PosterClub_OPENER

These $50 Posters Are a Serious Score

This week marked the launch of yet another great inexpensive poster series on yet another great art site, created by the multi-disciplinary Danish design studio Atelier CPH. The images were inspired by 70s colors and abstracted faces, and they look like something you'd be psyched to unearth at an antique mall for five times the price. These are only 49 to 89 Euros each, and they come with the cache of a creative duo whose clients include Kinfolk, Ferm Living, and Norm Architects.
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Matt Paweski Chose Art Over Design — But We Forgive Him

Years ago, when we first profiled Matt Paweski, we got really excited about his colorful furniture, but alas, it was not to be: Paweski's roots have always been in art, and art is what's occupied his portfolio pretty much ever since. His newest body of work, which went on view today at Herald St. gallery in London, features sculptures any designer could appreciate.
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Pettersen & Hein at Etage Projects

The Tinted, Tiled Concrete Floor We’re Coveting (And an A+ Collection of Art Objects to Boot)

“We shape our furniture, and afterwards the furniture shapes us.” This is the guiding principle behind Pettersen & Hein’s exhibition Home at Etage Projects, a reimagining of utilitarian design objects as art. Lea Hein and Magnus Pettersen (whose Flat Hat Man is one of our favorite finds from this year’s Stockholm Design Week) are the duo behind the work, which examines the hierarchy of functioning and nonfunctioning objects in the context of the home.
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JobVanDenBerg_GlasslabTable

Week of January 23, 2017

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: new good things like a pastel-colored jewelry store and an insanely affordable geometric rug, plus a few old good things like a marbled chair, a terrazzo table, and the glass-legged beauty pictured above.
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Sunset-Inspired Color Fades Meet Slabs of Marble In This Stunning Paris Exhibition

The Belgian painter Pieter Vermeersch has been known to fill rooms with soft, colorful gradients that define architectural space in beautifully strange ways, bordering on optical illusion. Both those works and his new canvases, on view now at Galerie Perrotin, dovetail with Vermeersch's professional origins in photography in the way they deal with light and perspective — but the new works physically ground all that ethereal color with panels of heavy marble.
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a.reed 5

Five New Ceramics Collections We’re Feeling Right Now

Sometimes we get the feeling that we have altogether enough stuff. But then the period between Thanksgiving and New Year's Eve happens, and we realize that we somehow don't have all the requisite items for serving food, displaying flowers, or generally decking out our dinner table in a manner befitting a design editor. So this round-up couldn't have come at a better time: Meet five new ceramicists creating work that's sculptural but functional, minimal but avant-garde, and generally chic as hell.
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This is Today Chamber Gallery

Colored Sand, Kool-Aid, and the Potential of Materials

Group exhibitions, which ask a cohort of designers to all respond to the same brief, are far too rare in the American design scene, which often favors solo presentations. That's perhaps why Chamber Gallery's exhibition model, in which an outside curator puts together a few different installments over the course of a year, feels so refreshing. Now on view at Chamber is This Is Today, Matylda Krzykowski's second installment built around the theme of collage.
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Strauss Bourque-Lafrance

Strauss Bourque-Lafrance and the Deconstructed Domestic Space

Strauss Bourque-LaFrance’s work reflects a holistic approach to materials informed by the social function and status of objects as well as our relationship to them; the roles they play in our lives as symbols, signs, and totems. In Bourque-Lafrance's world, objects and paintings often get mixed up together with sculpture and interior design; his approach may be best summed up by his gallerist, Rachel Uffner, who calls it: “painting-in-the-expanded-field, painting-as-collage, painting-as-performance, and painting-as-sculpture.”
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Week of October 31, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: storage trays for neat freaks, chic bags for architects, the most affordable Sottsass design we've ever seen, and a new seating collection that's painfully on-trend.
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Week of October 24, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a new lighting series by a beloved Brooklyn brand, a new New York outpost for a powerhouse gallery, and yet another amazing interior from Melbourne, pictured above.
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A Breathtaking Furniture Installation Staged Inside a Famed Brutalist House

When we named Jonathan Muecke to our American Design Hot list in 2014, the enigmatic Minnesota architect summed up his motivations with a 1963 George Brecht quote about seeking precision in objects — the same kind of precision, presumably, that he saw in the starkly angular 1974 Van Wassenhove House by Belgian architect Juliaan Lampens, where he recently spent a week making a new body of work for Maniera gallery.
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Kelly Behun x Barneys

Kelly Behun x Barneys: A Patterned Pop-Up, Where Maximalism Prevails

For Barneys New York, Kelly Behun and her team have created an immersive pop-up and capsule collection, on view through October 31st, that translates the studio's super graphic design aesthetic into a collection of items for the home. Called A Kook Milieu, the pop-up was inspired in part by the pattern and decoration–obsessed 1970s New York gallerist Holly Solomon, who was known for blurring the line between art and design.
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