Kay Wang, The Things We Keep

If you only knew Kay Wang through her Instagram — and chances are you might, considering her 33,000 followers — you wouldn’t necessarily immediately know what she does for a living. She could easily be a baker, a stylist, a ceramicist, or a woodworker; in December alone, she posted pictures from her Bed-Stuy, Brooklyn, apartment of the frangipane tart she’d baked, the cherry cutting boards she’d sanded and oiled, the canvas bags she’d dyed with onion skin, and the silk cord necklaces she’d strung with hand-carved brass pendants. (And you’d certainly never guess that she spent nine years before moving to Brooklyn as an online marketer in Los Angeles and Seattle.) What she is, very clearly, is a restless creative spirit; so much so that even though her main focus right now is as a jewelry designer who crafts under the moniker The Things We Keep, she has trouble pinning herself with a specific label.
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Week of December 16, 2013

A weekly Saturday recap to share with you our favorite links, discoveries, and events from the past seven or so days. This week: the best patterns of 2013, a new stationery set by one of our favorite fashion designers (pictured above), Design Prom, and more.
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Dixonary

If we had to elect the most Sight Unseen–like book ever published, Tom Dixon's Dixonary might land at the very top of that list. In the intro he writes, "A book about me? I wasn't sure I needed one — at least until I am dead, at which point people can write what they like." But personally we wish this kind of book existed for all of our favorite visual artists. In it, Dixon pairs photographs of his own designs, dating all the way back to his early-'80s punk days, with the images that inspired them, and then tells the micro-stories behind each one.
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Sunglasses by Joséphine Choquet & Virgile Thévoz

We're planning a bigger story on up-and-coming designer Joséphine Choquet in the new year, but before then, we wanted to share with you some work the French-born designer recently sent us: these gorgeously styled shots of the Luns sunglasses she created earlier this year in collaboration with fellow ECAL master's grad Virgile Thévoz. "The sunglasses use classic as well as more witty acetate patterns, as a tribute to this material, which carries on the essence of vintage and kitsch yet remains utterly contemporary," the designers write. There are 10 different models at the moment, in search of a producer, with a second collection already in the works for 2014.
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50 Gifts We’re Coveting

Introducing the first annual Sight Unseen holiday gift guide! We've been scouring our favorite shops, both here and abroad, and over the next two days we’ll be featuring 25 items per editor. Today's picks come from Jill, whose taste runs more towards all things pretty, colorful, and mid-century.
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Martino Gamper’s “Tu Casa, Mi Casa” at The Modern Institute

I can think of plenty of designers whose works I’ve never even seen, or those I’ve only seen from afar, either raised on some plinth or sheltered under a vitrine. I’ve had the lucky opportunity, though, to not only see but experience the work of London designer Martino Gamper: walking under his colorful Chair Arch in the courtyard of London’s V&A museum, or digging my feet into the hand-knotted wool Houseplan Carpet he designed for Nilufar gallery in 2009. It’s especially nice to experience a designer like Gamper’s work in person because there’s always the possibility that the piece you’re seeing is the only one of its kind that will ever exist. Gamper has always maintained that he prefers to create either pieces for unlimited production, like his lopsided Arnold Circus stool, or one-offs — with no middle ground between the two. Most of the work on view at Gamper’s new exhibition, “Tu Casa, Mi Casa” at Glasgow’s Modern Institute, falls into the latter category. The majority of the 69 designs created for the exhibition are wholly unique:
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Week of December 2, 2013

A weekly Saturday recap to share with you our favorite links, discoveries, and events from the past seven or so days. This week: a slam-dunk stocking stuffer for your graphic designer friends, a furniture collection inspired by Palm Springs, a better way to crack a nut, and more
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Of-The-Moment Ceramics — And Mushrooms? — At a New Brooklyn Pop-Up

Since it opened in the summer of 2012, Frank Traynor’s Perfect Nothing Catalog — an ice shack–turned-shop that its owner transplanted from upstate New York to Brooklyn — has already relocated twice: from its original home in a Greenpoint garden to the backyard of a gallery in Bushwick, and, very briefly this summer, to a subway platform in Williamsburg. That particular pitstop, set up outside a more permanent subway retail outlet called The Newsstand, was a show called Behind Flamingo Plaza. “It was named after my high-school hangout, an all thrift-store strip mall in Miami — a very formative space for my aesthetic and a vibe I wanted to honor,” explains Traynor.
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George Nelson’s Kirkpatrick House on WHY

It’s hard to say, looking at the image above —with its freestanding kiln-like fireplace, its red-palette Persian rug, and its chic indoor garden — whether the interior featured is genuinely vintage or simply one of the excellent contemporary facsimiles that populate board after Pinterest board these days. But in some ways, that’s precisely the point. The interior above, featured this week on Herman Miller’s excellent WHY blog, was designed in the 1950s by George Nelson, and like many of Nelson’s designs, it is as usable and contemporary today as it was half a century ago.
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Week of November 18, 2013

A weekly Saturday recap to share with you our favorite links, discoveries, and events from the past seven or so days. This week: a cement-truck mural, a furniture collection about shark-hunting, a pretty way to empty your pockets, and more.
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Material Material, by Doug Johnston & Debbie Carlos

The practice of two artists collaborating by mail is nothing new; after all, that’s how Peter Shire communicated ideas to his Memphis colleagues back in 1980s Milan and how Alex Segreti and Kelly Rakowski of New Friends got their start (with the former in Philly and the latter in New York.) But what happens when you elevate that practice to something more like a parlor game? We here at Sight Unseen had been wondering that ourselves, which is why we were especially tickled when we found out that Debbie Carlos and Doug Johnston — two of our favorites — had recently happened upon the exact same idea.
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Knauf & Brown, furniture designers

Formafantasma, Ladies & Gentlemen, Rich Brilliant Willing: The list of design partnerships that began in art school is pretty endless. But rare is the pair who knew and liked each other enough to not only register at the same university at the same time but also to enroll in all of the same classes, “to keep each other on our toes.” That’s Calen Knauf and Conrad Brown of the emerging Vancouver-based design studio Knauf & Brown talking; the two met through skateboarding more than a decade ago. Brown was a photographer and Knauf a graphic designer, and once they graduated from their industrial design program at Emily Carr, the natural thing to do was to go into business together. “It’s a good partnership,” they say, “because we both have different strengths, but fairly similar aesthetics.” What exactly defines that aesthetic is still a bit up in the air, considering that the two graduated only last year. But what’s emerged so far has shown an emphasis on simple and honest natural materials, like ash and marble, as well as a healthy sense of humor that occasionally surfaces in the form of performance art. For “despite how much of our lives we dedicate to design and our studio, we still place a high priority on having as much fun as possible,” they say. “We both still skateboard, and regularly get up to no good.” Read on for a deeper look into their brand-new practice.
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