Chad Kouri, artist

Chad Kouri took his first freelance design gig at the tender age of just 15, but like most creatives, Kouri had trouble at first striking a balance between paying the bills and pursuing his passions. “I moved to Chicago after high school to study design, but knew I didn’t have enough money to finish a four-year program. So I took as many classes as I could and then jumped out to work for a marketing firm, which was not at all fulfilling. I was basically designing junk mail for five years. After hours, I’d work on editorial illustrations or custom typography, but I quickly realized I didn’t enjoy being on a computer 16 hours a day. I started doing collage as a way to break away from screen time. I used to reference a lot of old ads and typography from the ’50s and ’60s, and I wanted to work larger but the pieces could only be as big as a magazine page. That’s how I transitioned to using flat shape and color, and that’s pretty much where I’m at in this experiment of an art career that I have.”
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Otaat / Myers Collective

If the best reason to know the rules is to be smarter about breaking them, then consider the year-old collaboration between designers Albert Chu and Jennifer Myers not so much a violent upheaval but an exercise in playfully tweaking the system. Chu and Myers met while studying at Harvard’s Graduate School of Design — an institution they say reinforced their respect for constraints — and each worked in architecture and launched an accessories line before combining their shared pedagogy into a series of leather and brass pouches. “I think working within, and rebelling against, a set of parameters is actually the ultimate in design fun,” Myers says. Chu agrees: “We love working with fundamentals and trying to introduce a slight deviation,” says the designer of Otaat, which stands for “one thing at a time.” “Harvard was about being restrained in the conceptual and design intervention, that sometimes the most effective and thorough result could arise from a minimal, subtle act.”
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Week of June 23, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week we indulge our inner shopaholics with a new Norwegian emerging-design purveyor, three designer pop-ups in New York and LA, and a mini online shopping guide that includes a little something for the guys, too — chic Op-Art pocket squares.
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At Design Miami/Basel and Art Basel 2014

If you've never been to the Swiss version of Art Basel and Design Miami/Basel, what they say about it is pretty much true: If Miami's overall vibe seems to put partying, relaxation, and hedonism first and serious business second, Basel is decidedly the other way around. People wear more clothes in Basel. Everything is twice as expensive. If there's one obvious advantage — for a journalist or casual observer — to attending Basel over Miami, it's that you're far less likely to be distracted by hangovers, pool parties, boozy brunches, and beach FOMO. You spend the entire day scrutinizing the actual work, and if you're lucky, like we were, you come home with a camera full of satisfying discoveries.
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Week of May 26, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: super-colorful rugs and blankets that are surprisingly affordable, an 80-pound, solid-brass bookcase that's anything but, a peek inside Totokaelo's Seattle offices, and a covetable pair of Bauhausian chairs (above).
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Creative Women at Work: Jade Lai

A lot of creatives these days flaunt some sort of hyphenate job title, but Creatures of Comfort owner Jade Lai might just be the most epic multitasker we know. The Hong Kong–born, New York–based Lai runs Creatures outposts in both New York and Los Angeles; she designs her own in-house line of effortlessly cool women's clothes, shoes, and accessories; she sources the best menswear, womenswear, and housewares from other designers for her shops (everyone from Christian Wijnants to Jessica Hans); and she champions the greater art and design community through a series of pop-ups and exhibitions at both store locations. (Remember our Shape Shop?!) In the final installment of our Creative Women at Work series with Shinola, Lai shares the items and rituals that keep her continually inspired.
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Creative Women at Work: Kyle DeWoody

If there weren't already plenty of reasons for us to love Kyle DeWoody — her friendliness, her amazing taste, the fact that she's not afraid to rock a baseball cap — she's also a poster child for blurring disciplinary boundaries, something we've long championed as well. She even named her company after the idea: She explains Grey Area, the online gallery she founded with Manish Vora in 2011, as "the undefined space between art and design, where art is made functional and the functional is made art." Even her own background has defied any categorization: Before founding Grey Area, she moved from curating to art consulting to design to film production and journalism. (In fact, DeWoody hooked up with Vora when he was running the arts website Art Log, for whom she used to write.) Her wide-ranging interests are in part what make Grey Area so great — the gallery sells everything from plush, hand-stitched Sharpies to elegant leaning brass bar carts, from plaster iPhone pillows by Snarkitecture to cat-themed beach towels by Andrew Kuo. DeWoody is constantly scouting new talent from unexpected sources, so for our Creative Women at Work series with Shinola, we got in touch to find out exactly how she does it. Here are some of her workplace essentials.
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OBJECTS, Curated by Joel Evey

OBJECTS began, as so many great things do, with Philadelphia-based graphic designer Joel Evey playing around with tool dip: A series of plastic-splattered lamps he made from grappling hooks gave way to an ambiguous dipped "kitchen tool" and, eventually, the curiosity as to how other genre-bending artists and designers he knew and admired were approaching issues of functionality. Last year, he reached out to half a dozen of those peers — ROLU, Chen Chen and Kai Williams, Eric Timothy Carlson, Brendan Timmins, and Alex da Corte — and invited each of them to present him with a piece that redefined or recontextualized the idea of a utilitarian object for the home. "It was loose and broad, but intentionally so," he says. "The point was to ask people who already existed within this playing field to do something that danced around the idea. The results are all very different."
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Week of April 14, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, we resume the series with our last (no, really) Milan fair roundup, plus our favorite new shopping destination in L.A., two exhibitions of nominally functional furnishings, and a ghostly faded mirror that makes for a nice addition to the genre's current craze.
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Sally England, Fiber Artist

Until recently, you couldn’t hear the word “macramé” without it conjuring up visions of thrift-store place mats, summer camp friendship bracelets, and Mama Cass’s bolero vests. But thanks in part to Sally England, the masterful, Michigan-based, macramé artist who has made distinctly modern, large-scale commissions for the likes of Nike and Ace Hotels, the once nostalgic medium is having another day in the sun.
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Ashley Helvey’s Seattle Home is a Stylist’s Dream

At this point, simplicity can seem like a tired mantra or an admonishment, an extra layer of guilt heaped over our misdirections. Isn’t it enough that our cluttered thoughts keep us up at night? Do we have to feel bad about it, too? So it’s especially heartening that for Seattle-based stylist Ashley Helvey, simplicity is something else entirely: a look so easy that it serves as encouragement. “A lot of the imagery I’m inspired by online is just a piece of fabric or a cinderblock,” says Helvey, who is editorial creative director for Totokaelo, overseeing everything from photo shoots to social media. “They are really simple things that you could actually execute. Having a simple aesthetic is actually pretty tangible.”
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Week of March 17, 2014

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: The world's most beautiful bike lock, an iPad cover inspired by New York and a table (above) inspired by Milan, and an epic terrazzo floor discovered in a local institution.
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