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11.10.17

Sighted

At The Future Perfect, Bec Brittain’s SHY Lights Grow Up

Bec Brittain has been playing with different configurations of her constellation-like SHY Lights ever since they debuted all the way back in 2012. But because each light is constricted only by the width and length of an LED tube, as well as Brittain's own boundless imagination, the possibilities are quite literally endless. So for a new show at The Future Perfect, called Resolute, Brittain began experimenting with the path and quality of the light source itself rather than the configuration of the tubes.
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Field Experiments Fisher Parrish Gallery
11.09.17

Excerpt: Exhibition

Bricks, Rubber, Concrete, and Stone: Field Experiments’ New Collection is Made From the Building Blocks of NYC

When Benjamin Harrison Bryant, Paul Marcus Fuog, and Karim Charlebois-Zariffa founded Field Experiments in 2013, they were inspired by the prospect of venturing to an exotic locale, removing themselves from their daily lives, and having that new place inform their work. But in their latest venture — a show at Brooklyn’s Fisher Parrish gallery on view through December 17 — the terrain has shifted to the familiar: New York City.
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Maniera Gallery for the Operae design fair
11.07.17

Excerpt: Exhibition

Fake Wood, Real Stone, and Imagined Foam: Our Favorite Collection from the Operae Design Fair

This year's Operae show was curated by Alice Stori Lichtenstein and the fair, always notable for its mix of designers and galleries, featured Sight Unseen favorites like Campbell Rey, Carwan Gallery, and Maniera. It was the latter gallery who hosted our favorite presentation: a series of layered particle-board furniture developed by the Belgium firm aDVVT as well as a newer series called "Light Conversation Pieces," by the Italian architecture firm Piovenefabi.
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05.05.17

Q+A

Symbols, Snakes, and Spirituality in a New Collection of Terrazzo Furniture

Carly Jo Morgan's debut furniture collection, which includes the Yin Yang Table (twin surfaces in pink and black, enhanced with brass inlay), the Cozy Club Chair (with optional sheepskin), and the zig-zagging Serpentine Heart Song Lamp, was unveiled at the new Los Angeles gallery Not So General on April 20th. Today, Morgan shares her thoughts on transformation, her toughest critic, the satisfaction of “deep” sisterhood, and faking it until you make it.
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Fisher Parrish The Paperweight Show
04.28.17

Excerpt: Exhibition

At a New Brooklyn Gallery, The Paperweight is Anything But Obsolete

If there's anyone who knows from paperweights, it's New York gallerists Patrick Parrish and Zoe Fisher. The two began working together when Fisher — who at the time was helming her own fledgling gallery — began working for Parrish at his Tribeca space, which not only sells vintage examples of those sculptural objects but also boasts a well-documented obsession with Carl Aubock (perhaps king of all paperweight-makers). So it makes sense that when Fisher and Parrish finally decided to go into business together, they would choose the paperweight as their first canvas.
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04.03.17

Excerpt: Exhibition

In Milan, Luxury Objects Inspired by Industrial Parts

To kick off the Milan Furniture Fair — where we'll be reporting from week — we have to talk about a favorite exhibition organized by NOV Gallery, the Swiss-based gallery who last year produced one of our favorite things in Milan. This year, rather than luxury, designers are exploring the theme of The New Readymade, so-named for the Duchamp term that's become widely adopted by artists to describe work derived from existing industrial parts.
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Soft Baroque furniture inspired by Photoshop
03.31.17

Excerpt: Exhibition

Soft Baroque’s New Furniture Collection is Inspired by Photoshop

Called Hard Round, Soft Baroque's new series is about manifesting something physical from a purely digital realm — in this case, a series of sculptural furniture pieces constructed from lines derived from the Photoshop "hard round" brush tool. The "worms," as they're called, have been transformed from digital sketches into a series of charmingly lumpy wood, marble, or aluminum pieces that range from vases to shelving.
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03.21.17

Excerpt: Exhibition

Design and Art Are More Connected Than Ever at New York’s Newest Gallery

Whither Johnson Trading Gallery? The New York design gallery — which in its heyday introduced an American audience to the work of contemporary designers like Max Lamb, Kwangho Lee, Katie Stout, Aranda/Lasch, and more (not to mention Rafael de Cárdenas's epic first furniture collection) — had been relatively quiet of late. Now we know why: Earlier this month, it was announced that while JTG will continue selling vintage work, the contemporary artists in their stable will be absorbed into a new program at one of our favorite art galleries, Salon 94.
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Faye Toogood Friedman Benda
03.01.17

Excerpt: Exhibition

At Friedman Benda, Faye Toogood Channels Her Spiritual and Earthly Instincts

Since showing her first ​Assemblage​ furniture collection back in 2010, British designer Faye Toogood has evolved the series, adding pieces in new materials to each subsequent collection — from sycamore and stone, to resin and steel, to patinated brass and wire mesh, to fiberglass and plaster. Her latest range, ​Assemblage 5​, on show at Friedman Benda in New York in the designer's first solo U.S. exhibition, is inspired by spiritual objects but bound by her signature balance of elemental materials, invoking a strong sense of ritual and permanence.
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