New Work By My Bauhaus Is Better Than Yours

From the start, the young Weimar students behind My Bauhaus Is Better Than Yours gave themselves a crushingly large reputation to live up to. Not their alma mater's creative legacy, mind you, but those tote bags, given away when the collective-turned-production company launched in 2009. Bearing its name in a thin block print, the bags made for the perfect product even before you saw the group's actual work, and for awhile you couldn't turn a single corner at a design event without running into someone wearing one. But to the credit of the now Berlin-based company's founders — graphic designers Manuel Goller and Daniel Burchard — each furniture collection continues to hit the proverbial nail on the head, combining appealingly graphic shapes with just the right dose of functionality. Earlier this week, My Bauhaus re-launched its webshop with a new design, lower prices, and new products, some of which debuted earlier this year in Milan. We asked three of the designers behind those works to send us a list of five things that inspired their piece, from Bret Easton Ellis to solitaire.
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At Design Miami/Basel 2012

When Design Miami rolls around each winter, it’s hard to resist the siren’s song of sunshine in December, no matter how much you've decided you hate standing in line for parties or how high the hotel rates might balloon during that frenetic week. We’ve been known to pool resources with friends far and wide in order to hop on flights and hightail it out of New York on the promise of a stolen afternoon at the Standard’s pool, or even a press brunch at some Collins Avenue hotel du jour. But we’ve never made it to the event that started it all: Design Miami/Basel and its legendary accompanying art fair. Lucky for us, then, that we alighted this year on the perfect correspondent: Marco Tabasso, known in design circles as Rossana Orlandi’s right-hand man, who took advantage of a rare two-day break (the gallery sat this year out, after having debuted a massive Nacho Carbonell installation in 2011) to zip around the Swiss metropolis, capturing everything he saw for us on proverbial film.
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At dOCUMENTA (13)

You don't go to Kassel, Germany (population 195,000) to eat delicious food or sightsee, and you certainly don't go there to shop. It's not even the kind of place that has that old-world, small-town charm. Kassel has one thing and one thing only: dOCUMENTA, the massive art show that was founded there in 1955 and takes place once every five years, pairing all the right it-names of any given half-decade's contemporary scene with all the right coolly obscure ones plucked from modern history. Earlier this week, I ventured out to Kassel from my temporary summer roost in Berlin to visit dOCUMENTA (13), curated by Carolyn Christov-Bakargiev; in two days, I managed to see only about a half to two-thirds of the work woven throughout the show's two-dozen or so venues, not including a park full of sculptures and conceptual dog runs that I particularly regret missing. I took nearly 200 photographs, half of which are now posted on Facebook — check out a sampling here, then follow this link over to Sight Unseen's page to see the rest, including an "invisible" installation by the inimitable Ryan Gander that left a very curious byproduct on the floor...
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Shin Okuda (an excerpt from Paper View)

Today, we introduced a selection of housewares to the Sight Unseen Shop, including Shin Okuda's whimsical plywood and steel Shaped Bookends. We thought this was the perfect opportunity to introduce you to the Los Angeles designer's inspirations and work, which we originally showcased in Paper View, Sight Unseen's first-ever printed edition. Though the book has a limited run, copies are still for sale in our online shop. Get yours here before it's too late, and read on to find out more about one of our favorite up and coming designers.
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Symbols + Rituals, via Where They Create

We first spotted the collaboration between Nanse Kawashima and Eri Nagasaka on Dossier magazine's website, where the writer noted that "it’s kind of hard to describe what exactly Symbols + Rituals is." To us, it looked like a perfectly curated collection of vintage curios, some sleek and some dark and witchy — Super Normal meets supernatural.
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Sruli Recht, Product Designer

Sighted on Design Milk: A Friday Five interview with the intriguing Icelandic designer Sruli Recht, whose studio is "a small cross-disciplinary practice caught somewhere between product design, tailoring and shoe making," it writes. In the story, Recht shares five of his materials inspirations, including the chest of an Atlantic Seabird given to him by a leather tanner.
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Tools for Everyday Life, by the Designers in Residence at Northumbria University

It seems ironic that the design school at Northumbria University's two most famous graduates would be Max Lamb and Jonathan Ive. At one end of the spectrum is Lamb, a designer so consumed with the act of making and the transparency of process that he films himself fabricating each piece from start to finish and posts the results on his website. On the other is Ive, who’s responsible for an object that’s more of a cipher, one that conceals its mechanics within and successfully erases any questions about how the way it works or the context in which it was made. But perhaps the difference between the two designers is as simple as the difference between their concentrations at university: Ive graduated from a Northumbria program known as Design for Industry, which focuses on consumer experience, while Lamb finished a course called Three-Dimensional Design, where the act of making is as paramount as the artifact itself. It’s the latter program that's yielded the Designers in Residence who have exhibited at ICFF, for two years running, a collection of products known as Tools for Everyday Life, and it’s in Lamb’s footsteps that those designers follow.
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At Sofia Design Week

