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Ryan Belli Haas Brothers
07.23.19

Up and Coming

This Haas Brothers Protégé is the Next Big Designer Out of Los Angeles

When talking about his work to date — wooden pieces with an often rough-hewn, whittled feel, topped by lollipop-like textiles — Ryan Belli describes a reference map in his mind of things he’s seen: the hoodoos in Bryce Canyon, a bristlecone pine forest, the bubble clusters that form when you’re a kid blowing into a glass of milk with a straw. Sometimes these things come together in strange combinations to create an idea, and in recent months they have given rise to a wild collection of seating and light fixtures.
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07.12.19

Sighted

The Latest Collection by Rooms Evokes Neoclassical Furniture, Primitivism, and Arabian Folk Tales

Back in 2008, when we featured the first collection by the newly launched Tbilisi studio Rooms in our previous magazine, I.D., our excitement admittedly had to do partly with the discovery of high-level work coming out of a relatively unlikely place — work that blended in seamlessly with international design trends. But by 2016, when the designers left that comfort zone and began channeling inspirations that were closer to home, it became clear (ironically enough) that their success no longer owed any debt to the exotic appeal of their locale. The duo’s newest line feels like the next step in their evolution.
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07.11.19

Up and Coming

This Toronto Design Studio Finds Inspiration in the Canadian Wilderness

The Toronto-based design group Objects & Ideas works within a conceptual-meets-functional framework, and they talk about their work as an active excavation of the voice and soul of objects. "What we do is much closer to art than to mass production," says co-founder Bob Dodd. "Like everyone, we have to make money, and we have to make products people want to possess and cherish, but our furniture is definitely a vehicle to express our ideas and concepts. The best products have a soul and a presence."
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07.10.19

Up and Coming

A Self-Taught London Designer On How to Make Furniture That’s Poetic But Not Pretentious

EJR Barnes is interested in the ways furniture can become poetic or dreamlike when reframed with unexpected materials, forms, and juxtapositions. His creations engage a wide range of materials and techniques — birch plywood, gilded silver leaf, lacquered oak, powder-coated steel, pressed cane, cork, paper pulp slathered in wheat paste, even faux fur or scruffy suedes. Through all of this experimentation, Barnes seeks a quiet sort of subversion.
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07.03.19

Interiors

This Art-For-Hire Company By a London Interiors Stylist is a Genius Idea

As an interiors stylist, Laura Fulmine was constantly on the hunt for license-free art that could easily be photographed and shared — a deeply frustrating task made even harder by more stringent recent copyright laws. So she did what any reasonable person in 2019 might do: She started a company that would offer the exact thing she had always been searching for.
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06.27.19

Sighted

The Los Angeles Design Scene Has Officially Hit Its Stride

From a giant Block Shop mural to the now annual Hem Fest to Sarah Ellison's launch at Hawkins New York to Intro/LA — whose showcase we're featuring here today — the LA Design Festival and its surrounding events looked like a crazy amount of fun, as we well as a serious display of how far the LA design scene has come in terms of both community and cohesion.
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06.25.19

Interiors

Oscar Piccolo’s London Home Is a Perfect Reflection of His Creative Approach

The first time we saw photos of Sicilian-born, London-based designer Oscar Piccolo's home, featured on The Modern House, we had to chuckle — it's not every day you find a guy whose name means "small" in his native Italian living in a cozy one-room flat in London. But the second time we saw it featured, on Architectural Digest's Clever site last week, where our very own writer Zoe Sessums described how Piccolo has thoughtfully transformed the space over the past three years, we began to notice all the ways in which his home suits him perfectly in more than just name.
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06.12.19

Fair Report

This is the Coolest Furniture Coming Out of Ireland By a Mile

If you happened to step into the new Orior showroom during New York Design Week, you were rewarded with a serious feast for the senses — plush, vibrantly colored velvets, deep green marbles and glossy woods, all of it showing the mark of impeccable craftsmanship. Here was Atlanta, a sinuous cobalt-blue sofa wearing a tasseled skirt, and Nero, a glossy oak table with a Brutalist marble base. There was Mara, a walnut and marble credenza fronted by varicolored leather doors, and Futurist, a muscular couch whose tomato-red leather cushions sit atop ebony legs. This, you realized, was furniture with personality, and the coolest thing coming out of Ireland by a mile. So where exactly did it come from?
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06.11.19

Q+A

Philippe Malouin on How He Created What Just Might Be Basel’s Most Unusual Collection Ever

Every year, it seems like the contemporary work exhibited at the premiere design fairs gets more intricate and labor-intensive, more whimsical and wacky, more conceptual and process-driven. At this week's Design Miami Basel show, however, Salon 94 Design is departing from that convention in an epic way, with a presentation called Industrial Office that draws on basic ideas and questions from Philippe Malouin's work on commercial office furniture, but pushed to extremes in terms of materials, engineering, and fabrication. We spoke with Malouin to find out more.
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Italian interiors stylist Greta Cevenini
06.03.19

Up and Coming

Meet Greta Cevenini, The Best Italian Interiors Stylist You’ve Never Heard Of

Greta Cevenini has been quietly circling behind the scenes of the Italian design world for the past few years, styling lookbooks for Spotti and cc-tapis and envisioning spreads for Icon Design; she most recently took the helm for Cassina’s new catalogue, which was released during Salone. Her work is quiet — cool and rich with light-touch visual references well before they become ubiquitous, leaning more on texture and subtle color variations rather than dramatic, scene-stealing statements.
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