Sophie Dries shoe store
02.25.22

Sighted

A Whimsical Parisian Shoe Store By One of France’s Biggest Up-and-Coming Talents

Sophie Dries's design for the Michel Vivien store is relatively simple, in that it centers around a 50-foot-long undulating walnut wood wall pierced with glass and wooden floating shelves. But it is the art and objects — abstract, totem-like sculptures, stools by Pierre Chapo used as pediments for displaying shoes, plush velvet seating, and lighting by Jacques Biny and Charlotte Perriand — and the way she artfully arranges them that make the space so interesting.
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02.24.22

Up and Coming

Olivia Cognet’s Very Provence–Meets–Palm Springs Ceramic Murals

With a color palette drawn largely from nature, Olivia Cognet’s aesthetic of geometric lines and sculptural excrescences is heightened by elegant crackle glazes and tactile textures. Exploring a dialogue between Brutalist influences and feminine discourse, architecture and art, Cognet's often large-scale works — from lamps to monumental bas-reliefs — embrace the irregular, inspired by her design idols, Roger Capron and Jean Derval.
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02.23.22

Fair Report

Our Favorite Exhibitions and Artworks From This Year’s Frieze Week in Los Angeles

Having attended the very first edition of the Frieze art fair's LA edition in 2019, back when it took place at Paramount Studios and gave me my first IRL glimpse of an off-duty backlot, returning three years later was a very different experience — not only has the fair itself come into its own, there's now a jam-packed Frieze Week surrounding it that was both exhilarating, and exhausting, to experience. Today we're featuring my picks from Frieze itself, but also from all the exhibitions and openings happening around town.
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02.20.22

Saturday Selects

Week of February 14, 2022

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: never-produced 1970s furniture by Gabriella Crespi reissued by Gubi, a sprawling solo show of works by Simone Bodmer-Turner, and a new wallpaper series (pictured) whose bold geometries have a painterly feel.
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02.17.22

Sighted

The Experimental Mexico City Design Shop That’s On Our Must-Visit List

We've experienced such a shrink in the retail industry over the past two years that it honestly feels incredibly heartening to see a brick-and-mortar design store of all things opening in Mexico City this week. Called ORIGINARIO and led by Andrés Gutierrez — whose work we featured early last summer — the store is a destination where design folks can shop for furniture, objects, and art by homegrown talents, including Comité de Proyectos, CHUCH, Bestia, Raúl de la Cerda, Flama, A-G studio, and more.
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12.17.19

Excerpt: Exhibition

Two Berlin Artists, On View at a Café Where Brunch Meets Brutalism

The definition of gallery keeps expanding, and perhaps our favorite new entry is the mezzanine of the year-old café Baldon, located inside architect Arno Brandlhuber’s terraced, brutalist Lobe Block building in the Wedding neighborhood of Berlin. On view until the end of the month is a show that combines two artists of recent interest — Kim Bartelt, whose home and studio we featured here earlier this fall, and Yellow Nose, a Berlin-based studio founded in 2017 by two Taiwanese architects, Hsin-Ying Ho and Kai-Ming Tung.
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cristina celestino interior
02.16.22

Interiors

In a Renovated Apartment in Udine, Cristina Celestino Shows the Softer Side of Brutalism

What's the first thing you notice when you scroll through images of this renovated 1970s-era apartment in Udine, Italy? Is it the pink-on-pink walls, a kind of blush and bashful situation? Is it the delicate, fan-shaped Afra and Tobia Scarpa floor lamp (which, we're predicting, is about to blow up in a big way)? Is it the conversation-pit–like living room, covered in wall-to-wall travertine tiles? The genius of Milan-based designer Cristina Celestino is that her interiors give you the space to notice each of these things, but no one element knocks the others out of balance.
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02.12.22

Saturday Selects

Week of February 7, 2022

A weekly Saturday recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: two African artists — one living, one dead — in dialogue in London, two color enthusiasts making magical pillows together, and one giant carved peanut, just because.
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02.10.22

Up and Coming

The Former Gucci Model Turned Textile Designer Making Waves in London

British designer Tom Atton Moore creates tactile rugs inspired by painterly abstraction. On view through February 20 at BC in Los Angeles, Moore's new collection was inspired by the patterns he observed in the swirling chemicals on the surface of a countryside pond during the pandemic lockdown. We recently chatted with the former high-fashion model and illustration graduate to gain insight into his material world and self-taught design process, which began with the purchase of a tufting gun from eBay and watching how-to videos on YouTube. 
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02.09.22

Sight Unseen Presents

We’re Putting 500+ of Our Favorite Products Into One Printed Magazine. Here’s How to Get a Copy.

The Sight Unseen Yearbook comes out next month, and features more than 500 of 2021’s best residential products and furnishings. It's primarily meant to serve as a comprehensive yet curated resource for interior designers and architects looking for pieces to source and designers and brands to earmark. If you're currently practicing as an interior designer or architect, you can get a copy for free by signing up for a Sight Unseen trade subscription. Read on to find out how!
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02.07.22

Excerpt: Exhibition

At Barber Osgerby’s Galerie Kreo Exhibition, An Exploration of the Artisanal and the Industrial

Though the London-based studio Barber Osgerby first started working with Galerie Kreo more than half a decade ago, with their monolithic, shinto shrine–inspired Hakone collection of tables, last month marked their debut as a solo exhibitor. In a show called Signal, on view until April 16, the London duo finally gets to show off their impeccable color sense, which has always seemed a natural fit with Galerie Kreo's aesthetic.
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