10.05.23

Travel

Beata Heuman Made Her Name Designing Colorfully Maximalist Interiors. Now She’s Bringing That Same Aesthetic to a Chic Parisian Hotel.

The Swedish-born, London-based designer Beata Heuman is known for bringing character and charm to her interiors. And she does just that with her first hotel project: Hôtel de la Boétie, which opened in September, the sixth Parisian space from design-forward French hotel group Touriste. For this collaboration, Heuman and her studio worked with the 19th-century architecture of the building — located in rue de la Boétie in the eighth arrondissement, not too far from the Champs-Élysées — and incorporated existing elements such as the marble entrance, elevator, and staircase of the 40-room property. Keeping the design relatively simple, using a limited palette, natural woods, and stainless steel and brass, Heuman has created the kind of heightened atmosphere you can have in spaces that are meant to be traveled through and not necessarily lived in all the time. “We can treat it a bit like a stage set, which is not the approach I would take when it comes to someone’s home,” says Heuman.

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10.04.23

Sighted

Each Rug in the Latest Collection from Cc-Tapis Looks Like a Portal to Somewhere Else

Made of hand-knotted Himalayan wool at the cc-tapis atelier in Nepal, the Memento collection by Yabu Pushelberg features a trio of undyed, tone-on-tone variations in off-kilter geometries. There are arches that could be doorways; squares, trapezoids, and circles that could be windows; portals to somewhere else. Or not. These designs are not so much figurative as suggestive. Like a fleeting memory that takes you out of the present but can’t exactly put you in the past.

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10.03.23

Interiors

These Three Historic Properties Have Been Reimagined As Our New Favorite Design Hotels

Designing the interior for a hotel these days can be a tricky thing. Most hotels aren't ground-up builds, so there needs to be a certain amount of sensitivity towards the building's past while still imagining a place that a 21st-century traveler — who is constantly bombarded with other people's vision of what makes the perfect vacay — might actually want to stay. In our fall hotel round-up, we look at three projects who have succeeded beyond our wildest dreams. How about a reimagined historic English country manor from the 17th century? A ‘50s-inspired guest house in Marseille above a famed restaurant? Or a renovated functionalist building that’s the talk of Brussels? Take your pick after the jump. 

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10.02.23

Fair Report

15 Projects We Loved From September’s Design Fairs in London and Paris

It could be the time of year that gives the London Design Festival and Maison & Objet in Paris a kind of in-between feel. Summer still lingers in places, and a moody, autumnal atmosphere takes over in others — although this could also be attributed to the essential nature of each city's design scene as well. As usual, there was plenty to see, though we also wondered if there was some amount of holding out for what may end up the true statement moment of the fall design calendar: October's inaugural edition of Design Miami/Paris. What struck us this year (from afar, sigh) wasn’t so much a few noticeable trends as an emphasis on collaboration — aesthetics may be fragmented, but our connection to each other is stronger than ever.

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09.27.23

Excerpt: Exhibition

Need a Cheat Sheet to the Current Norwegian Design Scene? Take Notes

For this year’s Unika Auction, the third iteration of the contemporary Norwegian design showcase, FOLD Oslo invited 30 designers, from up-and-comers to established Norwegian names, to create new pieces. (Unika means unique in Norwegian). "Choosing designers to be part of this Unika exhibition was challenging, but also very exciting, as the Norwegian design scene has exploded with talented designers, craftspeople, and artists in recent years,” says FOLD member Anna Maria Øfstedal Eng. There are a wealth of materials here, which both represent and spring from longstanding Norwegian craft traditions in textiles, woodworking, glass, and aluminum. What connects it all for Øfstedal Eng, aside from geographic provenance, is a shared approach: a combination of preservation and innovation that leads to enduring work.

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05.23.22

Fair Report

25 Projects We Loved at This Weekend’s 2022 Collectible Design Fair in Brussels

This past weekend marked the fifth edition of the Brussels design fair Collectible, and while our schedules failed to align with an IRL visit, we did our best to round up our favorite participants from afar, everything from old favorites like Maarten de Ceulaer's stained glass lamp series — which got a few new additions this month — to exciting new discoveries like Sarah Becchio and Paolo Borghino of Errante Architetture, who debuted a series of hardware-free MDF coffee tables. Browse our finds after the jump!

