Knauf & Brown, furniture designers

Formafantasma, Ladies & Gentlemen, Rich Brilliant Willing: The list of design partnerships that began in art school is pretty endless. But rare is the pair who knew and liked each other enough to not only register at the same university at the same time but also to enroll in all of the same classes, “to keep each other on our toes.” That’s Calen Knauf and Conrad Brown of the emerging Vancouver-based design studio Knauf & Brown talking; the two met through skateboarding more than a decade ago. Brown was a photographer and Knauf a graphic designer, and once they graduated from their industrial design program at Emily Carr, the natural thing to do was to go into business together. “It’s a good partnership,” they say, “because we both have different strengths, but fairly similar aesthetics.” What exactly defines that aesthetic is still a bit up in the air, considering that the two graduated only last year. But what’s emerged so far has shown an emphasis on simple and honest natural materials, like ash and marble, as well as a healthy sense of humor that occasionally surfaces in the form of performance art. For “despite how much of our lives we dedicate to design and our studio, we still place a high priority on having as much fun as possible,” they say. “We both still skateboard, and regularly get up to no good.” Read on for a deeper look into their brand-new practice.
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Hammer Museum’s Arts ReSTORE

For all of the handwringing about art being inaccessible, there’s no city planning theory that has gained more traction in this century than the idea of creative people driving neighborhood revitalization. Which means that the descriptively titled “Arts ReSTORE: LA” project isn’t just loftily ambitious. The month-long residency program, which began last week, might actually work at creating a less sterile West Los Angeles, not least because it is supported by the powerhouse Hammer Museum, whose three-story compound anchors one end of the street. On a stretch of Westwood Ave., better known for chain sandwich shops and fluorescent interiors, the Hammer offered a half-dozen empty storefronts to local artists and makers, with the idea that even a temporary infusion would upend the retail mood of the area. If the packed opening night was any indication, this time the theory holds. Here’s what we saw.
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Week of November 4, 2013

A weekly Saturday recap to share with you our favorite links, discoveries, events, and more from the past seven or so days. This week: A more economical marbled side table, a magazine-turned-shop, a polka-dot infinity room, and more.
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Jake Longstreth, Artist

If you’re familiar with the work of Jake Longstreth (which we weren’t until it was brought to our attention by our newest contributor, Laure Joliet!) you probably know him from a series of paintings that made the blog rounds a few years back. Hyper-realistic depictions of empty suburban landscapes and architecture — think tennis courts, drive-thru pharmacies, and red-roofed Pizza Huts — the paintings were unsettling, both in their flat anonymity and in their technique, which rendered them eerily photographic. But a few years ago, Longstreth’s focus shifted.
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Shinola’s Daniel Caudill in Detroit

It wasn't too long ago that bringing up Detroit made people feel sad. For decades it was America's most downtrodden city; the first and only time I visited, 15 years ago, at age 19, I gasped dramatically upon arrival that it looked like its downtown had literally been bombed out and abandoned. But two or three years ago, Detroit got a brand new narrative, unfortunately by way of an annoyingly over-baked media frenzy that branded it the next hipster haven, complete with coffee shops, urban farms, and its first Whole Foods. The arrival of Shinola — which opened a watch factory and bicycle workshop there last year — quickly became a part of that narrative, even moreso when it opened its second retail location in New York a few months ago and began introducing the East Coast to its $2,000 artisanal bicycles and handmade leather goods. And yet the company is playing an important part in what's really going on in Detroit, beyond all the coffee shops and organic foods, which is that it's in the process of replacing parts of its failed industrial economy with a creative one, and that its residents and legislators are counting on that renewal to get the city back on its feet.
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AOO Shop in Barcelona

AOO is a new store and brand in Barcelona started by Marc Morro and Oriol Villar, whose first collection is a mix of chunky wood pieces they've designed and built in their workshop and pieces they've commissioned from other designers and had produced by local craftsmen. The store's shelves are supplemented with outside objects from brands like Santa & Cole, and its graphics are the work of Eindhoven faves Raw Color. "We're a place where you can easily find things that are hard to find," say the founders. "For example, things to give to someone you really care about, like yourself if you consider it appropriate."
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Andy Rementer’s People Blocks

One of the only things that bummed us out about doing a printed edition last year was that it was, in the end, an edition — only 400 of you (give or take a few) ever read the stories housed within its covers. Take Andy Rementer’s Inventory story, for which the Philadelphia-based illustrator styled and photographed his own creative influences, which ran from vintage lettering manuals to Italo comics. It was one of our favorite stories we’ve ever published. But the good thing about creative people is that they tend to keep creating awesomely publishable things, so today we bring you Rementer’s latest: interchangeable “People Blocks,” created in collaboration with the Belgium-based object editors Case Studyo.
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Mykita’s Berlin Headquarters

