Afternoon Sculptures by Erik Olovsson

Today on the site, we're featuring Swedish designer Erik Olovsson, who's debuting in Milan this week a collection of stools made from slatted pine and treated with various hues and patterns of screen-print dye. Olovsson's been documenting his experiments in color-treated on Instagram with the hashtag #afternoonsculptures, and we're excerpting a few of our favorites here today.
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The Best Thing We Saw in Milan Today, Day 1

Sight Unseen is on the ground at the Milan Furniture Fair this week and we’ll be bringing you loads and loads of coverage later this week! But until our rounds there are done, we’ll be featuring quick hits from some of our favorite things that caught our eye. First up: Ferrosecco, a collection of powder-coated steel vases and cups by Italian designer Federica Elmo, which we spotted at Ladies & Gentlemen, a show in the 5Vie area of Milan curated by Secondome and PS and featuring tons of SU faves like Studiopepe and Giorgia Zanellato. Love these pics, which are like mash-up of Meta Flora and Barbara Kasten.
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A Design Legend in the Making Breaks Out On His Own

When we first heard rumblings that RO/LU — the epically talented, intellectually formidable Minneapolis-based studio that we've been covering and collaborating with since its move into furniture design five years ago — was ending, we were sad but also a little excited. After all, what would its multi-disciplinary founders get up to next? This week, we got our first glimpse into RO/LU co-founder and creative director Matt Olson's new studio, called OOIEE.
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Week of April 4, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week we tried to restrain ourselves from posting all the Milan Furniture Fair goodness we've been gathering by sharing our top picks from Miart (above), plus recent examples of three trends we expect to see plenty of at the Salone next week: colored mirror, brushstrokes, and terrazzo.
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Tijmen Smeulders minimal Dutch design

Here’s (More) Proof That Dutch Design Has Gone Super Minimal

It’s rare to come across a body of work and a design approach as radical as that of Dutch designer Tijmen Smeulders. Give his portfolio a quick browse, and you'll find only the barest essentials: dimensions, material, and year of production. Focused on technical exploration and highly sculptural, his pieces offer the viewer no explanation of their existence or even a hint as to the concept behind them — they are pure form.
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A New Layer at Östasiatiska Museet

Turns out we're not the only ones who have noticed Scandinavia's re-emergence as a design powerhouse. In 2012, at the behest of the Taiwanese government, the National Taiwan Craft Research and Development Institute invited five Swedish designers — Gabriella Gustafson and Mattias Ståhlbom of TAF, Matti Klenell, Stina Löfgren, and Carina Seth Andersson — to visit their country in order to work with craftsmen to explore the world of lacquer techniques. From Taiwan's point of view, the project was meant to boost interest in their native lacquer craft and to investigate the effects of combining lacquer work with Scandinavian design. But it was also a very savvy business decision: "Many producers in Taiwan are curious about the performance of IKEA, Muuto, and Hay ━ the entire Scandinavian success story," says Klenell. "A lot of questions have been asked about that kind of thing: 'How can we learn about design, how can we start up businesses?'" The impact of the collaboration on Taiwanese design culture is still to be seen, but the physical results will be on view starting next Tuesday and until February 8 at Stockholm's Östasiatiska Museet, or the Museum of Far Eastern Antiquities.
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A New Berlin Creative Studio Puts the Art in Art Direction

Before forming the design studio Eurodance in Berlin last year, Tom Singier and Jean Leblanc worked as, respectively, an art director with his own gallery specializing in fine-art prints, and an illustrator for clients like Nokia and Louis Vuitton — hence they were both fully acclimated to existing in the grey area between form and function.
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Jesse Moretti at Patrick Parrish

A New Series of Pastel Paintings, Inspired by Floridian Hues

In her colorful, line-driven work, Brooklyn artist Jesse Moretti has always explored the space between flatness and dimensionality, and the visual tricks one might use to create a bridge between the two. Her newest body of work, called FOAME — on view through Sunday at Patrick Parrish Gallery in New York — does so quite literally: In many of her paintings, Moretti employs a shadowy line that creates the illusion of a canyon carved into the wood — or, perhaps, like an X-acto knife cut into foam.
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Nick Ross sandstone furniture

Seriously Modern Vibes From a Collection Inspired by Ancient Texts

With so many designers mining references from only the last decade or so, it can be weirdly refreshing to talk to someone like Nick Ross, whose influences run more towards Mesopotamia than Memphis. Ancient trade routes, Greek and Roman sculptures — these are the things that inspire the Stockholm-based, Scottish-born designer, whom we first featured when he was graduating from Konstfack a few years back. His thesis project there spawned an instant classic — the White Lies table, which features a marble-topped column with a richly saturated gradient fading down its trunk. Since then, Ross has been thinking about and working on this new collection, which he's debuting at the Milan furniture fair next week.
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Week of March 28, 2016

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Little glimpses into the past (1930s ziggurat bookends), present (the colorful Danish stools above), and future (Milan furniture fair preview) of design.
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For Brooklyn Artist Landon Metz, Painting Takes on a New Dimension

Surprising elements — from a Duchamp readymade and postmodern tables to avant-garde music and architecture — are the seedlings with which 30-year-old Landon Metz sows his artistic philosophy. For Metz, whose studio resides in Bushwick, these are all materials that belong to the same creative ecosystem. They also provide fertile ground for his spare, lighter-than-air paintings, which tend toward the biomorphic and richly hued repeating patterns. His latest exhibition, open now through April 9th at Paul Kasmin Gallery in New York, centers around Metz’s affinity for the work of Color Field painter Morris Louis, one of the movement’s central figures.
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Sight Unseen OFFSITE 2016

Here’s a Sneak Peek at Our 2016 Show!

Today we're excited to share the details of our Sight Unseen OFFSITE 2016 show, presented in partnership with Ford Motor Company and taking place May 13–16 on the 15th floor of the iconic Grace Building, a beautiful 20,000 square-foot space with floor-to-ceiling views onto Bryant Park below.
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tinted concrete furniture by Magnus Pettersen

Experiments in Concrete, From a Scandinavian By Way of Brazil

Magnus Pettersen's experiments in tinted concrete furniture (which is, apparently, becoming a thing) have been fascinating us ever since the Norwegian designer unveiled a pitch-perfect debut collection with his partner Lea Hein at the Stockholm Furniture Fair last year (not to mention the beautiful, blocky, sculptural seat in hues of dusky blue and yellow Pettersen recently launched with Danish design brand New Works). But to delve even deeper into the possibilities of concrete as a raw material and color as an unpredictable intervention, Pettersen recently spent 60 days at a residency in Sao Paulo, Brazil, creating 10 new works in which the brutality of concrete is tempered by the application of organic, painterly swirls of color — in much more vibrant hues than Pettersen is typically known for.
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