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09.26.23

Sighted

Herman Miller’s New Task Chair Wants to Become the Next Upholstered Icon (And It Doesn’t Have a Ton of Competition)

We don't talk a lot on this site about Naoto Fukasawa. He's one of an earlier generation of industrial designers — along with names like Jasper Morrison and Hella Jongerius — whose talent and influence is, by this point, simply a given in certain creative circles. (And not, perhaps, in others.) But while we hadn't heard about a major project of his in a long time — his Pao light for Hay was probably the most recent, though why did no one tell us about this sweet Japanese playground equipment? — our ears perked up with we heard one of America’s largest and most celebrated office furniture brands had teamed up with the feted Japanese designer. The result is the Asari task chair, the latest collab between Herman Miller and Naoto Fukasawa, and it is, expectedly, a resounding match made in functional, ergonomic, minimalist heaven.

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09.24.23

Saturday Selects

Week of September 18, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Wentrcek/Zebulon imagine a "dys-taupian" future in LA, Tekla Evelina Severin creates the cushiest two-pile rugs for Ogeborg, and Gas Aulenti's iconic Pipistrello lamp gets sheathed in the sunniest yellow.

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09.21.23

Q+A

Sabine Marcelis on Her Newest Collaboration, Her Material Research, and Her Complicated Feelings About the Color Blue

Sabine Marcelis has become a design breakout star, her minimal-yet-colorful work in glass and resin having penetrated the worlds of architecture, fashion, music, and TikTok. Now she’s conquered yet another realm of wider culture — beauty — through a major collaboration with the Swiss skincare brand La Prairie, with whom she’s just launched a vanity tray that marries her signature use of resin with the brand’s signature shade of cobalt. We decided it was a good moment to catch up with Marcelis, and talk to her not only about this project, but also about what materials she’s been experimenting with lately, how she feels in the wake of all the social media hype, and why she — cobalt excluded, of course — doesn’t actually like the color blue.

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09.20.23

Q+A

It’s Colin King’s Tastefully Curated, Beige-Hued, Branch-Forward World. We’re Just Living In It.

If you were paying close attention, you might have noticed Colin King's slow creep towards ubiquity over the last five years. First came the styling credits for unabashedly chic interiors, like Giancarlo Valle's New York apartment in Architectural Digest, or any number of the exactingly produced homes for Athena Calderone's, Live Beautiful. Then came the brand work — styling for the likes of Anthropologie, Hay, and B&B Italia — and the collabs: a collection of small goods for the Danish brand Audo, a rug series for Beni, and a collection for West Elm, among others. But things really began to ramp up when King's book, Arranging Things — a lavishly illustrated how-to guide to his own particular style — announced its 2023 release. By all accounts, a book by a stylist — normally a solidly behind-the-scenes job — is somewhat of a novelty. While those on the inside may be well-versed in the who’s who of creatives realizing magazine editorials and brand campaigns, rarely does someone break out and make themselves known in the mainstream. But King has achieved just that.

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09.19.23

What They Bought

This Chicago Showroom is an Under-the-Radar Gem for Sourcing High-End Vintage Furniture Finds

The collection of furniture, objects, and art at Beth Berke’s Chicago vintage furniture emporium South Loop Loft is both wonderfully eclectic and satisfyingly cohesive. While Berke is often drawn to iconic classics by recognizable names, she’s developed a keen eye for the unusual, too, which in a way reflects her curious path to the design world. Berke began as an aid worker in Afghanistan and then a social worker in Chicago, helping women and children in crisis; $30,000 sofas were not exactly top of mind. But a stint in San Francisco “on a social worker's budget,” she says, led her to estate sales and Craigslist, as well as a burgeoning passion for vintage furniture.

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09.16.23

Saturday Selects

Week of September 11, 2023

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: Gallery Fumi’s biology-inspired 15th anniversary exhibition, furniture made from giant toothpicks, and the juiciest tiled interior we've seen to date.

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09.14.23

Sight Unseen Collection

Farrah Sit’s Work — Including Her Best-Selling Serpentine Sconce — Feels Both Effortlessly Current and Like a Prehistoric Artifact

Equilibrium and harmony: They’re difficult to achieve in life and maybe only slightly easier in design. But the search for balance, especially a desire for balance with nature, has lately been driving New York designer Farrah Sit — in a stylistic sense, but also in the way she produces the lighting and furniture for her eponymous line. Sit makes pieces that embody substantial and even existential concerns but wear their heaviness lightly; they’d look really great in your living room but they’re also meant to do more than that. “Part of what we’re trying to do as designers,” she says, “is create awareness between you and your environment.” Her aesthetic has largely hewn to neutral colors and natural materials and a dedication to elegant, mysterious forms ­— like Sit's best-selling Serpentine sconce, which debuted as part of Sight Unseen Offsite in 2020 and is now part of the Sight Unseen Collection. A ceramic wall sconce, Serpentine seems both effortlessly current and like an unearthed artifact — a relatively simple form that wordlessly conveys a whole world of feeling.

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