Just a few blocks from the three-story factory where Mykita eyeglasses are designed, prototyped, and assembled by hand by a team of skilled workers, there’s a world-renowned contemporary art museum currently showing works inspired by Joseph Beuys’s vision of the future. There’s a new bar where fancy hipsters go to sip $15 Moscow mules, and more than a few new “luxury” condo buildings, which have begun sprouting like weeds in the area in the past five years. That’s about when Mykita moved its headquarters to their current location in the middle of Berlin’s Mitte neighborhood, which is basically the New York equivalent of setting up shop in Soho. It doesn’t actually manufacture from scratch there the metal and acrylic frames that are its signature — the parts are sent up in flat batches from South Germany — but it does just about everything else that’s required to construct and ship out between 600 and 1,000 pairs of glasses per day to the likes of Colette and Opening Ceremony. “It’s a business philosophy for Mykita that everything is under one roof,” says Lisa Thamm, head of Mykita PR, who gave us a tour of the factory this past June. “It’s actually easier that way, especially when your graphics team, your designers, everybody is really into detail.”
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Week of October 28, 2013

In a perfect world, we’d all be spending our Saturdays sleeping in, making brunch, then reading the paper in our pajamas all afternoon. Our smartphones would be switched off, and we wouldn’t open our computers until we were forced to get back to work on Monday morning. But who are we kidding? Days like those come around once in a blue moon, and we’re not exactly Luddites over here anyway — we like spending time online, when it’s for our own enjoyment, anyway. Assuming there are those of you out there who agree — or are just helplessly addicted to your RSS — we’ve decided to start a weekly recap each Saturday in order to share with you our favorite links, discoveries, and events from the past seven or so days. If you’re lucky enough to be reading this on Monday, we salute you. But for everyone else, we hope we can make it worth your while to consider spending a little bit of your downtime with us each weekend, pajamas or no.
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Sebastian Herkner’s Pulpo Containers

You might not recognize it at first glance, but Sebastian Herkner's new ultra-shiny glass Containers for the German brand Pulpo have a serious high-low thing going on — and not just in one sense, but two. Not only are they inspired by the cheap plastic containers normally used to store things like distilled water and Cheez-Balls, they're also made using a technique that's gone from rags to riches in recent history. "Mercury glass was once used as a substitute for real silverware, which was too expensive for poor people to afford," says Herkner. "Nowadays, though, it's thought of as unique and rare; there's one company in Czech Republic which specializes in mercury glass, and Pulpo produces the Containers there." Like most of our favorite tastemakers, Herkner's appreciation of both the lowly and the luxurious extends to his personal style, too, which is why we thought it fitting that he should photograph his Containers for us amidst the landscape of his own home, just outside Frankfurt. He told us more about his process and his possessions below.
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The Sight Unseen x Snarkitecture Pumpkin-Carving Contest

When we decided a few weeks ago to host a good old-fashioned pumpkin-carving contest with our friends at Snarkitecture — and to invite more than a dozen of our favorite architects and designers to compete — we figured there would be lots of intricate, hand-drawn patterns (there were, courtesy of Daniel Horowitz’s pumpkin in the form of a brain). We knew at least one group would employ meticulous typography (ditto, thanks to Benjamin Critton Art Dept.) What we didn’t guess — perhaps naively, in hindsight — was that the designers would come armed with such an array of power tools, Japanese machetes, kitchen electrics, Arduino-coded LEDs, drywall screws, and the like. As a result, what unfolded last night at Snarkitecture’s Greenpoint studios was nothing short of amazing. Here’s what went down.
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Salone Satellite at La Rinascente

From now until Christmas, pieces by 11 standout stars from this year's Salone Satellite young designers' showcase in Milan will be on view and for sale at La Rinascente. Considering that the Milan-based department store is basically Italy's version of Barneys, this is kind of a Big Deal for those young designers on the verge of stardom. And if the pieces look like they could actually be part of the same collection, perhaps it's because they all tackle the same theme from last year's Satellite: “Design and Craftsmanship: Together for Industry," a typically Italian name that just means that the designers were tasked with figuring out how to retain traditional craftsmanship techniques and processes while still producing for a mass audience. It's also because many of the items draw from a similar materials palette: "This is a compendium of “poor” materials, ranging from wood to glass, to iron to terracotta, reinterpreted and worked in a surprising fusion of craftsmanship and industrial techniques." We've picked some of our favorites to share with you today.
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