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Josef Albers Meets Yayoi Kusama in a Series of Infinity Mirror Installations By Sarah Meyohas

How did we not know about Sarah Meyohas? The New York–based artist is our favorite kind of multidisciplinary creative — she studied finance first at Wharton and then received an MFA from Yale — and her ongoing photographic series, Speculations, which we're featuring today, combines two of our favorite things: trompe l'oeil trickery and an explosion of beautiful botanicals.
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Week of September 17, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week was a particularly good one for maximalism, from sparkly socks and tables, to a wild "fascist futurist" bank interior, to an opulent new hotel (above) inside an old church and convent, retrofitted to perfection by John Pawson.
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An Architecture Photographer on Ricardo Bofill’s Social-Housing Masterpiece, Walden 7

Ricardo Bofill's Walden 7 is grouped around five courtyards and encircled by curved, terracotta balconies that give the building the appearance of having barnacles. Most of the apartments face both out towards the sea and into one of the courtyards; at many levels, a system of bridges and walkways allow residents an array of vertiginous vistas. We'd seen photos of the place, of course, but when we received these images — taken by trend consultant and travel blogger Pauline Chardin — we had to share.
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At Morgan Lehman, Two Artists Exploring the Slippery Nature of Spatial Perception

Seeing the work of photographer Erin O'Keefe and painter Matt Kleberg side by side, it’s as if they are of one mind: the brightest orangey reds, the richest teals and greens, and the textured yellows; the crisp angles, the unexpected shapes, and the lively abstractions. Their current collaboration, a two-person exhibition titled Ecstatic Vernacular on view at Morgan Lehman in New York until May 19, is a conversation between the artists and their differing mediums.
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Mexico City architecture tour with @CB

Touring Mexico City With One of Our Favorite Architectural Photographers

IRL, Mexico City really is a charming mishmash of architectural styles, a delicious spot for foodies, and a serious destination for anyone interested in design culture. That’s why, when we saw that one of our favorite photographers — Eric Petschek, the interior designer and architectural photographer behind the Instagram account @cb — was in Mexico City documenting his trip with iPhone and DSLR in hand, we immediately reached out to see if we might publish the results.
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Portland Maine emerging artist Elizabeth Atterbury

An Artist Who Moves Shapes From Two Dimensions to Three

To understand the work of artist Elizabeth Atterbury — and how it's changed since we first profiled her almost exactly three years ago — look no further than the solo exhibition she had at Mrs. Gallery in New York this past spring: While she used to photograph the geometric compositions she created from sand, cut metal, or corrugated paper, those elements now appear both as two-dimensional images and as three-dimensional works in their own right.
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Our 10 Most Popular Posts of 2017

It always feels a little strange for us to look back at the previous year each December; when you run a publication, not to mention a major annual event, your mind is always, always fully consumed by thoughts of what's ahead. And yet it's now a Sight Unseen tradition to spend the final week of December reflecting back on the prior year, and so we've taken time out to do just that, starting with our top 10 most popular posts of 2017.
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Week of December 18, 2018

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: furniture meets fashion in a surprisingly chic campaign shoot, more next-level 3-D objects from Wang & Söderström, and a new series adding to the mounting case for one of our top trend predictions for 2018.
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In These Photos, An Abstract Los Angeles is Even Prettier Than The Real Thing

An expert at making a beautiful image out of banal surfaces and unassuming scenery — the side of a Zankou Chicken, say, or a bus station in Chinatown — Australian-born photographer George Byrne's work has a way of evoking strong feelings from simple Los Angeles palms and awnings. Byrne's first solo exhibition, opening this month in New York at Olsen Gruin — entitled“New Order” — is made up of 15 photographs of Los Angeles by way of crisp shadows, a lot of seafoam green, the clear blue sky, and pops of dusty pink.
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These Classical-Meets-Contemporary Ceramics Are a Major Discovery

It's not every day that we make a discovery on the level of Nicolette Johnson, when some random Instagram rabbit hole leads us to a trove so vast we can hardly believe no one had tipped us off to it sooner. But that's exactly what happened last month, when we stumbled onto an image of Johnson's vases and found ourselves practically hyperventilating — not just over the works themselves, but the fact that the young Brisbane-based talent only started working with ceramics at all less than two years ago.
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