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05.28.16

Saturday Selects

Week of May 23, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a resurrection of old Castiglioni furniture, the most anticipated art exhibition of the summer opens at the Guggenheim, and four (more) of our favorite releases from New York design week, including the tables by Yield above.
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05.25.16

Up and Coming

Meet the Talented Sisters Behind Our New Favorite Lighting Brand

If you visited Sight Unseen OFFSITE last week, you might have noticed one standout booth in particular, dressed as it was in moody shades of blue, showcasing an incredible number of variations on the sculptural, globe-bulbed typology that's recently become so en vogue in the lighting world. In fact, in its striking beauty, the booth was impossible to miss: The lights were the work of London-based sisters Gwendolyn and Guillane Kerschbaumer, two Austrian-born designers who work under the studio name Areti.
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05.23.16

Fair Report

The Best of New York Design Week 2016

New York Design Week may come hot on the heels each year of the all-consuming behemoth that is the Milan furniture fair, but to pay it any less attention would be a mistake — between Sight Unseen OFFSITE, ICFF, Colony, Wanted, and the goings-on at outposts like the Future Perfect and Matter, the days when America's most important contemporary design event was simply a watered-down rehash of Europe's are indisputably over. Here's a roundup our favorite finds from this year's show.
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Sight Unseen OFFSITE 2016
05.19.16

Sight Unseen OFFSITE

Take a Tour of Our 2016 Show, Part I

Since Sight Unseen OFFSITE began three years ago, we've held the fair in three different locations, and people often ask whether that nomadic spirit translates in practice to something of a logistical nightmare. The answer, of course, is yes, and yet, each May, there's a huge payoff: Our space has informed the character of each year's show in an immeasurable way, and this year's fair was no different. See what you missed firsthand in this part one of two tours of our 2016 show,
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05.07.16

Fair Report

10 (More) Things We Loved at Collective

The 2016 edition of Collective Design ends tomorrow, and though our time there has been mostly spent chatting with visitors, press, and neighbors in our own, relatively massive booth, we were sure to put on our press hats to suss out what other gems were on view. The caliber of the fair is truly excellent this year, from the wire and wood Nendo cabinets that line the entryway to the Lindsey Adelman light explosion way at the other end. Here are 10 of our favorite, must-see moments.
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Sight Unseen at Collective Design
05.05.16

Fair Report

Fountains, Pink Daybeds, and Foam: A Tour of Our Booth at Collective

For the second year in a row, Sight Unseen is proud to be presenting at Collective Design, which opened to the public yesterday and runs through Sunday afternoon. We're smack in the middle of the fair this year, spotlighting new work by five American design studios on the rise: Bower x Studio Proba, Chris Wolston, Only Love Is Real, and Fort Makers. At the VIP opening on Tuesday night, we heard comments like "It's like Sight Unseen come to life!" "It's amazing how every booth is so different but everything goes together perfectly!" and, straight from Julianne Moore's mouth, "This is gorgeous." We couldn't agree more.
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05.01.16

Saturday Selects

Week of April 25, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: the best in totally affordable and totally unaffordable fashion and design, two illustrations and a Toronto house we wish we could move into immediately, and a few more Milan fair stragglers, including the playful room divider above by Ana Arana.
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04.29.16

Studio Visit

Eric Trine Wants to Bring Powder-Coated Joy to the Masses

In the three years since we met Eric Trine — who, at the time, was a grad student skipping his art-school graduation to show with Sight Unseen during New York Design Week — the Long Beach, California–furniture designer has emerged as a true talent. And though his powder-coated pieces — geometric, clean, bright, and fun — have wowed us from the start, over time he’s honed his approach and philosophy, shifting from a DIY mentality to a full-fledged operation with a driving vision behind it: to make great-looking, high-quality products that are actually affordable.
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04.18.16

Fair Report

The Best of the 2016 Milan Furniture Fair, Part II

The 2016 Salone del Mobile and Fuorisalone — aka the Milan furniture fair — closes today, and we were there on the ground, running around like crazy people trying to absorb a year's worth of new furniture in less than a week's time. According to our iPhones, we walked about 7.5 miles a day in our quest to scout great design. Here's the second of three posts chronicling what we found.
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04.16.16

Fair Report

The Best of the 2016 Milan Furniture Fair, Part I

The 2016 Salone del Mobile and Fuorisalone — aka the Milan furniture fair — closes today, and we were there on the ground, running around like crazy people trying to absorb a year's worth of new furniture in less than a week's time. According to our iPhones, we walked about 7.5 miles a day in our quest to scout great design. Here's the first of three posts chronicling what we found.
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04.16.16

Sighted

The Best Thing We Saw in Milan Today: Day 5

The Eindhoven-based Studio Mieke Meijer has been on our radar since way back in 2010, when the very first Dutch Invertuals exhibit in Milan showed the studio's amazing Bernd and Hilla Becher–inspired Gravel Plant, an architectural unit for storage and display. But this year's Space Frames installation in Ventura Lambrate was the most show-stopping the studio has ever put on, and in fact seems like a spiritual heir to that original project.
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04.15.16

Sighted

The Best Thing We Saw in Milan Today: Day 4

Visiting the pavilions at the Milan furniture fair is basically the exact opposite of going to the beach — there's tons of artificial lighting, way too much exertion, and not a piña colada in sight. Which is why we were tickled to get these images of Italian designer Cristina Celestino's Opalina collection for the glass furniture manufacturer Tonelli — the sheer dissonance made us laugh out loud. But the collection is pretty great on its own, photography (or excellent Photoshopping) notwithstanding. It includes a dressing table, a writing desk, a mirror, a coat stand, and a stool, all made from thick slabs of etched or painted opaline glass that give off a translucent and silky appearance.
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