In honor of Sight Unseen’s first anniversary, we, the editors, decided to turn the lens on ourselves, revealing what inspires us as writers about and champions of design and art. If you’re an especially devoted reader of Sight Unseen, you might have noticed that Monica — who spent her childhood putting bugs under a kiddie microscope and was at the head of her high-school calculus class — often tends towards subjects inspired by geometry and science, while Jill — whose love for color and pattern likely began with an uncommonly large novelty earring collection — favors maximalist, throw-every-color-at-the-wall-and-see-if-it-sticks types. We were interested to see how those formative experiences would play out in a documention of our own reference points. Here’s a closer look at eight of Monica’s editor’s picks.
In March, Pin-Up magazine editor Felix Burrichter packed his bags and left New York for an extended stay in Los Angeles, where he met up with the Vienna artist Sarah Ortmeyer. Chosen for one of four annual residencies with Vienna's Museum for Applied Arts (MAK) — whose L.A. branch is based in architect Rudolph Schindler's 1922 Kings Road House — the pair have spent the intervening months shacked up in a two-bedroom apartment at the museum's Mackey building, working on a joint project they'll present on September 10. Called "XXX BURRICHTER ORTMEYER," its main element is a publication focused on the mercurial relationship between Schindler and his wife; Burrichter has also taken advantage of the proximity to give the fall issue of Pin-Up an L.A. theme. Architecture buff that he is, we got to wondering how else he'd been inspired by his surroundings, so we invited him to share with us the experience of living in the recently renovated Mackey building, whose five apartments Schindler built in his trademark style in 1939. "It’s like living in a little museum," he says. "At first we were like, this is crazy, but it’s really the perfect apartment, even though it’s so basic. We’ve been here for four and a half months now, and the longer we stay, the more we realize how well thought-out it is."
At Fair Folks & a Goat, a new retail gallery and tea salon hybrid on New York’s Upper East Side, everything inside the gracious late 19th-century studio apartment is for sale. Well, almost everything — a small candy dish that reads “When I count my blessings, I count you twice” was a gift from co-owner Anthony Mazzei’s mother and “it’s a million dollars,” he jokes, while the vintage paperbacks lining a wall of shelves constitute an actual lending library. Here, the props and merch blend into a seamless backdrop for a new kind of social gathering. “We wanted to create a space for young people to have a home away from home, where instead of alcohol and loud music it would be more like a physical incarnation of a magazine, with design, art, fashion, and culture,” says Mazzei.
“I like selling clothes that make people hyperventilate,” says Sweetu Patel. “Furniture doesn’t do that.” Trained as a furniture designer himself, Patel was the original founder of the design brand Citizen Citizen, but after giving up that business and putting in five years on the sales floor of New York’s Cappellini showroom, he shifted gears to start the online men’s clothing shop C’H’C’M’ last year. As it happens, though, Patel’s purveyorship of classic heritage brands represents more of a return than a departure — back to the clothing he grew up around, back to his sartorial instincts, back to the business model Citizen Citizen was originally meant to follow. We’ve always been a fan of Patel’s work, so we asked him to tell us his story, then share the eight inspirations that have led him to where he is now.