Shane Gabier ceramics

A New York Fashion Designer Reinvents Himself With Clay

You may know Shane Gabier as the designer behind the fashion label Creatures of the Wind, where, since 2008, he has been churning out sharply tailored avant-garde collections for New York Fashion Week and earning accolades like an LVMH prize shortlist. But if you’ve kept up with his work more recently, you would know that fashion isn’t Gabier's only talent — he’s also a budding ceramicist.
More

Xanthe Somers Wants Us to Question Everything About Our Relationship With Domestic Objects

As a self-taught ceramicist, not knowing the "right" way to do things has led Somers down some experimental paths. Clay has become a medium for her to interrogate concepts beneath its fragile surface. As a contemporary ceramic sculptor, she describes her pieces as a satirical and questioning take on domestic objects. “We cannot treat domestic objects as inert beings; they have place and purpose and motivation,” she says. “Clay has a long history of being used for functional, domestic objects that are laden with political and social constructs."
More
Emerging Norwegian designers Domaas Hogh

An Emerging Norwegian Design Duo, Inspired by the Scandinavian Winter

While others may bemoan this season’s ever-wintery temperatures, young Norwegian design studio Domaas/Høgh look to the colder skies as an excuse to imbue their work with a bit of coziness. “This might sound like a cliché, but seasonal change is not something that passes us by without notice,” note the duo, when asked what’s been inspiring them of late. In truth, that awareness seems to be instinctive to Norwegian designers as a whole.
More

Make an Osmose Lamp, With Clemence Seilles

Clemence Seilles was only four months into a job at Jerszy Seymour's Berlin studio when she started to feel it: that restlessness creatives invariably get when they're unable to fully express themselves. It's not that the job wasn't fulfilling — it was, and more — but working fulltime meant Seilles hadn't yet found a way to devote attention to her own projects. "I had this idea to make a piece that would do the work for me, something that would happen when I wasn't there," she recalls. One morning she hung a few felt-tip pens from the ceiling of her apartment, their tips pressed down against a sheet of Chinese rice paper, and left for Seymour's studio. "When I came back that evening, the work was made."
More

Sylvain Willenz’s Print Lamp for Established & Sons

Imagine you’d never driven a car before. A bike, sure, but never an automated vehicle — until one day the head of the Indianapolis 500 called you up out of the blue, inviting you down to the track to do unlimited test laps under the guidance of his star drivers. That’s pretty much what happened to Belgian designer Sylvain Willenz in 2008, except that instead of cars it was glass, a material with which he was wholly unfamiliar before arriving at the famed European glassmaking research center CIRVA, where he'd been hand-picked for a residency. Slightly less sexy than a Maserati, but a dream for a young talent like Willenz. “A lot of amazing artists have come through here: Richard Deacon, Gaetano Pesce, Sottsass, the Bouroullecs, Pierre Charpin,” he says, speaking from his room at the 27-year-old Marseilles facility, which is funded by the French government. “The idea is not to end up with something, but to try something. They’re very open to people coming here who don’t know anything about glass, like me — and that that’s what’s going to produce something interesting.”
More