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Ken Miller’s New Book Pictures Photography Anew

A new volume by editor and curator Ken Miller celebrates photography not for the referential images it can capture, but for the possibilities of the medium in and of itself. Titled PICTURES, the book celebrates non-representational photography, and it’s a formal announcement of sorts that photographs, as an art form, have come into a category all their own and not just in service of documentation, representation, or narrative.
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Lauren Coleman Experiments with Gravity and Melting Metal in a New Skincare Campaign

Brooklyn photographer Lauren Coleman's love of science-lab equipment made her an obvious choice for an important collaboration we're debuting today: an artistic depiction of the properties of a new product by the Swiss beauty brand La Prairie, which since 1954 has been known for its scientific approach. La Prairie invited Sight Unseen to commission a series of animated cinemagrams to mark the launch, and we invited Coleman to conceptualize them.
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DS & Durga Set Themselves Apart By Appealing to More Than Just Our Sense of Smell

"Perfume is armchair travel." This year, as we find ourselves collectively and forcibly grounded, DS & Durga’s tagline has taken on a new significance: Fragrance’s transporting ability, whether it be to carry us back in time to a familiar place or offer a portal to a destination we’ve never experienced, is more powerful and desirable than ever.
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The Fantastical Fungi (And Other Subjects) of Phyllis Ma’s Supernatural Still Lifes

Photographer and animator Phyllis Ma’s work is centered around what she calls “special nothings:” ordinary objects that, in the right context, can appear “magical, surreal, or even uncanny.” Fuzzy flowers nuzzling each other, a block of aspic the exact dimensions of an iPhone, a phallic gherkin covered in warty bumps — all resplendent in hyper-stylized settings and hyper-saturated hues. Recently, Ma — who was born in China and immigrated to Brooklyn when she was eight — turned her lens on the mushroom kingdom.
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Guest Editor Fiorella Valdesolo on Mushrooms and the Interconnectedness of All Things

Today, meet Fiorella Valdesolo, a Brooklyn-based writer, editor, and consultant who is probably best known for her role as co-founder and editor-in-chief of the food magazine Gather Journal (whose erstwhile print issues we still hoard). All of the stories we’ll be posting between now and Friday have been either written or chosen by Fiorella; they center around the interconnectedness of all things — and, in a way, why we need each other now more than ever.
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Week of February 24, 2020

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week, proof that floor-to-ceiling carpet is having a moment, an freshly optimistic take on the armchair, and some solace to art-loving Angelenos.
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This Dutch Artist’s Warped Archival Photos Are the Break From Reality We Need Right Now

When I first discovered the Dutch artist Koen Hauser, and his Skulptura series in particular, I viewed his work as an escape — moments of disrupted reality, primarily in the form of warps and swirls edited into photos of artworks and artifacts taken from old books and museum archives. And I liked it not only because it was weird and disorienting, but because I had rarely seen that kind of technique deployed to such beautiful effect. Yet there's actually more going on in Hauser's images.
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Week of September 23, 2019

A weekly Saturday recap to share with you our favorite links, discoveries, and more from the past seven days. This week, a series of opalescent flower photos, Nathalie du Pasquier's ode to the brick, and an architectural puzzle destined for holiday wishlist ubiquity.
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An Artist Responds to the Work of Victor Vasarely, Father of the Op-Art Movement

An internationally exhibited conceptual artist working in photography, sculpture, and installation, Oran Hoffmann was invited to the Fondation Vasarely in Aix-en-Provence in 2017, where he sifted through boxes of Vasarely’s tiles, parallelograms, serigraphs, and other ephemera used to inspire and lay the groundwork for the unusual architecture of the foundation and the optically boggling sculptures and spaces within. Hoffmann’s new book is the culmination of a year of research and working with Vasarely’s archives.
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