her ceramic forms. Taking over the doorway and an entire wall adjacent to the former factory’s bright loft windows, she installed a bench, desk, and shelving in textured white gypsum — what she describes as an homage to the Mediterranean-influenced organic architects that have shaped her ceramics practice thus far.
More
RVe 27

Inside Creative Growth, the Always Inspiring Oakland-Based Incubator For Artists With Disabilities

While the work of Creative Growth artists has hung in the MoMA and Brooklyn Museum, has been emblazoned on designer accessories by Marc Jacobs, has been commissioned by Facebook, and has been scooped up by everyone from celebrities to the most prestigious galleries and dealers, there are still many people who are happening upon it for the first time. Here, 10 artists on the current Creative Growth roster whose work we find especially compelling.
More
Ibkki8

This New Ceramics Brand is a Collab Between Two Parisians and the Berber Craftspeople of Northern Algeria

The unconventional ceramics brand IBKKI is the brainchild of Parisians Azel Ait-Mokhtar and Youri Asantcheeff. Their collections are a physical manifestation of their travels to the Kabylie region of Algeria and their collaboration with Berber craftspeople, but the duo didn’t take their cues from European Modernists like Matisse and Picasso, who had a tendency to appropriate elements from African art and call them their own.
More
Opener-BENCH

Guess This Is The Point Where We Crown Paper Pulp the “It” Material of 2020

Brazilian designer Humberto da Mata was born and raised in Brasília — which, with its swooping, Oscar Niemeyer–designed reinforced concrete buildings, could be considered the international seat of organic architecture. So perhaps it comes as no surprise that da Mata creates freeform work from easily moldable materials like hand-stitched upholstery, ceramics, and, most recently, papier-mâché (which, in case you missed it, appears to be *the* it material of 2020).
More
unnamed-1

Murals Reign At This Exhibition in the South of France, Celebrating Centuries-Old Craft Techniques

Antique-Rustique is an immersive experience and the furniture and decorative sculptures are best viewed in situ among the murals painted directly onto the walls at a mano studio, a gallery in Biarritz, France. For the layout, designers Bella Hunt & DDC imagined a walk amongst ancient ruins lost in a forest. “Our work is a tribute to the history of art and the fluidity of time,” they write.
More
081720_opener1

Week of August 17, 2020

This week: The $195 acrylic table of our dreams, new lamps by the likes of Toad Gallery and Bijoy Jain, and a drop-dead gorgeous pink stucco house in Mallorca that's one with its surroundings (above).
More
Kelsie Rudolph 2

Meet Kelsie Rudolph, Our Newest Ceramic Furniture Crush

Ceramic artist Kelsie Rudolph glazes her adventurous creations in color combinations that just about make her skin crawl. She does this to better grasp color’s effect on us. On vessels, sculptures and, more recently, larger furniture pieces like benches and chairs, the striking pairings jig across her work in stripes, zig-zags and checkerboard. “I’m really intrigued by the way color and pattern are able to make each other move," she says.
More
HB_Opener1

Harvey Bouterse’s New Ceramic Lamp is a Study in Contrasting Textures

It's basically our job here at Sight Unseen to follow the career trajectory of up-and-coming designers, and in our professional capacity, we've come to realize that most ceramicists follow a certain path: First come the smalls, like cups and mugs and plates and vases. The next step is usually lamps — think of Natalie Weinberger's pleated clay shades, Workaday Handmade's listing table lamps, and BZIPPY's pyramid-shaped bases. Today, we're featuring one of the first lamps by Belgium-based Harvey Bouterse.
More
Nicolette Johnson Assemblage vases

These Surrealist-Inspired Vases Are the Breakthrough That Resulted From a Creative Block

At the beginning of the pandemic, some designers may have viewed the ensuing solitude as an opportunity to "bloom where you grow." But not everyone found it easy to stay inspired. "After lockdown started in the early months of 2020, I felt completely unmotivated to make work," confesses the Brisbane ceramicist Nicolette Johnson. After a while, however, Johnson gave herself permission to make literally anything, and began sculpting shapes out of soft clay — inspired by Surrealist and Constructivist motifs — and attaching them to small wheel-thrown vases.
More
BZIPPY Offsite Online

BZIPPY’s Outsized Ceramic Works Are the Statement in the Room — Not the Accent

If you’re lucky enough to ever see one of LA-based artist and sculptor Bari Ziperstein’s outsized ceramic works in person, the combination of scale, texture, and hue might stop you in your tracks. Her design studio, BZIPPY, creates striking, often Brutalist-inspired ceramic vases, lamps, and furniture, while within her complementary fine art practice, Ziperstein has been known to explore meticulously manicured fingers, dimensionality, or the aesthetics of Soviet propaganda. With her robust dual practice, Ziperstein welcomes decorative ceramics into the fine art conversation, and vice versa.
More