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Week of October 18, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: an affordable(ish) amorphous plaster mirror, new chairs by Moroccan Renaissance woman LRNCE, lamps that are like little paintings, and a dreamy Kips Bay room by Michael Hilal (above).
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For His New Collab With Kvadrat, Artist Danh Vo Wrapped an Entire House in a Rediscovered Nanna Ditzel Textile

Kvadrat’s newest fabric release, Sisu, doesn’t look particularly remarkable in photos at first glance. A thick wool woven in 16 different two-color pairings, it closely resembles its cousin, Hallingdal, the best-selling textile designed in the 1960s by Danish icon Nanna Ditzel. But when we learned the full story behind its discovery and development — in collaboration with the artist Danh Vo — it was so interesting we didn’t even know where to begin telling it.
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With Prints Inspired By Art-Store Pen-Test Doodles, These Curtains Are ‘Free and Wild’

Sarah Illenberger has a talent for recontextualizing everyday items in ways that are deceptively simple, yet at the same time so clever that there's an irresistible kind of magic in it. The same is true for her new collaboration with Danish textile purveyor Kvadrat, a series of three vibrant curtain panels created by scanning the little pads of paper people test pens on in stationery stores — the unremarkable made remarkable, through little more than a flash of creative inspiration and a change in scale.
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The Designer Making Chairs From Discarded Puffy Coats

If you're like me — and by that I mean you spent a very cold, COVID-filled winter socializing outside — you might be ready to never see a padded puffy coat again. But I was thoroughly charmed by the work of South Korean designer Jinyeong Yeon, who uses padded goose down jackets, which remained unsold by fashion brands and manufacturers, as upholstery for his series of puffy chairs.
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Week of March 8, 2021

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week had two distinct themes: lockdown projects — including a ceramic table, a neon-green sculpture, and a Rooms collaboration — and really kooky shit, including the anthropomorphized furniture above.
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Justin Morin’s Silk Draperies Reference Pop Culture and Natural Phenomena in Equal Measure

Justin Morin’s printed silk installations take many forms — some unfurl dramatically against an expansive gallery wall; others are cinched and pleated like couture; still others are knotted, tied, looped, bunched, gathered, or, simply hang listlessly like a flag. Morin’s specific visual vocabulary, developed over the course of a decade since he created his first printed silk work in 2011, proposes that anything and everything in our information-dense and visually overwrought world can be unraveled and represented in sensual, gradient silk.
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36 Extremely On-Trend Face Masks For Wearing Every Time You Leave the House

Remember when the term "masking" conjured visions of an electively low-key Friday night spent with your face cloaked in petrified French clays, dripping honey concoctions, or mildly alarming acids? Today, of course, amidst an ever-expanding backdrop of heartbreak, fear, weirdness, and uncertainty, Mask Life has taken on new meaning. But while removing your mask may no longer reveal a newly glowing visage, it's still possible to view wearing a mask as a form of self care. Even better, it's a way to care for others around you.
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These Two New Collections of Art Carpets Started Out As Actual Paintings

Art carpets are usually handmade, are expensive to produce, and aren't necessarily that easy to incorporate into the average interior, which keeps them in the realm of the rarefied. Every time I see a collection I like, I take extra notice. This winter I found two: one being the latest limited-edition collection from my favorite Australian brand Zou Zou, and one being a series of one-of-a-kind client commissions by London designer Sussy Cazalet, which she shot inside the gallery Beton Brut.
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Caroline Z. Hurley’s Gee’s Bend–Inspired, Stitched-Together Paintings

Caroline Z. Hurley is best known for her block-printed quilts, tablecloths, blankets, and fabrics by the yard, but if you follow Hurley on Instagram, you know that painting is also a huge part of the Brooklyn-based artist's practice. Her newest works combine elements of both mediums, using vintage fabrics or cottons woven by hand by artisans in Oaxaca as the base for painted and stitched-together canvases.
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Oyyo’s New Swedish Flat-Weaves Are a Master Class on the Reuse of Leftover Yarns

For Oyyo's new series, Landing Site Irregular, the focus was on the reuse of leftover dyed yarns to create experimental compositions in custom colors, such as vibrant-azure blue and light tangerine. Smaller in size than their original offerings, these rugs breathe new life into the yarn, but the geometric underpinnings remain, inspired by visionary architects and artists Shusaku Arakawa and Madeline Gins’s theories on space and color.
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Tantuvi’s New Rugs Were Inspired By the Travertine Quarries of India and the Spanish Steps of Rome

On car journeys throughout India, Tantuvi's founder Arati Rao and Adam Sipe often pass through cities and villages set against a dramatic landscape of marble and quartz quarries, mountains, sand dunes, magical desert lakes, and jungles. “The sandstone color that permeates all these landscapes is always on my mind,” Rao says. “Travertine quarries are all over the region and the earth changes from beige to ochre then deep ruby as you move throughout.” These colors were the inspiration behind Tantuvi’s latest collection, fittingly called Travertine.
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