This past weekend, Sight Unseen was invited to participate in Sofia Design Week, where I gave a lecture to the members of Bulgaria's design community about how and why we do what we do here. (Other speakers included Stefan Sagmeister, Raw Edges, Bas van Beek, Numen/For Use, and my new faves Abäke.) Unsurprisingly, it was my first time in Bulgaria, so I couldn't resist taking photos — both of the city's strange and wonderful sights, and of the few design objects I had time to check out while not watching my fellow speakers hold forth in the lecture hall, like this chair by London-based Marina Dragomirova that uses traditional Bulgarian carpet-weaving techniques. We've just posted a photo album on Sight Unseen's Facebook page; have a look, and don't forget to like us while you're at it!
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With Martin Lorenz, Co-Editor of Pretty Ugly

There are moments, when leafing through the pages of Gestalten's latest opus Pretty Ugly, that you'll feel a little perplexed. Not by the stretched and layered type that practitioners of the New Ugly graphics movement use to obscure the messages contained in their work, nor by the fact that brands and organizations are trying to sell themselves with these deliberately obtuse images. What you'll find so confusing, rather, is just how beautiful most of the projects appear, despite their creators' best attempts at visual rebellion — a fact acknowledged by the book's editors, Lupi Asensio and Martin Lorenz of the Barcelona-based firm twopoints.net, in its oxymoronic title.
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At New York Design Week 2012, Part IV: The Rest

At 8:15 AM on Monday, May 21, I heard it in my sleep: thunder, really loud thunder, loud enough to wake me up and send me flying to the window in a panic. The Noho Design District's 22 Bond space had shown signs of roof leakage during setup earlier that week, and with torrential downpours seeming imminent, I threw on shoes and glasses and rushed meet Jill at the space to begin damage control. Thus went the day, as we scrambled to clean up puddles and position buckets underneath the growing indoor deluge, our dreams of making it to the rest of New York Design Week's offsite shows slipping away from us by the hour. We'd seen Wanted Design and Matter the day before, but as fate would have it, there would be no Boffo Show House for us this year, nor would we make it to Model Citizens, despite a valiant effort which saw us sprinting up the stairs of the venue fifteen minutes before the show was scheduled to close, only to find that almost everyone had packed up early. Luckily the American Design Club's Raw + Unfiltered exhibition at Heller Gallery — part two of the Karlsson's Unfiltered project — remained on view later that week, so we paid it a belated visit. (The Boffo house is up through June 4, though as of press time we hadn't been able to get there quite yet; ditto for the Herman Miller pop-up shop, on until July 1.) Next year, if they haven't quite perfected cloning technology just yet, we at least hope to nip this problem in the bud with a more foolproof modern invention: interns.
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At New York Design Week 2012, Part III: The Noho Design District

The question we get most often about curating and producing three years' worth of Noho Design Districts isn’t “Can you spare an invite to the VIP party” or even “How can I show my work with you?” but “How on earth do you two do it?” This year was our biggest and best event yet: We had two new hubs (the empty former print lab at 22 Bond Street and The Standard, East Village hotel on Cooper Square); two new international partners (London’s Tom Dixon took over the basement of the Bleecker Street Theater while DMY Berlin hit the American circuit downstairs at 22 Bond); and exhibitions so big that one of them stretched across two different venues (The Future Perfect’s showcase busted the seams of its Great Jones flagship, continuing up the street at 2 Cooper Square).
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At New York Design Week 2012, Part II: Hotel California

How could we have possibly known, when we first decided to host an exhibition of California design during our third annual Noho Design District, that we would be blessed with four straight days of glorious, Los Angeles–style sunshine? (Followed, of course, by a day of downpours, but more on that tomorrow.) Springtime in New York is a fickle beast, and when we first began to plan how best to use the gorgeous second-floor terrace space we’d been given at the new Standard, East Village hotel, we said a prayer for mild climes but also engaged in fretful what-ifs with our hotel ambassadors, talking of contingencies like awnings, tarps, and the possibility of moving everything — save for a nearly 50 square foot teak and rubber fort constructed on-site by Matt Gagnon — inside.
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At New York Design Week 2012, Part I: ICFF

We may have spent most of our New York Design Week(end) tending to the most successful Noho Design District ever — wrap-up post coming soon! — but this year we were determined to see as much of everyone else's presentations as possible, including spending more time walking the International Contemporary Furniture Fair at the Javits, checking in with old friends while discovering new talents. And since Roll & Hill opted not to reprise the bar they plopped in the middle of the fair last year, plying us with beers and chips as we charged our phones and completely lost track of time, we were able to do a relatively thorough sweep before racing back out into the sunshine again. We started out just snapping products we loved, but then couldn't resist adding a Sight Unseen twist, so we asked some of the more adventurous designers and brand ambassadors to strike a pose with one of their new pieces — which turned out to be a welcome break from the tedium of spending one's days doing business inside a windowless convention center. See our highlights here, then stay tuned for our roundup of this year's offsite shows.
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