Born in Philly and Based in London, Andrew Pierce Scott Has a Knack for Turning Discards Into Drama

Metamorphosis is at the heart of what Andrew Pierce Scott does. The London-based American designer has a talent for taking leftovers and discards and turning them into sculptural metal furniture and objects or an evocative textile still-life. In Scott’s hands, recycled sheet steel becomes a lamp with a darkened yet almost iridescent finish; fabric scraps become a plate of oysters and glasses of wine that make you immediately wish for the pleasures of good company and a good meal.
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Escape From Everything at This Silent, Solar-Powered, Artisan-Made New Hotel on the Mexican Coast

The main strip of Zihuatanejo, near the southern end of Mexico's Pacific coast, is basically a resort town — choked with all-inclusives, timeshares, jet skis, infinity pools, and all the other hallmarks of Big Travel, which favors convenience and familiarity over intimacy and locality. But drive an hour south, into an area of tropical wilderness below the Sierra Madre del Sur mountains that's interrupted only by small towns, and you'll arrive at Hotelito, a 13-bedroom boutique hotel that's the epitome of considered, off-the-grid peacefulness.
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“Am I Just Making the Trash of the Future?” And Other Philosophical Questions With Designer Drew Abrahamson

“I always want my work to be fun, not taken too seriously, a point of conversation,” says Australian artist and designer Drew Abrahamson. And while it definitely is, it’s thoughtful, too, and even veers, in a light-hearted way, toward the kinds of philosophical questions anyone who puts anything out into the world ought to probably ask themselves: “Am I just making the trash of the future?” Abrahamson’s answer, in his recent series “We Are All Garbage,” is pretty much yes, but concedes that there’s freedom and liberation in the act of creation, especially when it isn’t so tightly tied to the constraints of marketability. 
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This Brooklyn Designer is Trying to Create a Zero-Waste Studio

Coming from an art background, Nathaniel Wojtalik had no interest in creating furniture that was purely functional and offered no meaning behind it. But through Cultivation Objects, the Brooklyn studio he founded during the pandemic, Wojtalik has been able to find a way to craft intentional narratives by virtue of concept and technique to end up with designs that are beautiful and intriguing, yet still maintain a utilitarian quality.
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Europe’s Newest Design Fair Is In a Small City With a Big Focus on Locality and Sustainability

We were meant to attend and cover the second edition of Southern Sweden Design Days in Malmö last month, but since COVID had other plans for us, we had to catch up with the fair's program from afar instead, which included projects by studios like Malmö Upcycling Service, Lab La Bla, and Andréason & Leibel. In addition to being aesthetically pleasing, many of them featured a focus on local manufacturing, local crafts, and/or locally sourced recycled materials, which not every design fair can claim.
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Nick Pourfard furniture

Nick Pourfard, the Guitar-Maker Turned Furniture Designer On the Rise

Skateboarding gave Nick Pourfard his foundation in design. Building ramps and obstacles for his friends provided an early education in how to put materials together effectively, and old skateboard decks are what he’s used to construct the body of the guitars he’s been producing since 2014. Recently, this San Diego–based luthier (maker of stringed instruments) has moved into furnishings, bringing his meticulous skills and try-it-and-see approach with him.
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Candle Wax Tables and Mattress Foam Chairs: Tour One of the Best Waste-Material Reclamations We’ve Seen

Carsten in der Elst's recent graduate project, Heavy Duty, is every design student ever's wet dream — traveling around to different regional factories, asking them to identify their primary waste materials, then collaborating with them to use their existing production processes to turn those byproducts into something new. Unlike every other design student ever, though, in der Elst's results actually transcend his original thesis, amounting to a vast collection of objects that, if a gallery like Kreo or Friedman Benda released them from a mid-career designer, we wouldn't bat an eyelash.
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All Hail Block Shop’s Affordable, Art Deco–Inspired Woodblock Prints

Did you, like us, visit Block Shop's reading room at Sight Unseen OFFSITE and wish you could walk away with just a fraction of the sisters' sunny decor (including that bonkers amazing banana flower plant?) If so, consider your wish granted: This week the L.A.–based studio released its first edition of woodblock prints on colored paper, and they're a perfect, low-risk way to incorporate some of the sisters' graphic sensibility into your own home.
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Kim Markel's Glossier furniture

Candy-Colored Furniture Made From Recycled Glossier Packaging

Kim Markel's new series of translucent, candy-colored colored furniture pieces in reclaimed plastic is composed partly of Glossier’s pink-hued packaging empties, which the brand asked its employees to collect for months. The collection includes a cabinet, chairs, side tables, and mirrors, as well as a vanity table made from spun stone dust, a new material Markel developed using a by-product of the quarrying process.
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London’s Coolest Designers Are Creating Recycled Furniture for the Ace Hotel

Ready Made Go, a London Design Fair exhibition now in its third year, has always walked a fine line between the conceptual and the commercial. Curated by Laura Houseley of Modern Design Review, the brief has always been for designers to devise an object, sculpture, or piece of furniture that might actually be used by the exhibition's host — the Ace Hotel in London. This year, the focus is on sustainability, and the new pieces are some of our favorites yet.
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