Week of December 4, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Pierre Yovanovitch’s chic new Chelsea gallery, lamps that look like melted butter, and the work from home setup of our dreams.
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These Bauhausian, Artisan-Made Rugs Embody The Spirit of Argentina

When you think of Argentina, what’s the first thing that comes to mind? Steak? Soccer? For many, it’s tango —the passionate partner dance that’s fast, fiery, and frankly far too complicated for my two left feet. Since Australian textile brand Pampa works with skilled artisans in remote parts of Argentina, as well as across Latin America, the company has chosen to dedicate its latest collection of rugs to the vibrant culture of its partners. So using bright red natural dyes to color the 100% wool fibers, they created the Tango collection as an homage to the spirit of Argentina, and specifically to its national dance.
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Eny Lee Parker’s “Pretty Secrets” Exhibition Puts the Spotlight on 7 Major New Female & Nonbinary Talents

We’ve been Eny Lee Parker stans ever since she debuted her first collection with Sight Unseen at our 2017 Offsite show, and it’s been rewarding to watch her meteoric rise from breakout star to global name. Recently, the New York–based artist and designer has been doing her own part to highlight a new generation of emerging talent, the latest by curating a showcase of works by seven female or nonbinary designers in collaboration with Spring New York.
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Sweden’s Oldest Rug Brand Finally Lands in Soho

Scandinavian design brands have been a favorite of American consumers since the mid-20th century — and of Sight Unseen since we could barely recognize something as "design." This month, one of our favorite of those brands — the Swedish rug company Kasthall, with whom we partnered for Sight Unseen Offsite in 2017 and created a capsule collection of rugs pre-pandemic — opened up a new permanent showroom in Soho, leaving behind the trade-friendly but consumer no-mans-land that is the D&D Building for the cobblestone streets and extensive foot traffic of downtown NYC. The company has created beautiful woven and hand-tufted rugs at its factory in Kinna, Sweden, since 1889, and its spacious new flagship on Howard Street will allow customers to touch and see the quality of those carpets IRL.
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Week of November 6, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: striped soft luggage from Dusen Dusen and Arlo Skye, a nostalgic New York negroni bar, and a giant vase-shaped rug with main character energy.
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Garcé & Dimofski’s Live-Work Space in Lisbon is Like an Incubator for Contemporary Design — And Their Own Ideas

Like many creatives over the past few years, Olivier Garcé and Clio Dimofski relocated to Lisbon with their daughter Zoë and dog Lewitt (as in Sol) in 2021, after working separately in Paris (Garcé at Hamonic + Masson & Associés; Dimofski at Shigeru Ban), and then together in New York during a stint with Pierre Yovanovich that overlapped with the pandemic. For a brief period, the duo opened up their West Village apartment as an appointment-only furniture showroom, and the idea kind of stuck. The couple now similarly use their Portuguese live-work base to showcase their own designs amongst pieces by others — forming a space for experimenting with ideas that they also happen to live with.
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Dana Arbib’s Vegetable-Themed Murano Glass at TIWA Gallery Has Us In the Mood for Fall

When deciding on the first exhibition for his new TIWA Gallery location in Tribeca, Alex Tieghi-Walker instinctively turned to artist Dana Arbib, whose second collection of Murano glass — this time in the form of both lighting and vessels — were a perfect fit to activate the space, a former manufacturing workshop for electrical parts. Titled Vetro Orto, which translates from Italian as “the glass vegetable garden,” Arbib's pieces are modeled on the forms of gourds, cabbages, and root vegetables.
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Channel Your Personal Style With Fashion-Inspired Mirrors by Ready to Hang, Bower’s New Sister Brand

Mirrors, quite literally, reflect the way we see ourselves. They’re a critical connection to our identities, and they allow us to check in with they way we present ourselves to the world. So why shouldn’t the mirrors themselves align with our own personal styles? “The mirror is the most important thing in your home,” swears Bower Studios co-founder Jeffrey Renz. “And depending on the mirror, it can impact your experience.” And so, after 10 years in business, Bower has launched a kind of “ready to wear” equivalent of its existing high-end product line: Aptly named Ready to Hang, the new sister brand offers a lower, more accessible price point and is designed to be enjoyed by a wider — and, most likely, younger — audience.
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Move Over, Milan: This Naples-Based Fair Is Providing Young Designers a Prominent Platform

Milan’s Salone del Mobile might be the largest and best-known design event in Italy, but it’s by no means the be-all and end-all of the country’s creative scene. Case in point: EDIT Napoli, which held its fifth edition over three days at the beginning of October. Curated by Emilia Petruccelli and Domitilla Dardi, the design fair took place within the recently renovated cloisters, atriums and frescoed rooms of the Archivio di Stato di Napoli, the city’s historic State Archives building. There were several gems from emerging European talents, who have a better chance to shine at a smaller, more intimate fair like this one. Here are our picks from Naples.
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Week of October 16, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a bucolic design exhibition hosted on a farm in Germany, mesmerizing wood and aluminum furniture, a new furniture collection featuring four buzzy New York designers, and chairs upholstered with a patchwork of reclaimed hospital sheets. 
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A Fictional Graphic Designer Was the Muse for This São Paulo Exhibition

“Who lives in this house?” you might be wondering after seeing these images of a stainless-steel Mario Botta sofa sitting upon a high-pile wool rug, or two steel-wrapped, camel-colored Kazuhide Takahama chairs. Its occupant would certainly be lauded for having great taste — if only they existed IRL. The space was actually designed for a fictional character, by a trio of Brazilian creative forces who teamed up to produce an exhibition that celebrates the country’s architecture, design, and art of the mid-20th century, and uses its modernist flavors to inform new works that are also on show.
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This Graphic Designer–Turned–Cabinetmaker’s Dyed-Wood Furniture is, Well, To Die For

Paris-based designer Jonathan Cohen has been working in wood for only a couple of years. Initially trained as a graphic designer, his eye for flat compositions naturally transferred into the three-dimensional world of furniture, with his creations quickly catching the eye of top architects and designers and local galleries. “When you have knowledge of good proportion, shape, and balance, you can design a letter or furniture,” Cohen says. “For me, it’s almost the same.” What lends the designer's work a certain je ne sais quoi, however, is the unique dye treatment he uses, applied in various techniques to bring out the grain and texture of the wood — forming patterns reminiscent of those created by Memphis artist Nathalie du Pasquier. 
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