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AnnaJensen_Functional_1
09.19.20

Saturday Selects

Week of September 14, 2020

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: three new (ish) puffy chairs, a collection of graphic ceramic tiles by Nathalie du Pasquier, and a suite of styrofoam-and-resin floral furniture with millennial-weirdo vibes.
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Marta-UO-Northeast-Corner2
09.03.20

Excerpt: Exhibition

Do You Love Your Toilet Paper Holder? Probably Not, But At a New Show, There Are 50+ Reasons to Change Your Mind

Toilet paper holders are, as a general rule, kind of the worst — which is why it's so heartening to see a whole exhibition devoted to them at Marta Los Angeles, on view from September 10 through November 1. Like so many everyday object shows before it, Under/Over — which features contributions from 53 studios — is both a cross-section of contemporary design, and a reflection of each designer's practice.
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081720_opener1
08.22.20

Saturday Selects

Week of August 17, 2020

This week: The $195 acrylic table of our dreams, new lamps by the likes of Toad Gallery and Bijoy Jain, and a drop-dead gorgeous pink stucco house in Mallorca that's one with its surroundings (above).
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Fusion-Danilo-Paint-Showroom-Shantou-Guangdong-China-JG-Phoeni-Photo-Ouyang-Yun-Yellowtrace-02
06.27.20

Saturday Selects

Week of June 22, 2020

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: two group design exhibitions with a charitable component, two new tubular lighting releases, two artisanal building materials making us wish we owned a home, and one showroom interior (above) that we can hardly believe is for a high-end paint company.
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cavrois_wires_HR
06.22.20

Excerpt: Exhibition

At Villa Cavrois, Muller Van Severen is an Eerily Perfect Match for the Modernist Estate

This month, the Belgian design duo Muller Van Severen begin a four-month intervention at Villa Cavrois, the modernist French estate designed in the late 1920s by Robert Mallet-Stevens. The show is a retrospective of sorts for the husband-and-wife duo, featuring everything from their leather-and-steel Duo Seats to brand-new work like the Alltubes series they launched this spring with Valerie Traan at Collectible and a sofa they've designed specifically in response to the installation site.
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2. MB Console 'Grate'
05.15.20

Excerpt: Exhibition

A Match Made in Murano — Mattia Bonetti Fuses with Famed Glassmakers for His Latest Collection

As often as Swiss-born, Paris-based Mattia Bonetti’s singular, one-of-a-kind furniture and design pieces are described as whimsical, it would make sense that they are created, well, on a whim. The designer doesn’t release work in cohesive collections, preferring to design fantastical one-off pieces whenever inspiration strikes. Bonetti’s newest pieces, handmade in collaboration with the famed glass artisans of Murano, Italy and presented by London gallery David Gill in an online exhibition, is surprisingly subdued but no less virtuosic.
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JamesHowe_Table3
03.24.20

Fair Report

Our 3 Favorite Projects from the Pandemic-Shuttered Melbourne Design Week 2020

Just as Melbourne Design Week was set to open its largest edition ever a week and a half ago, with over 200 events ready to launch around the city, it was largely shut down by the COVID-19 crisis, one of the increasing design-world casualties the virus has claimed this year. We spotted a few great projects in our inboxes and on Instagram, though, so we're highlighting our three favorites here.
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Purho_incisioni2
03.07.20

Saturday Selects

Week of March 2, 2020

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a scathing takedown of the millennial aesthetic, the first-ever museum exhibition on ASMR, and oh, a bunch of new design objects, too.
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_DSC1864_4
02.28.20

Excerpt: Exhibition

This Barcelona Studio Asked a Painter to Choose the Colors of Its New Chair

When Gerrit Rietveld designed his famed Red and Blue Chair in 1917, it wasn't red and blue at all, but plain, unstained beech wood. Only six years later, after his De Stijl collaborator Bart van der Leck suggested he add bright colors, did Rietveld create the version that went on to make history. The same is true, in a way, of the Barcelona studio AOO's Chair 8, whose colors were envisioned by painter Claudia Valsells for a recent collaborative exhibition in Spain.
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