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02.23.24

Up and Coming

A Deft Mix of Materials Earned This Swedish Studio Sight Unseen’s Best in Show Award at Greenhouse, the Exhibition for Emerging Design at Stockholm’s Furniture Fair

Adrian Bursell and Siri Svedborg were students at Konstfack back in 2018 when they made the tables that would become the initial studies for their Burn & Turn collection, which debuted at the Stockholm Furniture Fair earlier this month, and which earned them Sight Unseen's Best in Show award at Greenhouse, the fair's up-and-coming designer showcase. At the time, they were studying the Arts & Crafts movement in a degree program for Interior Architecture and Furniture Design, and they agreed to explore a table that might reflect the movement's values — one that could be functional yet decorative, using a kind of stripped-down ornamentalism inspired by the Swedish folk tradition.
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02.16.24

Fair Report

18 New Talents We Scouted at Greenhouse, Stockholm’s Showcase for Emerging Design

As an editor, each time I attend a design fair, I'm making snap judgements in my head: Does this designer's collection stand together as a whole? Is there a compelling narrative behind it? Does it use materials in a profound or creative way? Is it formally inventive? Is it pretty? If I had another suitcase, would I want to take a piece home with me? But before last week, I had never in my life had to choose my number one, absolute, hands-down favorite. And yet, at the Stockholm Furniture Fair's Greenhouse exhibition of emerging design, I did just that: For Sight Unseen's inaugural Best in Show award, I chose the Swedish duo Bursell/Svedborg — whose wonderful series of mixed-material pedestals we'll be diving into more in-depth next week — from a pool of 30 international design studios, who had been juried into the fair by a committee of six Stockholm-based designers. Today, though, I'm highlighting *all* of my favorite up-and-coming designers from the week.
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02.14.24

Fair Report

30 Projects We Loved at the 2024 Stockholm Furniture Fair

Perhaps no design fair makes me philosophize about the future of trade shows more than Stockholm. A small fair that has become even more compact over the past few years, as Danish brands have increasingly shifted their calendar to coincide with Copenhagen's 3 Days of Design, Stockholm tends to particularly shine in two areas that make a fair worth having in the first place: its curation — not only in booths but also in talks that one might actually care to attend — and the idea that sustainability ought to be baked in at every turn, or else what's the point of making new things?
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06.22.23

Sight Unseen Presents

Sight Unseen is Launching a Best in Show Award at Greenhouse, Stockholm’s Emerging Design Showcase: Apply Today!

If you're a longtime reader of Sight Unseen, you probably have some idea about our hierarchy of design fairs — and, as such, you may know that the Stockholm Furniture Fair ranks, year after year, at the very top of our list. We've been attending Stockholm off and on since 2008, and we've long been fans of the fair's emerging design showcase, called Greenhouse, which launched in 2003 and functions like a more curated version of Milan's Salone Satellite, open as it is to designers around the world. We've scouted major talents there in the past, it's certainly the place to be if you're at all interested in catching the eye of tastemakers, journalists, and — not least of all — potential manufacturers for your products and interior designers who might like to spec your work. That's why we are thrilled to announce that in 2024, we will be launching a partnership with the Stockholm Furniture Fair, running February 6-10: A Sight Unseen x Greenhouse Best in Show award, judged by yours truly, that will offer even more visibility and a greater platform for your practice.
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02.16.23

Fair Report

The Best of Stockholm Design Week 2023, Part II: The Fair and Around Town

Some of the things I loved at this year's fair included the Frama installation inside Konstnarsbaren, a 1930s-era bar with murals lining the wall that I dubbed "the Swedish Bemelmans;" a visit to Hem's new studio, decked out in four of my favorite colors, cobalt, highlighter yellow, powder blue, and pink; a packed-house fried-chicken party at Note Design Studio; a curving emerald green chair made from 3-D printed recycled fishing nets by a collective called the Interesting Times Gang; a beautiful seating system for Offecct by the late designer Pauline Deltour; a presentation by Beckmans College of Design that paired students with Sweden's leading furniture companies; and Alvsjo Gard, the new platform for experimental design that we wrote about yesterday. Check out the rest of our favorites after the jump!
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02.15.23

Fair Report

The Best of Stockholm Design Week 2023, Part I: Alvsjo Gard

After a three-year COVID hiatus, Stockholm Design Week returned in full force last week. And while we'll be covering the fair and its happenings around town tomorrow, today we're putting the spotlight on a new exhibition that also happened to be our favorite. Called Älvsjö Gärd, it was a showcase of experimental, research-driven, and collectible design, set across 13 rooms in one of the oldest manors in Stockholm — basically Sight Unseen catnip.
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01.19.23

Fair Report

10 Things We’re Looking Forward To at This Year’s Stockholm Furniture Fair

Stockholm functions in many ways like a mini-Milan, which comes, in part, from being a city with an incredibly high baseline of appreciation for design: There's a predictably excellent emerging design showcase at the fair; there are exhibitions around town in the most wonderful and surprising locations (see this year's new experimental showcase at Älvsjö Gard, a never-before-used 16th-century manor on the fairgrounds); there are exciting launches from local talents, such as Fredrik Paulsen and Note Design Studio; and there is, if you can squeeze it in, an abundance of studio visits and sightseeing field trips you can take to round out your design education while you're there. (Let this be the year I finally make it to the Ragnar Östberg–designed City Hall!) Here are 10 of the things we're most looking forward to at Stockholm Design Week, which this year runs from February 6-12.
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03.16.21

Excerpt: Exhibition

16 Talents to Watch From This Year’s Stockholm Design Week

Stockholm was one of the few design fairs that slid in under the wire, early in 2020 before the world shut down. So it makes even more sense that the fair's organizers decided to exercise prudence and call this year's edition off. Greenhouse, the section of the fair that's typically home to design schools and talents to watch, was presented digitally, while some of the schools — including Konstfack and Beckmans — banded together for a group show in town.
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02.13.20

Fair Report

Our Favorite Launches From Stockholm Design Week 2020

Some of our favorite launches from Stockholm Design Week include a duo of dream sofas — one soft and pillowy, one firm yet cozy — a lamp made from cast iron, a group of student furniture made from limestone, a curated apartment that beautifully mixed art and design, and a lamp from 1953 with — you guessed it — a ball base, in production for the first time ever.
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02.06.20

Up and Coming

Sorry, Hygge Hive — Mattias Sellden Just Took Nordic Design Out Of Its Comfort Zone

For Swede Mattias Sellden, the first step towards making a name for himself was, for better or worse, admitting that he wanted to. “For me, even showing what I do was a hurdle. I still don’t have a website and I started my Instagram only in August of last year — three months after my graduate exhibition.” Sellden chalks this reticence up to the Nordic code of conduct known as Janteloven, which he describes as “the very Swedish notion not be a show-off.”
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Note Design Studio Stockholm Furniture Fair
02.08.18

Eye Candy

The Coolest Booth in Stockholm Was for a Vinyl Flooring Company

While it's not exactly news that formerly uncool materials can be made to look beautiful and sophisticated, it's perhaps never been done as well or on as large a scale as it was this week at the Stockholm Furniture Fair, in a booth Note Design Studio created for the French flooring company Tarkett. Called the Lookout, the booth was made from a mix of wood, textiles, linoleum and a vinyl flooring material called iQ Megalit; the trick was in employing Note's frequent use of geometry and a tight, tonal color palette of rust, coral, apricot, moss green, and mint.
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